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Eduardo Souto Moura
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Eduardo Souto Moura
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Souto de Moura
"I look beyond solution; I look for an expression."--Eduardo Souto de Moura The architect Eduardo Souto de Moura (b. 1952) has won many accolades, including the 2011 Pritzker Architecture Prize. Based in Porto, Souto de Moura studied under Fernando Távora and worked under fellow Portuguese architect Álvaro Siza, with whom he continues to collaborate. Souto de Moura established his own practice in 1980, and his wide-ranging influences, including Mies van der Rohe and Donald Judd, can be seen in the stunning variety of his work, from his acclaimed private houses, to the striking Paula Rego Museum in Cascais and the Braga Municipal Stadium, to his work in historical contexts such as the Convento das Bernardas in Tavira. This beautifully illustrated retrospective provides the most comprehensive account of Souto de Moura's career to date. Drawings, notes and sketches from his archive, and newly commissioned photographs complement essays by scholars and prominent architects that trace Souto de Moura's career, contextualize his work within the larger trends of contemporary international architectural culture, and highlight the originality of his design strategy.
Eduardo Souto de Moura
Issue four of Archives collects the most recent projects by acclaimed Portuguese architect and winner of the 2011 Pritzker Prize Eduardo Souto de Moura (born 1952), who was awarded the Golden Lion for the best project on show at the 16th Venice Architecture Biennale (2018), and who was commissioned by the Vatican City to built a temporary chapel.
Eduardo Souto de Moura
Portuguese architect Eduardo Souto of Moura, widely celebrated for his works of subtlety and refinement, his deft handling of traditional and natural materials, and a precise attention to detail, hast produced structures that, while firmly anchored in the building traditions of his native Portugal, also make insightful reference to Mies and classic early modernism. His buildings establish an intimate connection to nature, landscape, and context. His more recent work has avoided the endless reception of earlier typologies in order to explore the adaption of his approach to buildings of a larger scale.
Eduardo Souto Moura
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