You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
An adrenaline-charged thriller from the Kindle-bestselling author of Gone Again and Hit and Run. 'An unnerving tale of what happens to ordinary lives when the wheels come off.' VAL MCDERMID 'A haunting, unforgettable page-turner that ticks every excellence box in crime writing.' ALANNA KNIGHT Sitting in the departure lounge of Kirkwall Airport, Finn Sullivan just wants to get off Orkney. But then he meets the mysterious and dangerous Maddie Pierce, stepping in to save her from some unwanted attention, and his life is changed forever. Set against the brutal, unforgiving landscape of Orkney, CRASH LAND is a psychological thriller steeped in guilt, shame, lust, deception and murder.
The discovery of a human foot in an Edinburgh park, the inexplicable circumstances of a dying woman, and the missing daughter of Jenny's violent ex-husband present the Skelf women with their most challenging – and deadly – cases yet... Book THREE in the addictive The Skelfs series! 'Simply stunning. Tense, funny and deeply moving' Mark Billingham 'If you loved Iain Banks, you'll devour the Skelfs series' Erin Kelly 'Nobody portrays modern Edinburgh better than Doug Johnstone. The Great Silence speaks volumes about the power of story' Val McDermid ______________ Keeping on top of the family funeral directors' and private-investigation businesses is no easy task for the Skelf women, and wh...
A pulsatingly tense psychological thriller and a breathtakingly brutal, beautiful and deeply moving story of a good kid in the wrong family, from one of Scotland's finest crime writers. SHORTLISTED for the McIlvanney Prize for Scottish Crime Book of the Year ***BOOK OF THE YEAR in SCOTSMAN*** 'It's a lovely, sad tale, beautifully told and full of understanding' The Times 'The most powerful and moving book from Johnstone yet – a calling card that no-one can ignore' Scotsman 'This may be Doug Johnstone's best book yet. An unsparing yet sympathetic depiction of Edinburgh's ignored underclass, with terrific characterisation. Tense, pacey, filmic' Ian Rankin ____________________ There are two s...
Cat lives in Los Angeles, far away from the imposing gothic house in Edinburgh where she and her estranged twin sister, El, grew up. As girls, they invented Mirrorland, a dark, imaginary place under the pantry stairs full of pirates, witches, and clowns. El still lives at their old house, with her husband Ross. But when El mysteriously disappears after going out on her sailboat, Cat is forced to return 36 Westeryk Road, which hasn't changed in twenty years. The grand old house is still full of shadowy corners, and at every turn Cat finds herself stumbling on long-held secrets and terrifying ghosts from the past-. Because someone--El?-- has left Cat clues: a treasure hunt that leads back to Mirrorland, where the truth lies waiting"--
None
When you work in the police force, intuition is everything and police sergeant Don Colyear has it in spades. It's a gift that gets him into as much trouble as it gets him out of. After an incident makes remaining in Glasgow impossible, Don is sent to work in a remote Highlands town. He doesn't want to be there and the feeling is mutual. His new inspector wants him gone and the locals wonder why he's even there. Still, Don makes a go of things, striking up a good working relationship with rookie officer Rowan Forbes. As Don starts to investigate petty crimes, it soon becomes clear that there is something off about the town. A string of teenage disappearances have not been given due attention. Then there's the gruesome murder of the groundsman of the local sporting estate. Why is the inspector reluctant to properly investigate? Could the incidents be linked? As Don delves further into the town's secrets, it's not long until his own life is at risk.
The New Concrete is a long-overdue survey of the rise of concrete poetry in the digital age. The accessibility of digital text and image manipulation, modern print techniques and the rise of self-publishing have invigorated a movement that first emerged in an explosion of literary creativity during the 1950s and 1960s. This new volume is a highly illustrated overview of contemporary artists and poets working at the intersection of visual art and literature, producing some of the most engaging and challenging work in either medium. Edited by poets Victoria Bean and Chris McCabe, with an introductory essay by renowned poet Kenneth Goldsmith, The New Concrete is an indispensable introduction to...