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Introducing the Ancient Greeks
Who were the ancient Greeks? They gave us democracy, philosophy, poetry, rational science, the joke. But what was it that enabled them to achieve so much? The ancient Greeks were a geographically disparate people whose civilization lasted over twenty centuries - and that made us who we are today. And here Edith Hall gives us a revelatory way of viewing this scattered people, identifying ten unique personality traits that she shows to be unique and central to the widespread ancient Greeks. Hall introduces a people who are inquisitive, articulate and open-minded but also rebellious, individualistic, competitive and hedonistic. They prize excellence above all things but love to laugh. And, central to their identity, they are seafarers whose relationship with the sea underpins every aspect of their society. Expertly researched and elegantly told, this indispensable introduction unveils a civilization of incomparable richness and a people of astounding complexity.
Aristotle’s Way
‘Wonderful and timely ... Hugely recommended’ STEPHEN FRY What do you and an ancient philosopher have in common? It turns out much more than you might think... Aristotle was an extraordinary thinker yet he was preoccupied by an ordinary question: how to be happy. In this handbook to his timeless teachings, Professor Edith Hall shows how ancient thinking is precisely what we need today, even if you don’t know your Odyssey from your Iliad. In ten practical lessons you can learn how to make good decisions, how to ace an interview, how to choose a partner and how to face death. This is advice that won’t go out of fashion. ‘A beguiling cross between Mary Beard and Mary Poppins’ Observer
A People's History of Classics
A People’s History of Classics explores the influence of the classical past on the lives of working-class people, whose voices have been almost completely excluded from previous histories of classical scholarship and pedagogy, in Britain and Ireland from the late 17th to the early 20th century. This volume challenges the prevailing scholarly and public assumption that the intimate link between the exclusive intellectual culture of British elites and the study of the ancient Greeks and Romans and their languages meant that working-class culture was a ‘Classics-Free Zone’. Making use of diverse sources of information, both published and unpublished, in archives, museums and libraries acr...
Dionysus Since 69
Greek tragedy is currently being performed more frequently than at any time since classical antiquity. This book is the first to address the fundamental question, why has there been so much Greek tragedy in the theatres, opera houses and cinemas of the last three decades? A detailed chronological appendix of production information and lavish illustrations supplement the fourteen essays by an interdisciplinary team of specialists from the worlds of classics, theatre studies, and the professional theatre. They relate the recent appeal of Greek tragedy to social trends, political developments, aesthetic and performative developments, and the intellectual currents of the last three decades, especially multiculturalism, post-colonialism, feminism, post-structuralism, revisions of psychoanalytical models, and secularization.
Antigone; Oedipus the King; Electra
Love and loyalty, hatred and revenge, fear, deprivation, and political ambition: these are the motives which thrust the characters portrayed in these three Sophoclean masterpieces on to their collision course with catastrophe. Recognized in his own day as perhaps the greatest of the Greek tragedians, Sophocles' reputation has remained undimmed for two and a half thousand years. His greatest innovation in the tragic medium was his development of a central tragic figure, faced with a test of will and character, risking obloquy and death rather than compromise his or her principles: it is striking that Antigone and Electra both have a woman as their intransigent 'hero'. Antigone dies rather neg...
Women Classical Scholars
La 4e de couverture indique : "the first written history of the pioneering women born between the Renaissance and 1913 who played significant roles in the history of classical scholarship."
Greek Tragedy
An illustrated introduction to ancient Greek tragedy, written by one of its most distinguished experts, which provides all the background information necessary for understanding the context and content of the dramas. A special feature is an individual essay on every one of the surviving 33 plays.
The Return of Ulysses
Whether they focus on the bewitching song of the Sirens, his cunning escape from the cave of the terrifying one-eyed Cyclops, or the vengeful slaying of the suitors of his beautiful wife Penelope, the stirring adventures of Ulysses/Odysseus are amongst the most durable in human culture. The picaresque return of the wandering pirate-king is one of the most popular texts of all time, crossing East-West divides and inspiring poets and film-makers worldwide. But why, over three thousand years, has the Odyssey's appeal proved so remarkably resilient and long-lasting? In her much-praised book Edith Hall explains the enduring fascination of Homer's epic in terms of its extraordinary susceptibility ...
Medea in Performance 1500-2000
Papers drawn from an interdisciplinary colloquium, hosted at Somerville, College by the University of Oxford's Archive of Performances of Greek and Roman Drama in August 1998.
Dr. Edith Vane and the Hares of Crawley Hall
Dr. Edith Vane is nicely ensconced at the University of Inivea and is about to see her dissertation on Beulah Crump-Withers published. All should be well. Except for her broken washing machine, her backstabbing fellow professors, a cutthroat new dean – and the fact that the sentient and malevolent Crawley Hall has decided it wants them all out.
