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A representative selection of interviews with one of the most acute observers of American politics, society, and culture in the twentieth century
Sumner finds the clearest expression of Macdonald's creative power and of the political thinking that would eventually bridge the "Old Left" and the "New".
A New York Review Books Original An uncompromising contrarian, a passionate polemicist, a man of quick wit and wide learning, an anarchist, a pacifist, and a virtuoso of the slashing phrase, Dwight Macdonald was an indefatigable and indomitable critic of America’s susceptibility to well-meaning cultural fakery: all those estimable, eminent, prizewinning works of art that are said to be good and good for you and are not. He dubbed this phenomenon “Midcult” and he attacked it not only on aesthetic but on political grounds. Midcult rendered people complacent and compliant, secure in their common stupidity but neither happy nor free. This new selection of Macdonald’s finest essays, assembled by John Summers, the editor of The Baffler, reintroduces a remarkable American critic and writer. In the era of smart, sexy, and everything indie, Macdonald remains as pertinent and challenging as ever.
Here in one volume is a comprehensive selection of letters from the correspondence of one of the most astute observers of American politics, society, and culture in the 20th century.
This book is the quintessential story of an American awakening. It is the tale of an upper-middle-class white male, schooled in the elite institutions of the WASP establishment, who managed to jettison all of the prejudices and provincialism of his class and through the force of his inquiring mind, to become one of the most penetrating critics of mid-century American civilization.
Dwight Macdonald was the most prominent American excoriator of mass culture in the 1950s and '60s, but has since been derided as elitist and irrelevant. Dwight Macdonald on Culture argues against previous interpretations, offering new perspectives on a figure that grappled with issues of culture that remain ever-pertinent.
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Thomas Wheatland examines the influence of the Frankfurt School, or Horkheimer Circle, and how they influenced American social thought and postwar German sociology. He argues that, contrary to accepted belief, the members of the group, who fled oppression in Nazi Germany in 1934, had a major influence on postwar intellectual life.
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