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Accompanying DVD contains footage of the skaters featured in the book as well as additional photographs and an interview with the photographer.
The ten essays in Local Religion in Colonial Mexico provide information about the religious culture in colonial Mexico.
In The Learned Ones Kelly S. McDonough gives sustained attention to the complex nature of Nahua intellectualism and writing from the colonial period through the present day. This collaborative ethnography shows the heterogeneity of Nahua knowledge and writing, as well as indigenous experiences in Mexico.
The essays in this book examine how "the unnatural" came to inscribe certain sexual acts and desires as criminal and sinful, including acts officially deemed to be "against nature"(sodomy, bestiality, and masturbation) along with others that approximated the unnatural (hermaphroditism, incest, sex with the devil, solicitation in the confessional, erotic religious visions, and the desecration of holy images. ).
Bringing to bear her extensive knowledge of the cultures of Renaissance Europe and sixteenth-century Mexico, Mónica Domínguez Torres here investigates the significance of military images and symbols in post-Conquest Mexico. She shows how the 'conquest' in fact involved dynamic exchanges between cultures; and that certain interconnections between martial, social and religious elements resonated with similar intensity among Mesoamericans and Europeans, creating indeed cultural bridges between these diverse communities. Multidisciplinary in approach, this study builds on scholarship in the fields of visual, literary and cultural studies to analyse the European and Mesoamerican content of the martial imagery fostered within the indigenous settlements of central Mexico, as well as the ways in which local communities and leaders appropriated, manipulated, modified and reinterpreted foreign visual codes. Military Ethos and Visual Culture in Post-Conquest Mexico draws on post-structuralist and post-colonial approaches to analyse the complex dynamics of identity formation in colonial communities.
"Diaz has done a very good job of acknowledging precursive and pioneering works in history, literature, and ethnic studies while establishing her own critical originality. Her occupation of a cultural studies viewpoint is in contrast to previous studies by both historians and literary critics, supporting her conclusions and opening new lines of dialogue."--Jennifer L. Eich, author of The Other Mexican Muse: Sor Maria Anna Agueda de San Ignacio (1695-1756).
This ethnohistory uses colonial-era native-language texts written by Nahuas to construct history from the indigenous point of view. The book offers the first internal ethnographic view of central Mexican indigenous communities in the critical time of independence, when modern Mexican Spanish developed its unique character, founded on indigenous concepts of space, time, and grammar. The Aztecs at Independence opens a window into the cultural life of writers, leaders, and worshippers--Nahua women and men in the midst of creating a vibrant community.
New information from Inquisition documents shows how African slaves in Mexico adapted to the constraints of the Church and the Spanish crown in order to survive in their communities.
False Mystics provides a history of popular religion, race, and gender in colonial Mexico focusing on questions of spiritual and social rebellion and conformity. Nora E. Jaffary examines more than one hundred trials of ?false mystics? whom the Mexican Inquisition prosecuted in the seventeenth and eighteenth centuries. While the accused experienced many of the same phenomena as bona fide mystics?visions, sacred illness, and bouts of demonic possession?the Mexican tribunal condemned them nevertheless. False Mystics examines why the Catholic church viewed the accused as deviants and argues that this categorization was due in part to unconventional aspects of their spirituality and in part to co...