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Why I Hate Abercrombie & Fitch
Reflections on the ways discriminatory hiring practices and racist ad campaigns seep into American life Why hate Abercrombie? In a world rife with human cruelty and oppression, why waste your scorn on a popular clothing retailer? The rationale, Dwight A. McBride argues, lies in “the banality of evil,” or the quiet way discriminatory hiring practices and racist ad campaigns seep into and reflect malevolent undertones in American culture. McBride maintains that issues of race and sexuality are often subtle and always messy, and his compelling new book does not offer simple answers. Instead, in a collection of essays about such diverse topics as biased marketing strategies, black gay media ...
James Baldwin Now
White fantasies of desire : Baldwin and the racial identities of sexuality / Marlon B. Ross -- Now more than ever : James Baldwin and the critique of white liberalism / Rebecca Aanerud -- Finding the words : Baldwin, race consciousness, and democratic theory / Lawrie Balfour -- Culture, rhetoric, and queer identity : James Baldwin and the identity politics of race and sexuality / William J. Spurlin -- Of mimicry and (little man little) man : toward a queersighted theory of black childhood / Nicholas Boggs -- Sexual exiles : James Baldwin and Another country / James A. Dievler -- Baldwin's cosmopolitan loneliness / James Darsey -- "Alas, poor Richard!" : transatlantic Baldwin, the politics of...
The Delectable Negro
Winner of the 2015 LGBT Studies Award presented by the Lambda Literary Foundation Unearths connections between homoeroticism, cannibalism, and cultures of consumption in the context of American literature and US slave culture that has largely been ignored until now Scholars of US and transatlantic slavery have largely ignored or dismissed accusations that Black Americans were cannibalized. Vincent Woodard takes the enslaved person’s claims of human consumption seriously, focusing on both the literal starvation of the slave and the tropes of cannibalism on the part of the slaveholder, and further draws attention to the ways in which Blacks experienced their consumption as a fundamentally ho...
Impossible Witnesses
Black literary production during the 19th century was dominated by the issues of slavery, racial subjugation, abolitionist politics and liberation. This book examines how those authors bore witness to the experiences they described.
From Bourgeois to Boojie
Vershawn Ashanti Young and Bridget Harris Tsemo collect a diverse assortment of pieces that examine the generational shift in the perception of the black middle class, from the serious moniker of "bourgeois" to the more playful, sardonic "boojie." Including such senior cultural workers as Amiri Baraka and Houston Baker, as well as younger scholars like Damion Waymer and Candice Jenkins, this significant collection contains essays, poems, visual art, and short stories that examine the complex web of representations that define the contemporary black middle class.
Lobby Investigation
Investigates trade association efforts to influence U.S. tariff policy.
Black Like Us
Winner of the 2003 Lambda Literary Award for Fiction Anthology Showcasing the work of literary giants like Langston Hughes, James Baldwin, Audre Lorde, Alice Walker, and writers whom readers may be surprised to learn were "in the life," Black Like Us is the most comprehensive collection of fiction by African American lesbian, gay, and bisexual writers ever published. From the Harlem Renaissance to the Great Migration of the Depression era, from the postwar civil rights, feminist, and gay liberation movements, to the unabashedly complex sexual explorations of the present day, Black Like Us accomplishes a sweeping survey of 20th century literature.
Racial Blackness and the Discontinuity of Western Modernity
The unfinished manuscript of literary and cultural theorist Lindon Barrett, this study offers a genealogy of how the development of racial blackness within the mercantile capitalist system of Euro-American colonial imperialism was constitutive of Western modernity. Masterfully connecting historical systems of racial slavery to post-Enlightenment modernity, this pathbreaking publication shows how Western modernity depended on a particular conception of racism contested by African American writers and intellectuals from the eighteenth century to the Harlem Renaissance.
Bodies in Dissent
Performance and identity in nineteenth and early twentieth-century Arican-American creative work.
