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Mind Reading
In this book literary interior monologue is considered in relation to extraliterary phenomena, as well as narrative theory. The central question posed by this study is: what makes a particular interior monologue believable, given the unobservable nature of human thought? The discussion revolves around the unobservable counterpart of literary interior monologue, i.e., what is known in psychology as inner speech. Taking various experimental findings and theories from Soviet and American research on inner speech, the author compares them with literary interior monologue and tries to account for similarities and differences. Examples of literary interior monologue are analyzed in comparison with...
The Bays are Sere ; And, Interior Monologue
Edouard Dujardin's The Bays are Sere, first published in 1887, was the first novel written entirely in interior monologue or stream of consciousness. For a long time its impact was dormant, until James Joyce read it in 1903 and subsequently revealed its influence upon him. As a result it was republished to great acclaim in 1924, after which Dujardin wrote Interior Monologue, an essay on the origin of this style and how he came to adopt it.
Medieval Joyce
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Symbolist Art Theories
Presents the development and the aesthetic theories of the symbolist movement in art and literature
Hauntings
Hauntings, by Édouard Dujardin (1861-1949), was originally published in French in 1886 and is here presented in its first-ever English translation by Brian Stableford. It appeared one year before the work on which the author's fame is largely based, Les Lauriers sont coupés, which was the first stream-of-consciousness novel ever written, and which was certainly hugely influential on later writers, such as James Joyce. Demonstrating the manner in which Dujardin developed that technique by stages, while using monologues and biographical commentaries as a means of analyzing and illustrating the psychological phenomenon of obsession, Hauntings is a minor masterpiece of symbolist fiction, specifically of the subgenre that consists of "manic monologues," few examples of which can compare with its curiosity, intensity and frank perversity.
Eliot, Joyce, and Company
This study explores the relations of T.S. Eliot and James Joyce with certain antecedents, such as Dante, Flaubert and Baudelaire; with contemporaries including Pound and Yeats; and with their readers, in order to illuminate the authors' historic mutual venture in English literature.
