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Liturgy and Life
Original Scholarly Monograph
The Fear of Freedom
By &"the fear of freedom&" Greer means the unconscious flight from the heavy burden of individual choice an open society lays upon its members. The miraculous represents a heavenly power brought down to earth and tied to the life of the community. Understanding how miracles were perceived in the late antiquity requires us to put aside the notion of a miracle as the violation of the natural order. &"Miracles&" for the church fathers refers to anything that evokes wonder. Rowan Greer is not concerned with conclusions about the truth or falsity of the miracles reported in the ancient sources. He is concerned with how the miracle stories shaped the way people understood Christianity in the fourt...
Last Things
When the medievals spoke of "last things" they were sometimes referring to events, such as the millennium or the appearance of the Antichrist, that would come to all of humanity or at the end of time. But they also meant the last things that would come to each individual separately—not just the place, Heaven, Hell, or Purgatory, to which their souls would go but also the accounting, the calling to reckoning, that would come at the end of life. At different periods in the Middle Ages one or the other of these sorts of "last things" tended to be dominant, but both coexisted throughout. In Last Things, Caroline Walker Bynum and Paul Freedman bring together eleven essays that focus on the competing eschatologies of the Middle Ages and on the ways in which they expose different sensibilities, different theories of the human person, and very different understandings of the body, of time, of the end. Exploring such themes as the significance of dying and the afterlife, apocalyptic time, and the eschatological imagination, each essay in the volume enriches our understanding of the eschatological awarenesses of the European Middle Ages.
Scripture, Canon and Commentary
In this major contribution to the study of the Chinese classics and comparative religion, John Henderson uses the history of exegesis to illuminate mental patterns that have universal and perennial significance for intellectual history. Henderson relates the Confucian commentarial tradition to other primary exegetical traditions, particularly the Homeric tradition, Vedanta, rabbinic Judaism, ancient and medieval Christian biblical exegesis, and Qur'anic exegesis. In making such comparisons, he discusses some basic assumptions common to all these traditions--such as that the classics or scriptures are comprehensive or that they contain all significant knowledge or truth and analyzes the strat...
Suffering, not Power
Correcting a popular view of the atonement. Was Christ's death a victory over death or a substitution for sin? Many today follow Gustav Aulén's Christus Victor view, which portrays Christ's death as primarily a victory over the powers of evil and death. According to Aulén, this was the dominant view of the church until Anselm reframed atonement as satisfaction and the Reformers reframed it as penal substitution. In Suffering, Not Power, Benjamin Wheaton challenges this common narrative. Sacrificial and substitutionary language was common well before Anselm's emCur Deus Homo . Wheaton displays this through a careful analysis of three medieval figures whose writings on the atonement are commonly overlooked: Caesarius of Arles, Haimo of Auxerre, and Dante Alighieri. These individuals come from different times and contexts and wrote in different genres, but each spoke of Christ's death as a sacrifice of expiation and propitiation made by God to God. Let history speak for itself, read the evidence, and reconsider the church's belief in Christ's substitutionary death for sinners.
Romanos' Renaissance
This work brings into light the bibliography, dedicated to St. Romanos the Melodist, considered as `the greatest of the poets of the Greek Church and of Christianity'. The bibliography intends to be primarily a useful tool for those who will focus their attention on the life, work and theology of the great Christian hymnographer from the time of Emperor Justinian.
A Sense of the Sacred
This incomparable volume presents a comprehensive exploration and explanation of medieval liturgical celebrations. The reverent prayers, hymns and rubrics used in the Middle Ages are described in detail and interpreted through the commentary of scholars from the same time period, the era which is also known as the "Age of Faith". Collected here is a wide range of ceremonies, encompassing the seven sacraments, the major feasts of the liturgical year (such as Christmas, Easter, and Corpus Christi), and special liturgical rites (from the coronation of the pope to the blessing of expectant mothers). The sacred celebrations have been drawn from countries across western and central Europe-from Portugal to Poland-but particular attention has been given to liturgical texts of medieval Spain, which until now have received relatively little attention from scholars. Historian James Monti has done exhaustive research on medieval liturgical manuscripts, early printed missals, and the writings of medieval liturgists and theologians so that the treasures they contain can inspire a sense of the sacred in future generations of Catholics.
Napoleonic Art
Scholars have long debated the mysterious popularity of the Napoleonic Legend, from the emperor's final defeat in 1815 to the astounding electoral victory of his nephew, Louis-Napoleon Bonaparte, in the presidential elections of 1848. In this book, the author demonstrates how broadsheet illustrations about Napoleon Bonaparte helped shape popular support in regional France for the "new" Bonaparte elected in 1848. Nicholas Pellerin, an avowed republican, and Pierre-Germain Vadet, a veteran of the Imperial wars and staunch bonapartist, promoted representations of Napoleon to criticize and undermine the political status quo. The author reveals how the Pellerin broadsheets about Napoleon sustained anti-Bourbon, anti-Orleanist sentiments during the several decades preceding the revolution of 1848.
