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I Blame Duchamp
'My musings on art could be described as a benign diatribe; one inspired by a genuine if watchful passion.' In this sweeping collection of essays, Edmund Capon describes his lifelong fascination with art and the artists who, over centuries, have enlightened us and challenged the way we see the world. He shares his passion for topics as diverse as the art of China and the Renaissance Old Masters, talks of personal encounters with artists such as Henry Moore and Sidney Nolan, and tells the stories behind some of his controversial acquisitions as the long-time director of the Art Gallery of New South Wales, including Cy Twombly's Three Studies from the Temeraire. Driven by curiosity and his lov...
Tang China
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Painting Culture
DIVThe history of the Australian Aboriginal painting movement from its local origins to its career in the international art market./div
Jeffrey Smart Retrospective
The paintings of Jeffrey Smart, one of Australia's most celebrated expatriate painters, have entranced and intrigued the public for over half a century. Taking subject matter from all that would appear bleak about the modern world - highways, inhospitable cities, impersonal contemporary architecture - Smart has created a unique kind of beauty. Produced to accompany the 1999 Retrospective, it describes the artists working process with many illustrations of paintings complemented by studies and sketches. This catalogue contains essays by Edmund Capon and Barry Pearce with an infusion of Jeffrey Smart's compelling letters and quotes. This publication is destined to have a long life beyond the exhibition as an enduring art book.
Leading with Passion
What does it take to lead the 21st-century museum? Balancing a head for business and working from the heart guided by passion! This is the message Sherene Suchy discovered in her work with more than 80 international museum directors whose thoughts and experiences ground this book on change management in 21st-century cultural organizations.
Rhythms of Life
Lavishly illustrated publication by a leading sculpture critic surveying the sculptures, practice, and significance of Andrew Rogers’ bronze, and stone geoglyphs (land sculpture) with additional contribution from internationally recognised writers, and critics, and many gifted photographers.
