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The fabulous life and times of one of our wittiest, most endearing and enduring caricaturists—in his own words and inimitable art. Sorel has given us "some of the best pictorial satire of our time ... [his] pen can slash as well as any sword” (The Washington Post). Alongside more than 172 of his drawings, cartoons, and caricatures—and in prose as spirited and wickedly pointed as his artwork—Edward Sorel gives us an unforgettable self-portrait: his poor Depression-era childhood in the Bronx (surrounded by loving Romanian immigrant grandparents and a clan of mostly left-leaning aunts and uncles); his first stabs at drawing when pneumonia kept him out of school at age eight; his time as...
Presents biographies by the acclaimed caricaturist Edward Sorel, who has long believed, that next to composers, writers are the craziest people in the world.
The brilliant satirical artist Edward Sorel takes us on a hop, skip, and laugh through history. Along the way are deliciously wicked caricatures of the great and near great from the worlds of art, entertainment, and politics. Sorel includes a delightful autobiographical introduction and a pithy, informative caption with each "portrait". 175 illus. 125 in color.
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Every day, Johnny listened to his favorite radio program, "Don Winslow of the Navy." Someday, he would travel the world and have adventures, just like Don Winslow. But then the radio, which had been growing fainter, went dead altogether -- and Johnny's parents couldn't afford to buy a new one. Johnny refused to give up hope. Maybe Mr. Zaga, who lived in the basement apartment and was supposed to be an inventor, could help. Mr. Zaga's apartment was full of weird machinery. He was interested in time travel, not in repairing radios, and he believed that with powerful electrostatic magnetism he could project himself into the future. But perhaps an electric charge from his machinery could fix the radio. Sure enough, the radio played again, but before long Johnny and Mr. Zaga discovered that the radio was giving tomorrow's news. It was a day ahead in time! The adventures Johnny has then -- at a nearby bank robbery, a local fire, and with Mr. Zaga at the racetrack -- fill this funny and exciting book and will delight young readers. Full-color pictures rendered by a distinguished author/illustrator capture the big-city scene and a small boy's dreams of glory to perfection.
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The “endlessly fascinating” true story of a custody battle that threatened to expose the seedy secrets of Hollywood’s Golden Age—illustrated with photos (Entertainment Weekly). Most famous for playing opposite Humphrey Bogart in The Maltese Falcon, Mary Astor was one of Hollywood’s most beloved film stars. But her story wasn’t a happy one. Widowed at twenty-four, she quickly entered a rocky marriage with Dr. Franklyn Thorpe in which both were unfaithful. When they finally divorced in 1936, Astor sued for custody of their baby daughter Marylyn, setting off one of Hollywood’s most scandalous court cases. In the ruthless court battle, Thorpe held a trump card: the diaries Astor ha...
Edward Sorel is widely recognized as America's premier illustrator. But when he wasn't painting covers and doing drawings for The New Yorker, The Atlantic, Time, Rolling Stone, and many other mass circulation magazines, he was indulging, over the last 30 years, in his first love—making comic strips. Sorel's strips are iconoclastic, cynical, and universally excoriating. No target escapes his watchful wrath: politicians, theological dynasties, ideologues left and right, lawyers, publishers, and the usual gang of movers and shakers—panderers, philistines, money-grubbers. (Nor does he spare himself.) Culled from the pages of The Nation, The Village Voice, Penthouse, and other magazines, Sorel proves he is that most dangerous of creatures—a cartoonist with a chip on his shoulder, an inveterate troublemaker, a burner of bridges. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.9px Arial; color: #424242}
Artist Edward Sorel created a wonderful, witty mural to grace the walls of The Waverly Inn, the famed New York eatery. Each of the 40 individuals depicted in the mural is presented here with a charming, telling vignette of his or her life. Full-color illustrations throughout.
This collection of over 140 curated posters by the revolutionary graphic artist Seymour Chwast provides context and insight into not only his five-decade career, but the poster genre itself. Since founding Push Pin Studios alongside Milton Glaser and Edward Sorel in the 1950s, Chwast's posters have been widely celebrated for their combination of subversive style and strong political satire. His caustic humor, graphic hand, and visual commentary cleverly synthesize in a way that is both wry and immediately understandable. Posters are arranged by type--Causes, Commerce, Information, Exhibits, and Lectures--rather than chronology, which, along with the large format, invites readers to engage thematically with the designs. Commentary on each poster makes this a valuable resource for students, educators, historians, and all who appreciate the unique ability of posters to subvert notions of popular culture, politics, and design at once. Essays by Shepard Fairey and Steven Heller contextualize Chwast's impact on 20th-century design.