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This Is the Night is a work of "liturgical theology," understood as a theology inspired or informed by the liturgies of Christian Holy Week. In the context of modernity in crisis, it is an attempt to think with the principal liturgies of the "PaschalTriduum" - Maundy Thursday, Good Friday, and the Great Vigil of Easter - about human suffering. The author works from an analysis of the structure of the Christian paschal liturgies to offer an account of suffering that is more compassionate and honest than that of western modernity. Moreover, this account is the theoretical correlate of an ethic performed by the paschal liturgies: their structure and rhythm give rise not only to an account of su...
This volume presents a tapestry of narratives in which the lived experiences of eight racially minoritized theologians and biblical scholars are woven together to present an interdisciplinary exploration of the direct impact that ethnocultural traditions have in shaping the way people read and interpret the biblical text. Moving beyond traditional approaches to biblical hermeneutics steeped in Euro-normativity, Canadian scholars from Latino/a, Chinese, Korean, Indian, Cree, and AfriCaribbean backgrounds draw on their respective locations to articulate how their communities engage the Bible. Together they show that ethnicity and cultural tradition enrich how different communities weave their life stories with the biblical text in hope of finding wisdom within it. By focusing on questions rooted in their particular traditions, these diverse hermeneutical engagements show narrative to be central to the interpretive task within diverse ethnocultural communities.
Doxology: a journal of worship and the sacramental life, Volume 31 (2020) Founded in 1984, Doxology: a journal of worship and the sacramental life is a quarterly, peer reviewed journal published by the Order of Saint Luke (OSL Publications). It focuses on emerging and historical theologies and practices of Christian worship. Print distribution is to the members of the Order globally, as well as to a number of theology departments and seminary libraries in the United States. Doxology also continues the tradition of the journal Sacramental Life, which merged with Doxology in 2020.
Drawing on performance studies and sacramental and liturgical theology, Ruthanna B. Hooke develops a theology of proclamation grounded in the body’s experience of preaching. The author explores the claim that preaching is a sacramental event of communion with the triune God by comparing the steps involved in voice production with the fourfold shape of the Eucharist. This comparison yields a description of preaching as an event of self-offering that allows space for the humanity of the preacher and as an encounter with the Holy Spirit that is communal and prophetic. Preaching draws participants into Christ’s dying and rising, and hence into a mode of power known in vulnerability. Calling hearers into the eschatological event of the resurrection, preaching inherently moves toward proclamation on political and ethical issues. Hooke uses this theological framework to offer ways of preaching on environmental crisis and on racism. The author calls preachers to embodied engagement with preaching and describes a way for preachers to bear witness to Jesus Christ not only in the content of their proclamation, but in their way of being in the preaching event.
Centripetal Worship examines how worship is, and should be, at the center of the assembly. Contributors look at the historical and contemporary factors that influence how and why we worship the way we do. The Worship Matters Studies Series examines key worship issues through studies by pastors, musicians, and laypeople from throughout the Evangelical Lutheran Church in America. Features include the following: 1) Informal and insightful writing for all readers; 2) Study questions at the end of every chapter; 3) Examination of vital issues in weekly worship; and 4) Increased ability of leaders and congregants to understand and experience worship more richly.
The SCM Studyguide: Liturgy, 2nd Edition is an introduction to liturgy that considers the basic 'buliding blocks' needed to grasp the subject area. It outlines the essential shape and content of Christian worship and explores a range of liturgical dynamics of which both students of liturgy and leaders of liturgy need to be aware.This 2nd edition of the popular Studyguide is fully revised, updated and expanded. The book takes account of new developments in scholarship, engages with new contexts for liturgical celebration (notably, fresh expressions as part of a mixed economy of church), encompasses recent revisions in liturgy and seeks to broaden the engagement beyond the British context to consider the wider global context.
In Postcolonial Preaching, HyeRan Kim-Cragg argues that preaching is the act of dropping the stone of the Gospel into a lake, making waves to move hearts and transform the world wounded by colonial violence. The ripple effect serves as a metaphor and acronym to guide to preaching that takes postcolonial concerns seriously: Rehearsal, Imagination, Place, Pattern, Language and Exegesis (RIPPLE). Kim-Cragg explains each “ripple” in this approach and exercise of creating and delivering sermons. The author delivers fresh insights while drawing on some traditional homiletical perspectives in the service of a homiletic that takes the reality of racism, migration, and environmental degradation seriously. Moreover, Kim-Cragg demonstrates the postcolonial sermon in action by including annotated homilies. This book contributes to the very first wave of the application of postcolonial scholarship in preaching. Given the continuing extent and influence of colonial worldviews and legacies, this approach should become a staple in preaching over the next generation.
This wide-ranging collection of essays takes up the pathbreaking study of worship and culture sponsored by the Lutheran World Federation in the last decade of the twentieth century and carries the conversation forward into the twenty-first century.
A groundbreaking collection of writings that place queer ritual at the center of the theological conversation. In this collection of essays, leading scholars in queer theology and liturgical studies explore the ways in which the distinctive theological voices of LGBTQIA+ Christians challenge and expand thinking and practice around worship in new directions. This challenge has expanded in the past decades, as obstacles to the full participation of queer Christians—particularly in marriage and ordination—have fallen. Organized into three main parts, the volume begins with an introduction to queer engagement with ritual practices, continues with a series of case studies that examine queer texts and contexts, and concludes with an examination of the horizons of queer liturgical theology and practice. Throughout the volume, Queering Christian Worship provides new imagination and tools to those who study and curate Christian worship across traditions.
Music and liturgy seem inseparable, yet we seldom pause to ponder their relationship in depth. In this volume, Kathleen Harmon offers her own insights by creatively exploring the complex interplay between congregational singing and the liturgical celebration of the paschal mystery: ' Harmon asserts that liturgical music, in the form of communal singing, is a vehicle through which the ritual reenactment of the paschal mystery is effected. ' She addresses concrete and practical pastoral applications of the relationship between music and liturgy. She focuses on how the liturgical singing of the assembly creates the collective consciousness of church as the Body of Christ. ' Music, then, is much...