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“Eddie’s story is by turns hilarious, informative, and the living spirit of its age. . . . [He] piles the most unlikely anecdotes on top of one another, creating a land of enchantment and an order of chemically altered consciousness that rescues an era I’d thought not so much lost as forgotten. Not only am I thrilled I’ve read this story and wish I was in it, I wish I’d written it.” —Dave Marsh, from the foreword “The Armadillo World Headquarters . . . was one of the most exciting, and remained one of the most exciting, places in the United States for the years that it was in operation. I saw a little of everything at the Armadillo, and it was one of the great experiences of ...
My book takes place in Bangor, ME after WWII. It is a story about a group of USMC vets of WW II. One such vet has an attack of vertigo while driving. A local policeman, noted for his aggressive tactics, pulls the vet to the curb for his erratic driving. During the ensuing questioning, the vet vomits on the cop's Blues. Enraged, the cop uses his ever present blackjack on the ex-Marine. The ex-Marine dies on the operating table. Awareness of the vet's death, coupled with knowledge of this cop's short temper and rough tactics arouse a spirit of revenge in the Marine heroes buddies. They plot revenge, preferably by hit-and-run auto. Once settled on a plan of action, the vets wait for an opportunity, which comes during an epic downpour. A positive ID was made by one of the vets, who contacted the others to proceed with the execution. Unknown to the 'hit squad', The police had made a shift change after the plan was set in motion. The USMC vets actually killed the wrong cop! The remainder of the story deals with a shoddy police investigation, police tunnel vision, local police meddling with State police policies, guilt, flight and a 'no consequence' aftermath.
The role of motion pictures in the popularity of rock music became increasingly significant in the latter twentieth century. Rock music and its interaction with film is the subject of this significant book that re-examines and extends Serge Denisoff's pioneering observations of this relationship.Prior to Saturday Night Fever rock music had a limited role in the motion picture business. That movie's success, and the success of its soundtrack, began to change the silver screen. In 1983, with Flashdance, the situation drastically evolved and by 1984, ten soundtracks, many in the pop/rock genre, were certified platinum. Choosing which rock scores to discuss in this book was a challenging task. T...
An examination of Austin’s rapid economic and creative growth and local attitudes toward the Texas capitol’s transformation as an urban center. Austin, Texas, at the beginning of the twenty-first century, is experiencing one of the most dynamic periods in its history. Wedged between homogenizing growth and a long tradition of rebellious nonconformity, many Austinites feel that they are amid a battle for the city’s soul. From this struggle, a movement has emerged as a form of resistance to the rapid urban transformation brought about in recent years: “Keep Austin Weird” originated in 2000 as a grassroots expression of place attachment and anti-commercialization. Its popularity has l...
Have you ever wanted to write a horror story, but didn’t know how to start or proceed? In this easy, step-by-step guide, HowExpert presents Randal Schaffer: a horror fiction writer, enthusiast, and fan who will walk you through the process of not only writing a compelling horror story, but writing fiction stories in general. In this book, you’ll learn:-How to pick a topic for your book that will bring your readers along until the very end. -How to choose a setting for your book that your readers can understand and mentally insert themselves into. -How to write characters that your readers will care about, and either root for or against. -How to build suspense in order to create that perf...
The great depression in the popular recording industry that began in 1979 still continues. There are signs, however, that the industry is adjusting to new technologies and may soon revive. R. Serge Denisoff documents the decline and possible revival of this comprehensive study of the recording business, a sequel to his widely acclaimed Solid Gold: The Popular Record Industry. Denisoff offers a brief history of popular music and then, in detail, traces the life cycle of a record, beginning with the artist in the studio and following the record until its purchase. He explains the relationships between artist, manager, producer, company, distributor, merchandiser, and media. They all play roles in the scenario of a hit record. He also discusses the new technologies and how they may affect record sales, especially round-the-clock rock and roll on cable television. Tarnished Gold joins Solid Gold as a staple in the popular culture literature.
Music of the bars and clubs of Austin, Texas has long been recognized as defining one of a dozen or more musical "scenes" across the country. In Dissonant Identities, Barry Shank, himself a musician who played and lived in the Texas capital, studies the history of its popular music, its cultural and economic context, and also the broader ramifications of that music as a signifying practice capable of transforming identities. While his focus is primarily on progressive country and rock, Shank also writes about traditional country, blues, rock, disco, ethnic, and folk musics. Using empirical detail and an expansive theoretical framework, he shows how Austin became the site for "a productive contestation between two forces: the fierce desire to remake oneself through musical practice, and the equally powerful struggle to affirm the value of that practice in the complexly structured late-capitalist marketplace."
The late 1950s and early 1960s were the golden years of horror television. Anthology series such as Way Out and Great Ghost Tales, along with certain episodes of Twilight Zone and The Alfred Hitchcock Hour, were among the shows that consistently frightened a generation of television viewers. And perhaps the best of them all was Thriller, hosted by Boris Karloff. In Thriller the horror was gothic, with a darker, bleaker vision of life than its contemporaries. The show's origins and troubled history is first discussed here, followed by biographies of such key figures as producer William Frye, executive producer Hubbell Robinson, writers Robert Bloch and Donald S. Sanford, and Karloff. The episode guide covers all 67 installments, providing airdate, production credits, cast, plot synopses and critical evaluations.