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I had walked out of the bush an old man. How Old, I did not know? The years had passed without the need to celebrate the remembrance of a birth date. There was something familiar about the place I stood. Slowly, faint memories recalled past moments of my life. As a young man, I had walked across this field many times. I noticed a man rocking lazily on an open porch across the field. I know the man approaching; there is a twinkle in his eye. We pause and stop, our eyes studying each and every feature of the other. He is familiar; I search my memory for names to place with the face before me. ""Thomas?"" ""Yes, I am Thomas Chapais."" ""Thomas I am Nicolas."" Two old men stood there dumb-founded with nothing to say but to repeat each other's name with favour, contempt, anger, sadness and an undying love that only kinship knows. Without an embrace, nor a handshake we bonded as brothers need to. Our eyes were reluctant to gaze away for fear of the image disappearing.
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The dance, art, music, and cultural worlds of the Ballets Russes--a dance company which helped define the avant-garde in the early part of this century--are surveyed in this book, which begins with Serge Diaghilev's influence. 200+ illustrations.
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A body is discovered. Mutilated beyond recognition, perched upon a hill overlooking the village. Questions are raised. Prayers are offered. Fears grow as rumours are spread behind the Walls of Woodmyst. They come at night. Lurking in the forest nearby, the strangers watch and wait. Who are these fiends? What do they want from the peaceful village? Terror builds in the hearts of men upon the Walls of Woodmyst. Commanded by Alan Warde, and the other councilmembers of the village, the men of the Woodmyst are called into action armed with bows and swords. Outnumbered and unprepared, the villagers do their best to defend their home against a well-resourced enemy. How long can they survive upon The Walls of Woodmyst?
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