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A full generation has passed since black theology burst onto the American religious scene, ignited by the powerful work of James H. Cone. Now an illustrious group of theologians takes the measure of black theology's legacy and explores the radically new context - ecclesial, social, global, and interreligious - that is setting the black theological agenda for tomorrow.
A comprehensive look at black theology and its connection with major doctrinal themes within Christianity from a global perspective.
Psychology and Philosophy provides a history of the relations between philosophy and the science of psychology from late scholasticism to contemporary discussions. The book covers the development from 16th-century interpretations of Aristotle’s De Anima, through Kantianism and the 19th-century revival of Aristotelianism, up to 20th-century phenomenological and analytic studies of consciousness and the mind. In this volume historically divergent conceptions of psychology as a science receive special emphasis. The volume illuminates the particular nature of studies of the psyche in the contexts of Aristotelian and Cartesian as well as 19th- and 20th-century science and philosophy. The relati...
This book connects the living realms of the church, the self, the neighbor and the world. It envisions our daily local and global life from liturgical spaces, places where Christians worship God. Through these relations, we can connect worship with economy, preaching with raising a village, baptism with forms of citizenship, ecology and the market, Easter with immigration, liturgical knees with colonization, spirituality with minority voices, all uttering prayers that name racism, poverty and a liberation theology of glory. In these pages Cláudio Carvalhaes issues a call to the churches to move from captive and colonized spaces into where the Spirit lives: among the poor, the needy, the for...
In African Theology as Liberating Wisdom; Celebrating Life and Harmony in the Evangelical Lutheran Church in Botswana, Mari-Anna Pöntinen analyses contextual interpretations of the Christian faith in this particular church. These interpretations are based on the special wisdom tradition which embraces monistic ontology, communal ethics in botho, and the indigenous belief in God as the Source of Life, and the Root of everything that exists. The constructing theological principle in the ELCB is the downward-orientated and descending God in Christ which interprets the ‘Lutheran spirit’ in a liberating and empowering sense. It deals with the cultural mythos which brings Christ down into people’s existence, unlike Western connotations which are considered to hinder seeing Christ and to prevent existential self-awareness.
In this book, Ikenna Okafor tackles an interesting and timely topic and demonstrates competence and maturity in developing his insight into Igbo humanism--to make liberation theology from an African perspective into a theology of solidarity and fraternity. With a good narrative style, Okafor critiques the Latin American liberation theological project. And inspired by the hermeneutical implications of "UBE NAWANNE," the evangelical positioning of material poverty and pathos for the poor as defining Christian discipleship is persuasively presented. The potent nwanne idiom guides his critical evaluation of the social teachings and praxis of the Catholic Church. In fact, it is clear that Okafor embarked on a subject matter that is of theological moment and has creative pastoral implications for the Church of Nigeria, the Churches of Africa, and the World Church.
In Vulnerability and Resilience, vulnerability is not the final word. Rather, resilience provides the cutting edge and living breath in the stories of subjects who are vulnerable. And they have many stories: stories of being trapped in bodies, teachings, and/or situations that make them (and others like them) vulnerable to discrimination, hatred, and rejection; stories of being trapped because of their bodies, theologies, and/or cultures; and stories of being trapped for no-good reason. For subjects who are vulnerable, life is like a maze of traps, and stories of resilience keep them going. The contributors to Vulnerability and Resilience refuse to be trapped. At the intersection of body and...
In Matthew’s passion narrative, the ethnoracial identity of Jesus comes into sharp focus. The repetition of the title “King of the Judeans” foregrounds the politics of race and ethnicity. Despite the explicit use of terminology, previous scholarship has understood the title curiously in non-ethnoracial ways. This book takes the peculiar omission in the history of interpretation as its point of departure. It provides an expanded ethnoracial reading of the text, and poses a fundamental ideological question that interrogates the pattern in the larger context of modern biblical scholarship. Wongi Park issues a critique of the dominant narrative and presents an alternative reading of Matthew’s passion narrative. He identifies a critical vocabulary and framework of analysis to decode the politics of race and ethnicity implicit in the history of interpretation. Ultimately, the book lends itself to a broader research agenda: the destabilization of the dominant narrative of early Christianity’s non-ethnoracial origins.
Drawing on literary, musical, and visual representations of and by Rastafari, Darren J. N. Middleton provides an introduction to Rasta through the arts, broadly conceived. The religious underpinnings of the Rasta movement are often overshadowed by Rasta’s association with reggae music, dub, and performance poetry. Rastafari and the Arts: An Introduction takes a fresh view of Rasta, considering the relationship between the artistic and religious dimensions of the movement in depth. Middleton’s analysis complements current introductions to Afro-Caribbean religions and offers an engaging example of the role of popular culture in illuminating the beliefs and practices of emerging religions. Recognizing that outsiders as well as insiders have shaped the Rasta movement since its modest beginnings in Jamaica, Middleton includes interviews with members of both groups, including: Ejay Khan, Barbara Makeda Blake Hannah, Geoffrey Philp, Asante Amen, Reggae Rajahs, Benjamin Zephaniah, Monica Haim, Blakk Rasta, Rocky Dawuni, and Marvin D. Sterling.