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Lying at Europe's remote western edge, Ireland long has been seen as having an artistic heritage that owes little to influences beyond its borders. This publication, the first to focus on Irish art from the eighth century AD to the end of the sixteenth century, challenges the idea that the best-known Irish monuments of that period-the high crosses, the Book of Kells, the Tara Brooch, the round towers-reflect isolated, insular traditions. Seventeen essays examine the iconography, history, and structure of these familiar works, as well as a number of previously unpublished pieces, and demonstrate that they do have a place in the main currents of European art. While this book reveals unexpected...
"Sheela-na-gigs are carvings of naked females posed in a manner which displays and emphasises the genitalia. In recent decades, interest in the figures has grown and they have often been a source of controversy. Once thought of in negative terms only, they have more recently come to be regarded in a positive light. There is little tradition or folklore recorded in Ireland which provides any useful insight into their origin or function. Here Eamonn P. Kelly of the National Museum of Ireland examines the examples throughout the countryside and others held for display, and makes comparisons with similar figures occuring in Britain and the rest of Europe." --
From terrorism and nuclear proliferation to emerging technologies and economic globalization, Eamonn Kelly weaves together seven powerful 'dynamic tensions' that will reshape human life in the coming decades.
This volume contains the proceedings of a conference held in Oslo in late 2005, which brought together scholars working in a wide variety of disciplines from Scandinavia, Great Britain and Ireland. The papers here began as those read at the conference, augmented by two written immediately after by attendees, but have been updated in light of the discussions in Oslo and more recent scholarship. They offer historical, archaeological, art-historical, religious-historical and philological views of the interaction and interdependence of Celtic and Norse populations in the Irish Sea region in the period 800 A.D.-1200 A.D. Contributors are Ian Beuermann, Barbara Crawford, Claire Downham, Fiona Edmonds, Colmán Etchingham, Zanette T. Glørstad, John Hines, Alan Lane, Julie Lund, Jan Erik Rekdal and David Wyatt.
The Archaeology of Violence is an interdisciplinary consideration of the role of violence in social-cultural and sociopolitical contexts. The volume draws on the work of archaeologists, anthropologists, classicists, and art historians, all of whom have an interest in understanding the role of violence in their respective specialist fields in the Mediterranean and Europe. The focus is on three themes: contexts of violence, politics and identities of violence, and sanctified violence. In contrast to many past studies of violence, often defined by their subject specialism, or by a specific temporal or geographic focus, this book draws on a wide range of both temporal and spatial examples and offers new perspectives on the study of violence and its role in social and political change. Rather than simply equating violence with warfare, as has been done in many archaeological cases, the volume contends that the focus on warfare has been to the detriment of our understanding of other forms of "non-warfare" violence and has the potential to affect the ways in which violence is recognized and discussed by scholars, and ultimately has repercussions for understanding its role in society.
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"What sort of book is worth a man's life? After a year away from working in the field, archaeologist Cormac Maguire and pathologist Nora Gavin are back in the bogs, investigating a ninth-century body found buried in the trunk of a car. They discover that the ancient corpse is not alone-pinned beneath it is the body of Benedict Kavanagh, missing for mere months and familiar to television viewers as a philosopher who enjoyed destroying his opponents in debate. Both men were viciously murdered, but centuries apart-so how did they end up buried together in the bog?"--
This book examines the figure of the returning warrior as depicted in the myths of several ancient and medieval Indo-European cultures. In these cultures, the returning warrior was often portrayed as a figure rendered dysfunctionally destructive or isolationist by the horrors of combat. This mythic portrayal of the returned warrior is consistent with modern studies of similar behavior among soldiers returning from war. Roger Woodard's research identifies a common origin of these myths in the ancestral proto-Indo-European culture, in which rites were enacted to enable warriors to reintegrate themselves as functional members of society. He also compares the Italic, Indo-Iranian, and Celtic mythic traditions surrounding the warrior, paying particular attention to Roman myth and ritual, notably to the etiologies and rites of the July festivals of the Poplifugia and Nonae Caprotinae, and to the October rites of the Sororium Tigillum.
For most of Europe's long past we have no writing, no named individuals, no recorded deeds. This means that its history is almost entirely that of the ordinary individual--the hunger-gatherer, farmer, or metallurgist--rather than the king. Evidence of privileged elites and material splendor is not lacking, however. The skills and expertise of prehistoric Europeans were often employed in the production of exquisite jewelry, elaborately woven cloth, beautifully made tools, and finely wrought weapons. Though the palaces that have attracted excavators in other lands are absent, there are few monuments elsewhere in the world to rival Europe's massive megalithic tombs or great stone circles. And t...
Index of archaeological papers published in 1891, under the direction of the Congress of Archaeological Societies in union with the Society of Antiquaries.