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Catalogue of Printed Books in the Library of the British Museum
  • Language: en
  • Pages: 842
The First Proofs of the Universal Catalogue of Books on Art
  • Language: en
  • Pages: 1034

The First Proofs of the Universal Catalogue of Books on Art

  • Categories: Art

Reprint of the original, first published in 1870.

First Proofs of the Universal Catalogue of Books on Art
  • Language: en
  • Pages: 1046

First Proofs of the Universal Catalogue of Books on Art

  • Categories: Art
  • Type: Book
  • -
  • Published: 1870
  • -
  • Publisher: Unknown

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British Museum Catalogue of printed Books
  • Language: en
  • Pages: 630

British Museum Catalogue of printed Books

  • Type: Book
  • -
  • Published: 1881
  • -
  • Publisher: Unknown

None

Change in Medieval Society
  • Language: en
  • Pages: 344

Change in Medieval Society

The nineteen essays in this collection reflect the importance of change as an aspect of medieval society. They are arranged in six subject areas: Communities; Reformers; Careers, Rank, and Power; The Communication of Ideas; Money; and Views of Society.

Universal Catalogue of Books on Art: A to K
  • Language: en
  • Pages: 1046
The Dance of Death in the Middle Ages
  • Language: en
  • Pages: 384

The Dance of Death in the Middle Ages

  • Categories: Art

Elina Gertsman's multifaceted study introduces readers to the imagery and texts of the Dance of Death, an extraordinary subject that first emerged in western European art and literature in the late medieval era. Conceived from the start as an inherently public image, simultaneously intensely personal and widely accessible, the medieval Dance of Death proclaimed the inevitability of death and declared the futility of human ambition. Gertsman inquires into the theological, socio-historic, literary, and artistic contexts of the Dance of Death, exploring it as a site of interaction between text, image, and beholder. Pulling together a wide variety of sources and drawing attention to those images that have slipped through the cracks of the art historical canon, Gertsman examines the visual, textual, aural, pastoral, and performative discourses that informed the creation and reception of the Dance of Death, and proposes different modes of viewing for several paintings, each of which invited the beholder to participate in an active, kinesthetic experience.

Texts and Studies
  • Language: en
  • Pages: 306

Texts and Studies

  • Type: Book
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  • Published: 1941
  • -
  • Publisher: Unknown

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Jewry-law in Medieval Germany
  • Language: en
  • Pages: 306

Jewry-law in Medieval Germany

  • Type: Book
  • -
  • Published: 1949
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  • Publisher: Unknown

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