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Edward Cullinan Architects
Edward (Ted) Cullinan set up his practice in 1965 as a cooperative in the belief that architecture needed commitment from the whole team. He was inspired by a year at Berkeley in 1956, and worked closely with Denys Lasdun before deciding to draw, make and grow his own architecture. He startedwith highly inventive low-cost houses, building his own upside-down passive solar home in Camden Mews in North London where he lived until his death in 2019.The practice and the projects grew with major local authority housing schemes, schools, health buildings and conference centres before embarking on a sequence of university buildings and masterplans in the UK and abroad. Ted composed his buildings, d...
Cullinan Architects
This study examines the architectural practice of Edward Cullinan Architects, known for its high principled, user-oriented design philosophy. Since 1974, the firm has completed a significant number of buildings for selective clients, such as Olivetti and the National Trust. Since 1989, they have also been invited to carry out major projects throughout Europe, Japan and the USA, including Technical High School, Lagny, France; D'Hautree Secondary School, Jersey; Ambassador's Residence, Moscow; and The University of North Carolina Campus, USA.
Why Architects Draw
Examines the social uses of architectural drawing: how it acts to direct architecture; how it helps define what is important about a design; and how it embodies claims about the architect's status and authority. Case study narratives are included with drawings from projects at all stages.
Design through Dialogue
Completed projects receive more public attention than the process of their creation and so the myth that architects design buildings alone lives on. In fact, architects work with a great many others and the relationships that develop, particularly with clients, have a significant impact on design. Design through Dialogue explores the relationship between client and architect through the lens of four overlapping activities that occur during any project: relating, talking, exploring and transforming. Cases of design and collaboration range from smaller scale retail, residential and educational projects in the US, Sweden, the UK and the Pacific Rim to large institutions, including Seattle’s Central Library, the National Museum of the American Indian in Washington DC, the Supreme Court in Jerusalem and the Museum of New Zealand. Material is taken from interviews with clients and architects and research in psychotherapy, group dynamics and design studies. Throughout the book aspects of process are linked to design outcomes to illustrate how architects and clients collaborate creatively.
Happold
This monograph explores the life and work of Sir Edmund (Ted) Happold (1930-1996) and the legacy he has left to the engineering profession. He was renowned internationally as a practitioner, a research guru and an industry spokesman. He was Head of the School of Architecture and Building Engineering at the University of Bath, the principal of Buro Happold consulting engineers and the engineer who helped create such seminal buildings as the Pompidou Centre, the Conference Centre at Mecca, the Sports Hall at Jeddah, the Diplomatic Club at Riyadh, the Tsim Sha Tsui Cultural Center and Kowloon Park in Hong Kong and the Aviary in Munich. This book acknowledges the role he played during a professional life that spanned some thirty years and also explores the relationship between engineering and architecture and design.
Understanding Architecture Through Drawing
This second edition is fully revised and updated and includes new chapters on sustainability, history and archaeology, designing through drawing and drawing in architectural practice. The book introduces design and graphic techniques aimed to help designers increase their understanding of buildings and places through drawing. For many, the camera has replaced the sketchbook, but here the author argues that freehand drawing as a means of analyzing and understanding buildings develops visual sensitivity and awareness of design. By combining design theory with practical lessons in drawing, Understanding Architecture Through Drawing encourages the use of the sketchbook as a creative and critical tool. The book is highly illustrated and is an essential manual on freehand drawing techniques for students of architecture, landscape architecture, town and country planning and urban design.
The Routledge Handbook of Archaeology and Plastics
The Routledge Handbook of Archaeology and Plastics investigates the archaeology of the contemporary world through the lens of its most distinguishing and problematic material. Plastics are ubiquitous and have been so for nearly three generations since they became widely used in the early 1950s. Plastics will persist for millennia, their legacies as toxic heritage being felt deep into the future. In this book – comprising 32 original, at times disturbing, and critically engaged contributions – scholars from archaeology and other cognate disciplines explore plastics from a number of different angles and perspectives. Together these contributions highlight the dilemma that plastics present:...
The Fabric of Place
Cities are the product of a myriad of forces. Their forms and structures evolve over centuries and articulate the relationships between us, their citizens--how we live, work and connect. Although constantly changing, they are also remarkably fragile, particularly in these times of rapid expansion and consequent pressures for increased density. Cities need careful cultivation by all involved in making proposals for their growth, if new projects are to support the continuity of existing city fabric, reinforce the particular identity of place and provide new workable living environments. Through their urban design work in many cities, Allies and Morrison have participated in ongoing discussions around many current issues. This book combines insights about how cities work with observations on how development plans can help, or hinder, their further evolution. Written by people in the practice, it draws together the rich ideas, theories, precedents and explorations that have informed their work and illustrates them with case studies of individual projects. The Fabric of Place: Allies and Morrison reflects on work-in-progress, as continuing conversations between theory and realisation.
Blue Sky Living
Blue Sky was born out of the ferment of the late 1960s and early 1970s, but it has proved to have much more talent, tenacity and imagination than most other idealistic initiatives from that time. Blue Sky
