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Ballad of an American
A chronological first person account of the composer's life. Robinson describes his travels to the Far East, his brief stint as an actor on Broadway, his experiences as a folk singer and composer in the radio era, his work in Hollywood in the 1940s, his political activism and its effect on his career, his time spent in Eastern Europe, and the many famous people he met along the way from Woody Guthrie and Frank Sinatra to FDR and Winston Churchill.
Ballad of an American
Earl Robinson, composer of "Joe Hill," "The House I Live In," "Black and White," The Lonesome Train, and Ballad for Americans, is a major figure in twentieth-century music. He was also one of the most affable and charming, full of honesty and a warm sense of humor. In this book, largely written by Robinson and completed by Eric Gordon after Robinson's death, one takes a musical tour of America that extends from union halls and left-wing political groups of the 1930s to Broadway, Hollywood, the urban folk revival, and the New Age ethos of the 1980s. Along the way, one meets scores of the famous and near-famous, but none is more engaging than Robinson himself. Gordon accurately describes him as "a naive believer in common decency whom cynicism had never touched."
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'Un-American' Hollywood
The concept of “un-Americanism,” so vital to the HUAC crusade of the 1940s and 1950s, was resoundingly revived in the emotional rhetoric that followed the September 11th terrorist attacks. Today’s political and cultural climate makes it more crucial than ever to come to terms with the consequences of this earlier period of repression and with the contested claims of Americanism that it generated. “Un-American” Hollywood reopens the intense critical debate on the blacklist era and on the aesthetic and political work of the Hollywood Left. In a series of fresh case studies focusing on contexts of production and reception, the contributors offer exciting and original perspectives on the role of progressive politics within a capitalist media industry. Original essays scrutinize the work of individual practitioners, such as Robert Rossen, Joseph Losey, Jules Dassin, and Edward Dmytryk, and examine key films, including The Robe, Christ in Concrete, The House I Live In, The Lawless, The Naked City, The Prowler, Body and Soul, and FTA.
The Oxford Handbook of Music and Advertising
"The Oxford Handbook of Music and Advertising assembles an array of forty-two pathbreaking chapters on the production, texts, and reception of advertising through music. Uniquely interdisciplinary, the collection's tripartite structure leads the reader through these stages in the communication of the advertising message as presented by Chris Wharton (2015). The chapters on production study the factors, activities, and people behind the music for the marketing pitch, both past and present. Prominent throughlines in the section include factors influencing the selection of music (and musicians) for advertising, the role of music in corporate branding strategies, the creative forces behind the s...
