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Come to the Garden
On Jennifer's fiftieth birthday, a beautiful and magnificent thing happened. All through her life, she has been guarded and guided by Margaret, but Jennifer never had a clue, not until the angel unveiled before her in her lovely garden. From then on, they met in that exact same place every day. They talked about everything.
A Comparative Literary History of Modern Slavery
The first volume of A Comparative Literary History of Modern Slavery explores literary representations of enslavement with a focus on the emotions. The contributors consider how the diverse emotions generated by slavery have been represented over a historical period stretching from the 16th century to the present and across regions, languages, media and genres. The seventeen chapters explore different framings of emotional life in terms of ‘sentiments’ and ‘affects’ and consider how emotions intersect with literary registers and movements such as melodrama and realism. They also examine how writers, including some formerly enslaved people, sought to activate the feelings of readers, notably in the context of abolitionism. In addition to obvious psychological responses to slavery such as fear, sorrow and anger, they explore minor-key affects such as shame, disgust and nostalgia and address the complexity of depicting love and intimacy in situations of domination. Two forthcoming volumes explore the literary history of slavery in relation to memory and to practices of authorship.
Lovable Racists, Magical Negroes, and White Messiahs
Dismantles popular white supremacist tropes, which effectively devalue black life and trivialize black oppression. Ikard investigates the tenacity and cultural capital of white redemption narratives in literature and popular media from Uncle Tom's Cabin to The Help. He invalidates the fiction of a postracial society while awakening us to the sobering reality that we must continue to fight for racial equality or risk losing the hard-fought gains of the Civil Rights movement. Through his close reading of novels, films, journalism, and political campaigns, Ikard analyzes willful white blindness and attendant master narratives of white redemption--arguing powerfully that he who controls the master narrative controls the perception of reality. The book sounds the alarm about seemingly innocuous tropes of white redemption that abound in our society and generate the notion that blacks are perpetually indebted to whites for liberating, civilizing, and enlightening them. --From publisher description.
The Guide to Publishing Audiobooks
What You Need to Know to PUBLISH YOUR AUDIOBOOK! The Guide to Publishing Audiobooks has everything you need to know to acquire rights, produce, publish, and distribute audiobooks to expand your audience for both fiction and nonfiction, and how you can increase your bottom line in the process. Multiple Grammy Award-winning audiobook producer and director Jessica Kaye shares invaluable knowledge garnered in her years as an entertainment and publishing attorney, and audiobook publisher, producer, director, and distributor. With her insights, you'll learn how to evaluate a potential audiobook project, obtain the rights for audio publishing, or self-publish your own audiobook. This comprehensive,...
The Bible in Motion
This two-part volume contains a comprehensive collection of original studies by well-known scholars focusing on the Bible’s wide-ranging reception in world cinema. It is organized into sections examining the rich cinematic afterlives of selected characters from the Hebrew Bible and New Testament; considering issues of biblical reception across a wide array of film genres, ranging from noir to anime; featuring directors, from Lee Chang-dong to the Coen brothers, whose body of work reveals an enduring fascination with biblical texts and motifs; and offering topical essays on cinema’s treatment of selected biblical themes (e.g., lament, apocalyptic), particular interpretive lenses (e.g., feminist interpretation, queer theory), and windows into biblical reception in a variety of world cinemas (e.g., Indian, Israeli, and Third Cinema). This handbook is intended for scholars of the Bible, religion, and film as well as for a wider general audience.
American Slavery on Film
A comprehensive and timely resource on the depictions in film of enslaved African Americans and slavery from the Antebellum Period to Emancipation. American Slavery on Film highlights historical and contemporary depictions in film of the resistance, rebellion, and resilience of enslaved African Americans in the United States from the Antebellum period to Emancipation. In her study of such films as Uncle Tom's Cabin (1914), a silent movie adaptation of Harriet Beecher Stowe's novel; the groundbreaking and successful television miniseries Roots (1977); and the Harriet Tubman biopic Harriet (2019), Caron Knauer analyzes how African American slavery has been and continues to be portrayed in majo...
Black Lives Matter and the Image of God
In Black Lives Matter and The Image of God: A Theo-Anthropological Study, the author argues that "God" mirrors humankind rather than the other way around. “God” for him is made in the image of man. Humankind is not created by “God.” What one means by “God” is thus subjective and informed by one’s context. Consequently, Black lives matter to “God” only if they matter to the theologian. The depth of the matter depends on his or her experience. Hence, this book is memoiristic in discussing systematic loci like “God,” humankind, Christ, and the Trinity. The author concludes that “God’s” future is inseparable from humane values that eschew white supremacy and other modes of self-deification in favor of ethics that cultivate life for all human beings.
Twelve Years a Slave (First International Student Edition) (Norton Critical Editions)
This Norton Critical Edition of Solomon Northup’s harrowing autobiography is based on the 1853 first edition. It is accompanied by Henry Louis Gates, Jr. and Kevin Burke’s introduction and detailed explanatory footnotes. The Norton Critical Edition also includes: · The illustrations printed in the original book. · Contemporary sources (1853—62), among them newspaper accounts of Northup’s kidnapping and ordeal and commentary by Frederick Douglass, Harriet Beecher Stowe, and Thomas W. MacMahon. · A Genealogy of Secondary Sources (1880-2015) presenting twenty-four voices spanning three centuries on the memoir’s major themes. Contributors include George Washington Williams, Marion Wilson Starling, Kenneth Stampp, Robert B. Stepto, Trish Loughran, and David Fiske, Clifford W. Brown, Jr., and Rachel Seligman, among others. · The 2013 film adaptation—12 Years a Slave—fully considered, with criticism and major reviews of the film as well as Henry Louis Gates's three interviews with its director, Steve McQueen. · A Chronology and Selected Bibliography.
New Silent Cinema
With the success of Martin Scorsese’s Hugo (2011) and Michel Hazanavicius’s The Artist (2011) nothing seems more contemporary in recent film than the styles, forms, and histories of early and silent cinemas. This collection considers the latest return to silent film alongside the larger historical field of visual repetitions and affective currents that wind their way through 20th and 21st century visual cultures. Contributors bring together several fields of research, including early and silent cinema studies, experimental and new media, historiography and archive theory, and studies of media ontology and epistemology. Chapters link the methods, concerns, and concepts of early and silent film studies as they have flourished over the last quarter century to the most recent developments in digital culture—from YouTube to 3D—recasting this contemporary phenomenon in popular culture and new media against key debates and concepts in silent film scholarship. An interview with acclaimed Canadian filmmaker Guy Maddin closes out the collection.
The Judicial Process
The Judicial Process: Law, Courts, and Judicial Politics is an all-new, concise yet comprehensive core text that introduces students to the nature and significance of the judicial process in the United States and across the globe. It is social scientific in its approach, situating the role of the courts and their impact on public policy within a strong foundation in legal theory, or political jurisprudence, as well as legal scholarship. Authors Christopher P. Banks and David M. O’Brien do not shy away from the politics of the judicial process, and offer unique insight into cutting-edge and highly relevant issues. In its distinctive boxes, “Contemporary Controversies over Courts” and ...
