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Everything in Its Place
  • Language: en
  • Pages: 332

Everything in Its Place

Everything in Its Place: The Life and Works of Virgilio Pinera: is a seminal book that fills a major gap in Cuban and Latin American literary criticism. In addition to being the most comprehensive study to date of the life and work of Virgilio Pinera, this is the first book in English on this major twentieth-century Cuban author. In this study Thomas F. Anderson draws extensively on unpublished manuscripts and diverse critical writings, bringing new insights into how Pinera's works responded to key literary influences as well as events in his life and in Cuban political and cultural history.

The Willow and the Spiral
  • Language: en
  • Pages: 299

The Willow and the Spiral

Octavio Paz (México, 1914–1998) was one of the foremost poets and essayists of the twentieth century. Read in translations into many of the world’s languages, Paz received numerous awards and prizes during his lifetime, participated in major artistic and political movements of the twentieth century, served as Mexico’s ambassador in India (1962–1968), and was the editor of Plural and Vuelta, two literary journals of prominent influence in Mexico, Latin America, and Spain. In 1990 Paz was awarded the Nobel Prize in Literature. This book of essays is a commemoration of Octavio Paz on the first centenary of his birth, a celebration undertaken with Paz’s distinguishing legacy: criticis...

The Censorship Files
  • Language: en
  • Pages: 266

The Censorship Files

Drawing on extensive research in the Spanish National Archive, Alejandro Herrero-Olaizola examines the role played by the censorship apparatus of Franco's Spain in bringing about the Latin American literary Boom of the 1960s and 1970s. He reveals the negotiations and behind-the-scenes maneuvering among those involved in the Spanish publishing industry. Converging interests made strange bedfellows of the often left-wing authors and the staid officials appointed to stand guard over Francoist morality and to defend the supposed purity of Castilian Spanish. Between these two uneasily allied groups circulated larger-than-life real-world characters like the Barcelona publisher Carlos Barral and th...

City Fictions
  • Language: en
  • Pages: 226

City Fictions

Using concepts from urban and cultural studies, City Fictions examines the representation of the city in the works of five important late-twentieth-century Spanish American authors, Octavio Paz, Julio Cortazar, Christina Peri Rossi, Diamela Eltit, and Carlos Monsavais. While each of these authors is influenced at least partially by a specific Spanish American city, be it Mexico City, Buenos Aires, Montevideo, or Santiago, the element that brings them together is the way in which the city is fictionalized in their work: they all equate both language and the body with urban space. In these metaphors, language breaks down and the body disintegrates, creating a disturbing picture of violent decline. The poetry of Paz associates the urban surroundings with dissolving sentences and desensitized, fingertips; for Cortazar, characters walking through cities are seen as both creating and unraveling written texts;

Havana Salsa
  • Language: en
  • Pages: 290

Havana Salsa

A collection of autobiographical vignettes by the respected food writer profiles the pre-Castro Havana of her youth, remembers her large and often eccentric family, and shares a series of recipes that she associates with particular family members, from Calabaza fritters and oxtail stew to concellita and rice with chorizo. 35,000 first printing.

Verses Against the Darkness
  • Language: en
  • Pages: 334

Verses Against the Darkness

Verses Against the Darkness: offers a new assessment of Pablo Neruda's poetry by looking at the intersection of his aesthetic method and political radicalism from 1925 to 1954. It challenges the canonical view that Neruda was a gifted verse maker who, in 1936, let himself be carried away by the excesses of communist politics. Instead, by focusing primarily on Tercera residencia (1935-1945), Greg Dawes argues for an uneven yet steady evolution and continuity in Neruda's work, politics, and morality. Dawes relies on historical accounts, biographies, literary history, and criticism - and on Neruda's political and aesthetic theory - to prove that his poetry became, contrary to received critical opinion, more sophisticated literarily and politically as he became more radicalized during the Spanish Civil War and World War II and as he developed his dialectical realism or guided spontaneity. Greg Dawes is Associate Professor of Latin American and World Literatures at North Carolina State University and is the editor of the on-line journal A contracorriente.

