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Gioachino Rossini
Giochino Rossini: A Research and Information Guide is designed as a tool for those beginning to study the life and works of Gioachino Rossini as well as for those who wish to explore beyond the established biographies and commentaries. The first edition was published in 2001, and represented a survey of some 878 publications relating to the composer’s life and works. The second edition is revised and updated to include the more than 150 books and articles written in the field of Rossini studies since then. Contents range from sources published in the early decades of the nineteenth century to works currently in progress. General subject areas include Rossini's biography, historical and analytical studies of his operatic and non-operatic compositions, his personal and professional associations, and the reassessment of his role in the development of nineteenth-century music.
Transactions
None
Citation and Authority in Medieval and Renaissance Musical Culture
Essays - collected in honour of Margaret Bent - examining how medieval and Renaissance composers responded to the tradition in which they worked through a process of citation of and commentary on earlier authors.
Transactions and Proceedings
Includes list of members.
Sentiment Analysis for PTSD Signals
This book describes a computational framework for real-time detection of psychological signals related to Post-Traumatic Stress Disorder (PTSD) in online text-based posts, including blogs and web forums. Further, it explores how emerging computational techniques such as sentiment mining can be used in real-time to identify posts that contain PTSD-related signals, flag those posts, and bring them to the attention of psychologists, thus providing an automated flag and referral capability. The use of sentiment extraction technologies allows automatic in-depth analysis of opinions and emotions expressed by individuals in their online posts. By training these automated systems with input from aca...
My Golden Age of Singing
Frieda Hempel (1885-1955) was among the brightest stars of opera's Golden Age, one of the first singers whose entire career could be documented by recordings. These captured a coloratura voice of great lyric beauty which Hempel used with remarkable intelligence in opera and on the concert stage. She created the Marschallin in Der Rosenkavalier in both Berlin and at the Met, where she debuted with Caruso in 1912, and her performances of Mozart and Verdi remain touchstones. Almost fifty years have elapsed between writing and publication of her autobiography. Elizabeth Johnston, Hempel's student, secretary, and companion, recalls that Hempel dictated a somewhat different account to her, which was published in German in 1955 as Mein Leben dem Gesang. But Johnston wisely arranged safekeeping for her mentor's original manuscript, an earlier version in which Hempel tells the definitive story of her life as she wished it to be known. That work appears here for the first time.
Advanced Psychodiagnostic Interpretation of the Bender Gestalt Test
Although personality assessment and delineation was attempted as early as the fifth century, the intensive study of human personality characteristics and efforts to measure them are less than two hundred years old. Instruments to measure the unconscious aspects of personality began to emerge early in the twentieth century, largely as a result of the work of those interested in the measurement of human perception. The Bender Gestalt Test was catapulted into prominence when World War II provided an urgent need for personality tests to diagnose huge numbers of American soldiers who were culturally and geographically diverse, more than occasionally illiterate, and often suffering from one of man...
