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Almost Touching the Skies
The Feminist Press celebrates its own coming of age with an anthology of distinguished women's writings.
Mothering the Race
Maternal metaphors : articulating gender, race, and nation at the turn of the century -- Reconstructing motherhood : Pauline Hopkins's Contending forces and the rhetoric of racial uplift -- The romance "plot" : reproducing silence, reinscribing race in The awakening and Summer -- Hard labor : Edith Summers Kelley's Weeds and the language of eugenics -- Fatal contractions : Nella Larsen's Quicksand and the new Negro mother -- Epilogue: representing motherhood at century's end.
The Novel and the American Left
The first collection of critical essays to focus specifically on the fiction produced by American novelists of the Depression era, The Novel and the American Left contributes substantially to the newly emerging emphasis on twentieth-century American literary radicalism. Recent studies have recovered this body of work and redefined in historical and theoretical terms its vibrant contribution to American letters. Casey consolidates and expands this field of study by providing a more specific consideration of individual novels and novelists, many of which are reaching new contemporary audiences through reprints. The Novel and the American Left focuses exclusively on left-leaning fiction of the ...
Listen Here
“A comprehensive and unsurpassed anthology of women writers from Appalachia . . . Exceptional in diversity and scope.” —Southern Historian Listen Here: Women Writing in Appalachia is a landmark anthology that brings together the work of 105 Appalachian women writers, including Dorothy Allison, Harriette Simpson Arnow, Annie Dillard, Nikki Giovanni, Denise Giardina, Barbara Kingsolver, Jayne Anne Phillips, Janice Holt Giles, George Ella Lyon, Sharyn McCrumb, and Lee Smith. Editors Sandra L. Ballard and Patricia L. Hudson offer a diverse sampling of time periods and genres, established authors and emerging voices. From regional favorites to national bestsellers, this unprecedented gather...
Weeds
"Weeds" renders in decidedly feminist terms the harsh life of tobacco share croppers in Kentucky in ht early 20th century.
Weeds
Pioneering naturalistic novel, set amid Kentucky's tobacco fields, portrays the effects of poverty on a spirited young woman. " A book that will astonish and enrich anyone who reads it." — The New York Times Book Review.
A New Heartland
This study investigates American rurality and modernity as mutually sustaining concepts, and centres on women's engagement with those concepts. The aim is to articulate a different mode of American modernism that signals meaning and appeal for women and to show how that mode responds to prevalent attitudes in the culture at large.
Calling Home
Working-class women are the majority of women in the United States, and yet their work and their culture are rarely visible. Calling Home is an anthology of writings by and about working-class women. Over fifty selections represent the ethnic, racial, and geographic diversity of working-class experience. This is writing grounded in social history, not in the academy. Traditional boundaries of genre and periodization collapse in this collection, which includes reportage, oral histories, speeches, songs, and letters, as well as poetry, stories, and essays. The divisions in this collection - telling stories, bearing witness, celebrating solidarity - address the distinction of "by" or "about" wo...
The Power and the Glory
A rollicking good read that deals with such modern-day concerns as ecological feminism, social activism, gender roles, and class distinctions.
Conflicting Stories
The early 1890s through the late 1920s saw an explosion in serious long fiction by women in the United States. Considering a wide range of authors--African American, Asian American, white American, and Native American--this book looks at the work of seventeen writers from that period: Frances Ellen Harper, Charlotte Perkins Gilman, Sarah Orne Jewett, Alice Dunbar-Nelson, Kate Chopin, Pauline Hopkins, Gertrude Stein, Mary Austin, Sui Sin Far, Willa Cather, Humishuma, Jessie Fauset, Edith Wharton, Ellen Glasgow, Anzia Yezierska, Edith Summers Kelley, and Nella Larsen. The discussion focuses on the differences in their work and the similarities that unite them, particularly their determination ...
