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China
"In this book, Edward Burtynsky presents photographs of the remnant and newly established zones of Chinese industrialization - those places created while realizing the "glory" of wealth for a powerful civilization yearning to move forward and join the ranks of modern nations. Using diplomatic channels, Burtynsky has gained rare access to these sites, creating images that are at once arresting and unsettling. These photographs afford us privileged glimpses of the vast social and economic transformation currently underway in China." "Burtynsky casts a watchful eye over the extreme expressions of Chinese industry. His subjects include the Three Gorges Dam, at present the world's largest engineering project and Bao Steel, China's biggest steel producer. He explores the vanishing dinosaurs of old industrial complexes in the north eastern "rust belt" and shipyards at Qiligang, the single most concentrated area of shipbuilding in the country."--BOOK JACKET.
Burtynsky
"This book explores humanity's increasingly stressed relationship with the world's most vital natural resource in a series of photographs made by Canadian artist, Edward Burtynsky. Over the past five years, Burtynsky has travelled across the globe, from the Gulf of Mexico to the shores of the Ganges, while weaving together an ambitious representation of water's ever more fragmented lifecycle. In colourful aerial images, many bordering on the edge of complete abstraction, Burtynsky traces the various roles that water plays in modern life; as a source of healthy ecosystems and energy, as a key element in cultural and religious rituals, and as a rapidly depleting resource. Many of the images fo...
Anthropocene
Anthropocene is the newest book by Edward Burtynsky to document human destruction of the earth on a geological scale. In photos as beautiful as they are disconcerting, Burtynsky explores issues such as extinction (large-scale burning of elephant tusks to disrupt illegal trade and the black market, the plight of the last white rhino), technofossils (Nigerian landfi ll sites entirely of plastic, massive concrete tetrapods to protect Chinese coastline from erosion), and terraforming (mines and industrial agriculture). Conta ining specially commissioned poems by Margaret Atwood published here for the fi rst time, a statement by Burtynsky and a range of essays, Anthropocene presents compelling ar...
Salt Pans
Salt Pans is Edward Burtynsky's newest book in his acclaimed ongoing series of photographs exploring different industrialized landscapes across the world. Consisting of 31 aerial photos of the salt pans in the Little Rann of Kutch, India, the project is the result of months of intricate negotiations and preparations. These striking geometric images, taken in an intense ten-day period during which Burtynsky photographed from a helicopter, present the pans, wells and vehicle tracks as abstract, painterly patterns: subtly colored rectangles crossed by grids of gestural lines. And yet the reality behind the ironic beauty of Burtynsky's pictures is a harsh one. Each year 100,000 poorly paid Agari...
Australian Minescapes
The focus of this book is a series of remarkably compelling and incredibly tactile large scale photographs of Australian mine sites taken from the air. From this perspective, through the eye of a master photographer, what are for many scars upon the landscape become extraordinary images of beauty and sensuality. This sumptuous, large format, casebound book also features a series of accessible and insightful essays on Burtynsky's work, on photography and Australian landscape and art.
Burtynsky
Edward Burtynsky's Oil collects a decades' worth of photographing the world's largest oil fields, refineries, freeway interchanges and automobile plants, in an attempt to comprehend the scale of production attending this most politicized of resources. The ideal photographer for this job, Burtynsky locates and documents the sites that urban dwellers never see, and questions human accountability. His imagery is vast in both scale and ambition, revealing the apparatus behind the energy we mine from dwindling resources, and the ongoing effects of the industrial revolution. "In 1997 I had what I refer to as my oil epiphany," Burtynsky explains: "it occurred to me that all the vast, man-altered la...
Residual Landscapes
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Edward Burtynsky: Extraction / Abstraction
'Burtynsky's visions are often ravishing: optical vibrations, hypnotically immersive.' - Simon Schama Published on the occasion of Edward Burtynsky's largest and most comprehensive exhibition to date, at the Saatchi Gallery, London, Extraction / Abstraction looks deeply at the key subjects and signature images spanning his 45-year career. Alongside Burtynsky's compelling photographs, the book includes texts by celebrated art historian Simon Schama, who examines Burtynsky's work in light of the question "Can art help save the world?", and by curator Marc Mayer, former director of the National Gallery of Canada, who provides an overview of the photographer's achievements as technician, journal...
The Sublime Object of Ideology
In this provocative and original work, Slavoj _i_ek takes a look at the question of human agency in a postmodern world. From the sinking of the Titanic to Hitchcock’s Rear Window, from the operas of Wagner to science fiction, from Alien to the Jewish Joke, the author’s acute analyses explore the ideological fantasies of wholeness and exclusion which make up human society. _i_ek takes issue with analysts of the postmodern condition from Habermas to Sloterdijk, showing that the idea of a ‘post-ideological’ world ignores the fact that ‘even if we do not take things seriously, we are still doing them’. Rejecting postmodernism’s unified world of surfaces, he traces a line of thought...
Anthropocene
"A catalogue to accompany the exhibition Anthropocene, a collaboration by the artists and filmmakers Jennifer Baichwal, Edward Burtynsky, and Nicholas de Pencier, including film, photography, virtual reality, and augmented reality. Anthropocene is organized by the Art Gallery of Ontario and the Canadian Photography Institute of the National Gallery of Canada, in partnership with Manifattura di Arti, Sperimentazione e Tecnologia (Fondazione MAST)."--
