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The Cambridge History of Latin America is a large scale, collaborative, multi-volume history of Latin America during the five centuries from the first contacts between Europeans and the native peoples of the Americas in the late fifteenth and early sixteenth centuries to the present. A Cultural History of Latin America brings together chapters from Volumes III, IV, and X of The Cambridge History on literature, music, and the visual arts in Latin America during the nineteenth and twentieth centuries. The essays explore: literature, music, and art from c. 1820 to 1870 and from 1870 to c. 1920; Latin American fiction from the regionalist novel between the Wars to the post-War New Novel, from the 'Boom' to the 'Post-Boom'; twentieth-century Latin American poetry; indigenous literatures and culture in the twentieth century; twentieth-century Latin American music; architecture and art in twentieth-century Latin America, and the history of cinema in Latin America. Each chapter is accompanied by a bibliographical essay.
‘IT WAS A LARGE HEAVY SILVER AND ANCIENT-LOOKING KEY. IT WAS THE SORT OF KEY THAT OPENED A TREASURE CHEST OR UNLOCKED DOORS TO SECRET CHAMBERS.’ There is nothing exciting about young Victoria Plant’s life. But this is all about to change with the finding of an old key. The key unlocks the door to a secret and supernatural world. Victoria encounters the wicked Count De Ville and his faithful black cat; they are as old as the hills and transcend time to bring about the end of what still remains of the Rock Hollow clan. Can Victoria help to defeat the dastardly army of fiends before it is too late? Bittersweet and thought-provoking Rock Hollow is set in 1976 on the high moorlands that surround the small Yorkshire village of Riddleshaw. The book follows the awakening of differences, experienced by a young autistic girl. Victoria’s journey is enlightening, sometimes sad and more than often amusing.
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