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Jews and shoes / Edna Nahshon -- The biblical shoe : eschewing footwear : the call of Moses as biblical archetype / Ora Horn Prouser -- The halitzah shoe : between female subjugation and symbolic emasculation / Catherine Hezser -- The tombstone shoe : shoe-shaped tombstones in Jewish cemeteries in the Ukraine / Rivka Parciack -- The Israeli shoe : "biblical sandals" and native Israeli identity / Orna Ben-Meir -- The shtetl shoe : how to make a shoe / Mayer Kirshenblatt and Barbara Kirshenblatt-Gimblett -- The folkloristic shoe : shoes and shoemakers in Yiddish language and folklore / Robert A. Rothstein -- The Holocaust shoe : untying memory : shoes as Holocaust memorial experience / Jeffrey...
This book explores responses to The Merchant of Venice by Jewish writers, critics, theater artists, thinkers, religious leaders and institutions.
In the early decades of the twentieth century, a vibrant theatrical culture took shape on New York City's Lower East Side. Original dramas, comedies, musicals, and vaudeville, along with sophisticated productions of Shakespeare, Ibsen, and Chekhov, were innovatively staged for crowds that rivaled the audiences on Broadway. Though these productions were in Yiddish and catered to Eastern European, Jewish audiences (the largest immigrant group in the city at the time), their artistic innovations, energetic style, and engagement with politics and the world around them came to influence all facets of the American stage. Vividly illustrated and with essays from leading historians and critics, this...
While a frequently used term, Jewish Theatre has become a contested concept that defies precise definition. Is it theatre by Jews? For Jews? About Jews? Though there are no easy answers for these questions, "Jewish Theatre: A Global View," contributes greatly to the conversation by offering an impressive collection of original essays written by an international cadre of noted scholars from Europe, the United States, and Israel. The essays discuss historical and current texts and performance practices, covering a wide gamut of genres and traditions.
A collection of essays by an international cadre of theater scholars, which addresses Jewish theater practitioners, playwrights, critics, financiers and audiences roles in the development of the European and American theater.
In Living under the Evil Pope, Martina Mampieri presents the Hebrew Chronicle of Pope Paul IV, written in the second half of the sixteenth century by the Italian Jewish moneylender Benjamin Neḥemiah ben Elnathan (alias Guglielmo di Diodato) from Civitanova Marche. The text remained in manuscript for about four centuries until the Galician scholar Isaiah Sonne (1887-1960) published a Hebrew annotated edition of the chronicle in the 1930s. This remarkable source offers an account of the events of the Papal States during Paul IV’s pontificate (1555-59). Making use of broad archival materials, Martina Mampieri reflects on the nature of this work, its historical background, and contents, prov...
The Bloomsbury Companion to Jewish Studies is a comprehensive reference guide, providing an overview of Jewish Studies as it has developed as an academic sub-discipline. This volume surveys the development and current state of research in the broad field of Jewish Studies - focusing on central themes, methodologies, and varieties of source materials available. It includes 11 core essays from internationally-renowned scholars and teachers that provide an important and useful overview of Jewish history and the development of Judaism, while exploring central issues in Jewish Studies that cut across historical periods and offer important opportunities to track significant themes throughout the diversity of Jewish experiences. In addition to a bibliography to help orient students and researchers, the volume includes a series of indispensable research tools, including a chronology, maps, and a glossary of key terms and concepts. This is the essential reference guide for anyone working in or exploring the rich and dynamic field of Jewish Studies.
In the past thirty years, the Sino-Jewish encounter in modern China has increasingly garnered scholarly and popular attention. This volume will be the first to focus on the transcultural exchange between Ashkenazic Jewry and China. The essays here investigate how this exchange of texts and translations, images and ideas, has enriched both Jewish and Chinese cultures and prepared for a global, inclusive world literature. The book breaks new ground in the field, covering such new topics as the images of China in Yiddish and German Jewish letters, the intersectionality of the Jewish and Chinese literature in illuminating the implications for a truly global and inclusive world literature, the biographies of prominent figures in Chinese-Jewish connections, the Chabad engagement in contemporary China. Some of the fundamental debates in the current scholarship will also be addressed, with a special emphasis on how many Jewish refugees arrived in Shanghai and how much interaction occurred between the Jewish refugees and the resident Chinese population during the wartime and its aftermath.
The Artef (1925-1940) began as a radical Yiddish workers' theatre and developed into a major American Yiddish theatre company. It was among the acknowledged pillars of the Theatre of Social Consciousness, a movement that redefined the course for the American stage during the half century that followed. In the 1920s and 1930s, New York was widely recognized as the world capital of the Yiddish theatre. The Artef was a principal theatrical institution during this so-called Golden Era. Established in 1925 as a proletarian theatrical organization affiliated with the Jewish section of the American communist movement, the Artef was hailed by Brooks Atkinson as one of the artistic ornaments in town....
Eighteen contributors wax knowledgeably about the language's ideology ("politiks-smolitiks" say some), scholarship, declining linguistic communities, literature, press, riddles, names, and ambivalence evoked by the Jewish mama loshen and immigrant language of Yiddish. Includes photos of the early Yiddish theater. No index. Annotation copyrighted by Book News, Inc., Portland, OR