Rethinking Philosophy with Borges, Zambrano, Paz, and Plato
  • Language: en
  • Pages: 241

Rethinking Philosophy with Borges, Zambrano, Paz, and Plato

In Rethinking Philosophy with Borges, Zambrano, Paz, and Plato, Hugo Moreno argues that in Ficciones, Claros del bosque, and El mono gramático, Jorge Luis Borges, María Zambrano, and Octavio Paz practice a literary way of philosophizing—a way of seeking and communicating knowledge of reality that takes up analogical procedures. They deploy analogy as an indispensable and irreplaceable heuristic tool and literary device to convey their insight and perplexities on the nature of existence. Borges’ ironic approach involves reading and writing philosophy as fiction. Zambrano’s poetic reason is a mode of writing and thinking based on an imaginative sort of recollection that is ultimately a visionary’s poetizing technique. Paz’s poetic thinking relies on analogy to correlate and harmonize an array of worldviews, ideas, and discourses. In the appendix, Moreno shows that Plato's Republic is a forerunner of this way of philosophizing in literature. Moreno suggests that in the Republic, Plato reconciles philosophy and poetry and creates a rational prose poetry that fuses argumentation and narration, dialectical and analogical reasoning, and abstract concepts and poetic images.

World Editors
  • Language: en
  • Pages: 380

World Editors

The existence of World Literature depends on specific processes, institutions, and actors involved in the global circulation of literary works. The contributions of this volume aim to pay attention to these multiple material dimensions of Latin American 20th and 21st century literatures. From perspectives informed by materialism, sociology, book studies, and digital humanities, the articles of this volume analyze the role of publishing houses, politics of translation, mediators and gatekeepers, allowing insights into the processes that enable books to cross borders and to be transformed into globally circulating commodities. The book focusses both on material (re)sources of literary archives, key actors in literary and cultural markets, prizes and book fairs, as well as on recent dimension of the digital age. Statements of some of the leading representatives of the global publishing world complement these analyses of the operations of selection and aggregation of value to literary texts.

Mexican Literature
  • Language: en
  • Pages: 478

Mexican Literature

Mexico has a rich literary heritage that extends back over centuries to the Aztec and Mayan civilizations. This major reference work surveys more than five hundred years of Mexican literature from a sociocultural perspective. More than merely a catalog of names and titles, it examines in detail the literary phenomena that constitute Mexico's most significant and original contributions to literature. Recognizing that no one scholar can authoritatively cover so much territory, David William Foster has assembled a group of specialists, some of them younger scholars who write from emerging trends in Latin American and Mexican literary scholarship. The topics they discuss include pre-Columbian in...

The Story of the Storyteller
  • Language: en
  • Pages: 164

The Story of the Storyteller

  • Type: Book
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  • Published: 1995
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  • Publisher: Rodopi

This book traces the history of an engaging character, a writer, who acts as the narrator and protagonist of three of Vargas Llosa's novels. In La tía Julia y el escribidor he recalls his apprenticeship, in Historia de Mayta he reflects upon the practice of his craft, and in El hablador he ponders the significance of his vocation. That this fictional character closely resembles his flesh-and-blood creator only adds to his allure. Because the three novels in question have such strong structural and thematic links, it proves quite helpful to conceive of them as a trilogy. Indeed, the connections are so pronounced that a significant synergistic effect results from considering the three together. It is this effect that this volume brings light as it analyzes how each novel functions as a separate entity, how these entities are integrated into a greater whole, and how this whole fits into the wider picture of the Peruvian author's long and prolific literary career. As students and scholars alike will find, thinking in terms of a trilogy greatly enhances our understanding and appreciation of Vargas Llosa's rich narrative.