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Jews and Shoes
Shoes are an integral part of Jewish material culture. Although they appear in some of the most foundational biblical stories, they are generally regarded as no more than lowly, albeit essential, accessories. Jews and Shoes takes a fresh look at the makings and meanings of shoes, cobblers, and barefootedness in Jewish experience. The book shows how shoes convey theological, social, and economic concepts, and as such are intriguing subjects for inquiry within a wide range of cultural, artistic, and historic contexts. The book's multidisciplinary approach encompasses a wide range of contributions from disciplines as diverse as fashion, visual culture, history, anthropology, Bible and Talmud, and performance studies. Jews and Shoes will appeal to students, scholars and general readers alike who are interested to find out more about the practical and symbolic significance of shoes in Jewish culture since antiquity.
Jewish Theatre
While a frequently used term, Jewish Theatre has become a contested concept that defies precise definition. Is it theatre by Jews? For Jews? About Jews? Though there are no easy answers for these questions, "Jewish Theatre: A Global View," contributes greatly to the conversation by offering an impressive collection of original essays written by an international cadre of noted scholars from Europe, the United States, and Israel. The essays discuss historical and current texts and performance practices, covering a wide gamut of genres and traditions.
New York’s Yiddish Theater
In the early decades of the twentieth century, a vibrant theatrical culture took shape on New York City's Lower East Side. Original dramas, comedies, musicals, and vaudeville, along with sophisticated productions of Shakespeare, Ibsen, and Chekhov, were innovatively staged for crowds that rivaled the audiences on Broadway. Though these productions were in Yiddish and catered to Eastern European, Jewish audiences (the largest immigrant group in the city at the time), their artistic innovations, energetic style, and engagement with politics and the world around them came to influence all facets of the American stage. Vividly illustrated and with essays from leading historians and critics, this...
Jews and Shoes
Jews and shoes / Edna Nahshon -- The biblical shoe : eschewing footwear : the call of Moses as biblical archetype / Ora Horn Prouser -- The halitzah shoe : between female subjugation and symbolic emasculation / Catherine Hezser -- The tombstone shoe : shoe-shaped tombstones in Jewish cemeteries in the Ukraine / Rivka Parciack -- The Israeli shoe : "biblical sandals" and native Israeli identity / Orna Ben-Meir -- The shtetl shoe : how to make a shoe / Mayer Kirshenblatt and Barbara Kirshenblatt-Gimblett -- The folkloristic shoe : shoes and shoemakers in Yiddish language and folklore / Robert A. Rothstein -- The Holocaust shoe : untying memory : shoes as Holocaust memorial experience / Jeffrey...
Jews and Theater in an Intercultural Context
Jewish theater practitioners, playwrights, critics, financiers and audiences have played an enormous role in the development of the European and American theater. "Jews and Theater in an Intercultural Context," a collection of essays by an international cadre of theater scholars, addresses this subject. Focusing on the role of Jews and Jewishness in the theatrical field it discusses the representation of Jews on the American, European, and South American stage, with a strong emphasis on twentieth century theater and the contemporary theatrical scene.
Jews and Theater in an Intercultural Context
A collection of essays by an international cadre of theater scholars, which addresses Jewish theater practitioners, playwrights, critics, financiers and audiences roles in the development of the European and American theater.
From the Ghetto to the Melting Pot
In his historic play The Melting Pot, Israel Zangwill (1864-1926) introduced into our discourse a potent metaphor that for nearly a hundred years has served as a key definition of the United States. The play, enthusiastically espoused by President Theodore Roosevelt, to whom it was dedicated, offered a grand vision of America as a dynamic process of ethnic and racial amalgamation. By his own admission, The Melting Pot grew out of Zangwill's intense involvement in issues of Jewish immigration and resettlement and was grounded in his interpretation of Jewish history. Zangwill, Anglo Jewry's most renowned writer, began writing seriously for the stage in the late 1890s. At the time, the negative...
Wrestling with Shylock
This book explores responses to The Merchant of Venice by Jewish writers, critics, theater artists, thinkers, religious leaders and institutions.
Yiddish Proletarian Theatre
The Artef (1925-1940) began as a radical Yiddish workers' theatre and developed into a major American Yiddish theatre company. It was among the acknowledged pillars of the Theatre of Social Consciousness, a movement that redefined the course for the American stage during the half century that followed. In the 1920s and 1930s, New York was widely recognized as the world capital of the Yiddish theatre. The Artef was a principal theatrical institution during this so-called Golden Era. Established in 1925 as a proletarian theatrical organization affiliated with the Jewish section of the American communist movement, the Artef was hailed by Brooks Atkinson as one of the artistic ornaments in town....
Wrestling with Shylock
Shakespeare's The Merchant of Venice occupies a unique place in world culture. As the fictional, albeit iconic, character of Shylock has been interpreted as exotic outsider, social pariah, melodramatic villain and tragic victim, the play, which has been performed and read in dozens of languages, has served as a lens for examining ideas and images of the Jew at various historical moments. In the last two hundred years, many of the play's stage interpreters, spectators, readers and adapters have themselves been Jews, whose responses are often embedded in literary, theatrical and musical works. This volume examines the ever-expanding body of Jewish responses to Shakespeare's most Jewishly relevant play.
