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The Body, the Dance and the Text
This collection of new essays explores the many ways in which writing relates to corporeality and how the two work together to create, resist or mark the body of the "Other." Contributors draw on varied backgrounds to examine different movement practices. They focus on movement as a meaning-making process, including the choreographic act of writing. The challenges faced by marginalized bodies are discussed, along with the ability of a body to question, contest and re-write historical narratives.
The Object of the Atlantic
The Object of the Atlantic is a wide-ranging study of the transition from a concern with sovereignty to a concern with things in Iberian Atlantic literature and art produced between 1868 and 1968. Rachel Price uncovers the surprising ways that concrete aesthetics from Cuba, Brazil, and Spain drew not only on global forms of constructivism but also on a history of empire, slavery, and media technologies from the Atlantic world. Analyzing Jose Marti’s notebooks, Joaquim de Sousandrade’s poetry, Ramiro de Maeztu’s essays on things and on slavery, 1920s Cuban literature on economic restructuring, Ferreira Gullar’s theory of the “non-object,” and neoconcrete art, Price shows that the turn to objects—and from these to new media networks—was rooted in the very philosophies of history that helped form the Atlantic world itself.
Exile and Cultural Hegemony
After Francisco Franco's victory in the Spanish Civil War, a great many of the country's intellectuals went into exile in Mexico. During the three and a half decades of Francoist dictatorship, these exiles held that the Republic, not Francoism, represented the authentic culture of Spain. In this environment, as Sebastiaan Faber argues in Exile and Cultural Hegemony, the Spaniards' conception of their role as intellectuals changed markedly over time. The first study of its kind to place the exiles' ideological evolution in a broad historical context, Exile and Cultural Hegemony takes into account developments in both Spanish and Mexican politics from the early 1930s through the 1970s. Faber p...
Imperial Emotions
Imperial Emotions reconsiders the historical legacy of Spain's empire by examining the role of emotions in mitigating it. Javier Krauel cogently argues that the fall of the Spanish empire in the late nineteenth century spurred a number of contradictory responses, ranging from mourning and melancholia to indignation, pride, and shame. He shows how intellectuals sought to reimagine a post-empire Spain by establishing attachments to imperial myths, which would have a profound impact not only on the collective memory of Spain but that of the Americas as well, where such emotional investments are still in conflict today.
Whose Spain?
English with excerpts in Spanish and French.
Imagined Truths
Imagined Truths provides a twenty-first-century analysis of stylistic and philosophical manifestations of nineteenth- and twentieth-century Spanish literary realism. Bringing together the work of the foremost specialists in the field of contemporary Spanish letters, this collection offers new approaches to literary and cultural criticism and reveals how Spanish realism, far from imitative of other European movements, engaged in complex and modern concepts of representation and mimesis. Imagined Truths acknowledges the critical importance of women writers and contemporary approaches to questions of gender. The essays address the impact of economics on our perceptions of reality and our constr...
Re-reading Pío Baroja and English Literature
This volume investigates a broad range of structural connections between PThis volume investigates a broad range of structural connections between Pío Baroja's early fiction and the novels of his contemporaries in England and Ireland, with prominence given to Joseph Conrad, Thomas Hardy, E. M. Forster and James Joyce. Starting from the premise that Spain has been neglected in studies which assess the evolution of the European novel at the turn of the twentieth century, and challenging the insular concept of the 'Generation of 1898', the author reassesses the relationship between Baroja and English literature. Particular emphasis is given to renderings of consciousness, the role and identity of the artist, European landscapes, and questions of form, genre and representation in the novels under scrutiny. The book produces new readings of Baroja in the context of early twentieth-century English fiction.
Oswego Township
In 1832, John, Walter, and Daniel Pearce, and their brother-in-law, William Smith Wilson, walked west from their homes in Ohio prospecting for land. When they reached the Fox River in the vicinity of modern Oswego, they agreed they had found the place they wanted to settle. The next year, 1833, after selling their Ohio farms, they traveled west by wagon with their families and became the first settlers in Oswego Township. Just two years later, Lewis B. Judson and Levi F. Arnold laid out a new village on land first claimed by Wilson, creating the foundation of todays bustling village of Oswego. A stagecoach route crossroads, the seat of Kendall County for nearly 20 years, and a market town for the surrounding agricultural area, Oswego grew steadily until the Civil War. After the war, growth slowed until the second half of the 20th century when the area began to boom, both in population and economically. This book offers many of the areas newest residents a chance to look back at Oswego Townships rich heritage.
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