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Drawing from six living faiths, this book philosophically analyzes relations between art and religion in order to explain how the concepts "art," "beauty," "creativity," and "aesthetic experience" find their place or counterparts in religious discourse and experience.
Drawing from six living faiths, this book philosophically analyzes relations between art and religion in order to explain how the concepts "art," "beauty," "creativity," and "aesthetic experience" find their place or counterparts in religious discourse and experience.
The resource is designed to help spiritual directors and others use expressive arts in the context of spiritual direction. It is the latest book in the unique SDI series, designed for professional spiritual directors, but also useful for clergy, therapists, and Christian formation specialists. The Spiritual Directors International Series – This book is part of a special series produced by Morehouse Publishing in cooperation with Spiritual Directors International (SDI), a global network of some 6,000 spiritual directors and members.
This book challenges experiential, esoteric and colloquial understandings of mysticism by bringing a fresh relevance to the term through an interdisciplinary dialogue between literature, mysticism and theology in the context of postmodernity. In order to achieve this, the author takes selected writings of Iris Murdoch, Denise Levertov and Annie Dillard, and incorporates them into various stages of a redesigned mystic way. The fourteenth-century mystic Julian of Norwich is invoked throughout as a role model whom these three writers seek to emulate as popular writers, contemplatives and theologians. As theologians who are concerned with the pressing issues of our age, Grace Jantzen, Dorothee Soelle and Sallie McFague are drawn on as conversation partners to complete the three-way discussion. The author maintains that understanding the writing and reading of creative texts in the context of practical mysticism facilitates an integrated approach to the use of literature for theological expression.
Philosophers have considered questions raised by the nature of art, of beauty, and critical appreciation since ancient times, and the discipline of aesthetics has a long tradition that stretches from Plato to the present.
The past two decades have seen the incursion of feminist thought into many academic areas. Within the academy, feminist approaches have gained some legitimacy and yet, simultaneous with these disciplinary advances, there have been charges of racism directed at feminist scholarship and practice. These charges have resulted in feminist work continuously reshaping itself. This volume represents the strength as well as diversity of writings which discuss 'race' and feminism showing how these two areas, usually considered to be distinct and therefore discrete from each other, have developed. Feminism and Race includes articles spanning a number of disciplinary areas, such as history, literary analysis, sociology, and psychology and provides a history of how second wave feminisms have negotiated 'race' as well as suggesting what future directions these debates may take.
ÒTHE FATHER IS SEEKING TRUE WORSHIPERS...THEY THAT WORSHIP IN SPIRIT AND IN TRUTH.Ó -John 4:23-24 Are we true worshipers? What does it mean to worship in spirit and in truth? Is God pleased with our worship in this modern age? Becoming True Worshipers takes a deeper look at the priority, the process, and the power of true worship. ItÕs insights and principles will transform you and set you free.
Spiritual capital is a concept that is being embraced by a range of theorists in response to the great destruction being wrought by the global economic crisis. Spiritual Capital seeks to re-focus discussion on core social values, on individuals' value systems and the internal dynamics that impel human beings to live by truth, goodness and love. Genuine social capital requires the cultivation of spiritual capital. While some scholars approach spiritual capital from the perspective of the beneficial social influence of religious belief and practice, others approach it more broadly as the value of transcendent or artistic human activities which foster contemplative living, stimulate creativity,...
The first edition of the successful Encyclopedia of Creativity served to establish the study of creativity is a field in itself. Now completely updated and revised in its second edition, coverage encompasses the definition of creativity, the development and expression of creativity across the lifespan, the environmental conditions that encourage or discourage creativity, creativity within specific disciplines like music, dance, film, art, literature, etc., the relationship of creativity and mental health, intelligence, and learning styles, and the process of being creative. This reference also appeals to a lay audience with articles specifically on the application of creativity to business s...