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Responding to Site
This book focuses on the performance art of Marilyn Arsem, an internationally acclaimed performance artist known for her innovative and experimental work. Arsem’s work addresses women’s history and myth-making capacities, the potency of site and geography, the idea of the audience as witnesses and the intimacy of one-to-one works. One of the most prolific performance artists working in the United States today, Arsem performs carefully choreographed durational actions that are developed site-responsively and range from deceptively simple interventions to elaborately orchestrated actions. This edited volume seeks to extend Arsem’s legacy beyond the audiences of her live performances and ...
Christopher Wilmarth
"Edward Saywell considers three aspects of Wilmarth's drawings: his student and early works; the remarkable crossover that he made between two- and three-dimensional works in a series of drawings constructed from etched glass and steel cables done in the early 1970s; and the independent drawings he made directly after or during the construction of his sculptures as a means to think through completed work and to look forward to new creative ideas. Saywell also draws on previously unstudied materials, such as sketchbooks, preparatory maquettes, and letters selected from the Christopher Wilmarth Archive recently presented to the Fogg Art Museum by Susan Wilmarth-Rabineau, in order to shed new light on Wilmarth's working process."--BOOK JACKET.
Contemporary Art
Contemporary art is a vast and complex field representing artists, ideas and trends from every imaginable cultural and geographical background. This book introduces the art of our times by taking the reader through a tour of some 70 examples from the collections of the Museum of Fine Arts, Boston. Thematic chapters present artistic categories, concepts and propositions that offer a path toward understanding the different subjects, forms, styles, purposes and techniques of contemporary art. Some, such as portraiture, are long-standing notions in the history of art; others, such as site appropriation, raise provocative questions and may be less immediately obvious. But it is the works themselves--brilliantly conceived by some of the most creative minds of our times--that make the case for embracing contemporary art in all its diversity.
An Italian Journey
Published in conjunction with an exhibition on view at the Metropolitan Museum of Art, New York, May 12-Aug 15, 2010.
Historical Perspectives in the Conservation of Works of Art on Paper
This book is the seventh in the Readings in Conservation series, which gathers and publishes texts that have been influential in the development of thinking about the conservation of cultural heritage. The present volume provides a selection of more than ninety-five texts tracing the development of the conservation of works of art on paper. Comprehensive and thorough, the book relates how paper conservation has responded to the changing place of prints and drawings in society. The readings include a remarkable range of historical selections from texts such as Renaissance printmaker Ugo da Carpi’s sixteenth-century petition to the Venetian senate on his invention of chiaroscuro, Thomas Chur...
