You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This book examines the way experts, researchers and historians produce images as evidence in instances of crimes or acts of violence suffered by individuals or groups.
The award-winning French editor and designer Xavier Barral has chosen frames drawn from the comprehensive photographic map of Mars made by the observation satellite Mars Reconnaissance Orbiter. Barral scoured tens of thousands of gigabytes of satellite photographs available from NASA, seeking out the most distinct images of the planet's surface. The result is visionary--a science book, an artist's book, and a stunning object.
"This volume, presenting Calle's installation of Rachel Monique at the Palais de Tokyo, was designed in close collaboration with the artist." -- from www.artbook.com/9782365111171.html (viewed 20 October 2017).
Architecture and Control makes a collective critical intervention into the relationship between architecture, including virtual architectures, and practices of control since the turn of the twentieth to twenty-first centuries. Authors from the fields of architectural theory, literature, film and cultural studies come together here with visual artists to explore the contested sites at which, in the present day, attempts at gaining control give rise to architectures of control as well as the potential for architectures of resistance. Together, these contributions make clear how a variety of post-2000 architectures enable control to be established, all the while observing how certain architectures and infrastructures allow for alternative, progressive modes of control, and even modes of the unforeseen and the uncontrolled, to arise. Contributors are: Pablo Bustinduy, Rafael Dernbach, Alexander R. Galloway, Hans Ulrich Gumbrecht, Maria Finn, Runa Johannessen, Natalie Koerner, Michael Krause, Samantha Martin-McAuliffe, Lorna Muir, Mikkel Bolt Rasmussen, Anne Elisabeth Sejten and Joey Whitfield
Dallaporta in this series of photographs relocates the landmine, from it's unseen and hidden habitat to the forefront. Departing from the 'conventional' photodocumentary of these items in showing the victims and horrific injuries, he instead presents viewers with an isolated depiction of them, removed from the context.
LYNN GARRISONLynn Garrison a rare individual who has compressed a half-dozen or so varied lives into one continuous stream. RCAF pilot, mercenary, publisher, film producer/director, diplomat, military adviser, aerial director, air show performer, aircraft collector and writer. Born immediately before outbreak of World War Two, Lynn decided to be a fighter pilot. On his 17th birthday, RCAF's 403 City of Calgary Squadron, sponsored him for pilot training. Lynn received his wings two months after 18th birthday, qualified on jet fighters. He is the youngest commissioned pilot since World War Two, a record that still stands. A love for piston-engine warbirds saw him fly P-51D Mustangs, and Hawker...
In the thick of New York: Bruce Gilden raw and unseen After recently moving house, Bruce Gilden discovered hundreds of contact prints and negatives in his personal archives, from work undertaken in New York, his native city, between 1978 and 1984. From these thousands of images, most of which are new even to their author, Gilden has selected around a hundred. Extending from the desire to revisit the work of his youth, this historic archive constitutes an inestimable treasure. An extraordinary New York is portayed here, revealing an unknown facet of Gilden's oeuvre. With all the energy of a young man in his thirties, and with no flash (before Gilden became famous for its almost systematic use...
None
In late 1975, American photographer Jane Evelyn Atwood (born 1947) was 28 years old and had recently moved to Paris. She quickly developed a fascination with the city's prostitutes, and soon met a women who introduced her to a prostitute she knew. Developing the theme from portraits of this single sitter, Atwood discovered an intriguing subculture around one building on the Rue des Lombards, full of extraordinary characters, costumes and views on gender and sexuality. Atwood's now hallmark immersive style of photojournalism led her deep into this world: "I was always turned on by a person or a group of people and then wanted to know them," she recalled in a recent interview, "and photographing them became a way of knowing them." This volume presents a formative body of work by one of the world's leading photojournalists.
Over the years, many artists have interpreted Star Wars in ways that extend well beyond anything we saw in the films. One of the most unique and intriguing interpretations that I have seen is in the work of Cédric Delsaux, who has cleverly integrated Star Wars characters and vehicles into stark urban, industrial—but unmistakably earthbound environments. As novel and disruptive as his images are, they are also completely possible. I am honored that Cédric Delsaux has brought Star Wars into the world of his photography, and happy that his exceptional work can be presented in this book.