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Evert Augustus Duyckinck, His Life, Writings and Influence
This book is a fascinating biography of Evert Augustus Duyckinck, a prominent literary critic and editor in 19th-century New York. Duyckinck was a central figure in the American literary scene, and he worked closely with such luminaries as Edgar Allan Poe and Ralph Waldo Emerson. Osgood paints a vivid portrait of Duyckinck's life and achievements and shows how he helped shape American culture. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Correspondence
"Consequently, to fill the gaps within the correspondence, 542 editorial entries are chronologically interspersed for letters both by and to Melville for which no full text has been located but for which some evidence survives. These entries, like the editorial headnotes for the known letters, flesh out the specific historical and biographical contexts for the unlocated letters. Both supply Horth's full annotations, placing circumstances, persons, and allusions, from a wide range of documentary and scholarly sources, and drawing upon family archives of both Melville and his wife, including the recently recovered portion, now in the New York Public Library, of a trove preserved by his sister ...
Evert Augustus Duyckinck, His Life, Writings and Influence
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
An Empire of Print
Home to the so-called big five publishers as well as hundreds of smaller presses, renowned literary agents, a vigorous arts scene, and an uncountable number of aspiring and established writers alike, New York City is widely perceived as the publishing capital of the United States and the world. This book traces the origins and early evolution of the city’s rise to literary preeminence. Through five case studies, Steven Carl Smith examines publishing in New York from the post–Revolutionary War period through the Jacksonian era. He discusses the gradual development of local, regional, and national distribution networks, assesses the economic relationships and shared social and cultural pra...
The Grand Chorus of Complaint
An engaging study of authorship, ethics, and book publishing in 18th- and 19th-century America, The Grand Chorus of Complaint considers the uneasy relationship between art and commerce with readings of correspondence, newspaper articles, and works by Thomas Paine, Herman Melville, and Fanny Fern.
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