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Histoire de la mode à Londres, ses créateurs, des maisons de couture, ses tendandes, de 1800 à nos jours, de la rue aux podiums.
"Fashion has always sought to celebrate nature - from sumptuous silks and floral patterns, to the spectacular creations of designers such as Alexander McQueen and Christian Dior, the two have long been entwined. Yet this reverence is sometimes combined with a damaging need for raw materials. From the seventeenth century to the present day, Fashioned from Nature examines our dependence on the natural world and the devastating effect of certain trends, as seen in the demand for ivory, fur, skins and exotic feathers. Today, intense consumerism and fast fashion have a different impact on the world around us, and this book discusses the need for a more responsible fashion cycle. But which has the greater environmental impact - a leather handbag or a white cotton t-shirt? Consider the effects of land clearance, insecticides and water consumption - not to mention washing after every wear - and the answer may not be completely clear. Fascinating and beautifully illustrated, this book will stimulate an important and timely debate." -- provided by publisher.
Originally published in hardcover in 2011.
From the romance of its evolution to the splendor of its design, the wedding dress is unlike any other garment, a talisman from a fantasy world, the manifestation of dreams coming true. This book draws on wedding garments in the V&A's renowned collection along with photographs, letters, memoirs, and newspaper accounts to explore the history of the white wedding dress and the traditions that have developed around it from 1700 to today, when designers from Vera Wang to Vivienne Westwood continue to challenge the aesthetic. Paintings, drawings, and wedding photos depict queens, princesses, celebrities, and everyday women--including Kate Middleton--in their gowns. The text considers the dress in the context of the commercialization of weddings that began in the Victorian era. The Wedding Dress is not only about costume, but also about the cultivation of the image of the bride.
Talks about 17C needlework, under the teaching of Iudah Hayle in Suffolk, UK.
An academically rigorous and beautiful new publication on a crucial chapter in fashion history, London Couture is the first book to examine, in detail, the luxurious garments produced by the rarefied London couture industry - from lavish ballgowns to sharply tailored suits and spectacular court dress - as well as the designers who conceived them, their clients and the prestigious publications that disseminated and promoted the 'London Look' to an international audience. Expert authors from around the world have delved into museum collections, as well as the archives of prestigious designers, textile suppliers and fashionable journals, to bring together this pioneering study of the London cou...
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'Fashioning the Self: Identity and Style in British Culture' offers an eclectic approach to contemporary fashion studies. Taking a broad definition of British culture, this collection of essays explores the significance of style to issues such as colonialism, race, gender and class, embracing topics as diverse as eighteenth-century portraiture, literary dress culture and Edwardian working-class glamour. Examining the emblematic power of garments themselves and the context in which they are styled, this work interrogates the ways that personal style can itself decontextualize garments to radically reframe their meanings. Using an intentionally eclectic range of subjects from an interdisciplinary perspective, this collection builds on the work of theorists such as Aileen Ribeiro, Vika Martina Plock, Cheryl Buckley and Hilary Fawcett, to examine the social significance of personal style, while also highlighting the diversity of British culture itself.
How design collaboration, networks, and narratives contributed to the establishment of a recognized English couture industry in the 1930s and 1940s. In the 1930s and 1940s, English fashion houses, spurred by economic and wartime crises, put London on the map as a major fashion city. In this book, Michelle Jones examines the creation of a London-based couture industry during these years, exploring how designer collaboration and the construction of specific networks and narratives supported and shaped the English fashion economy. Haute couture—the practice of creative made-to-measure womenswear—was widely regarded as inherently French. Jones shows how an English version emerged during a pe...
"Here comes the beautiful bride, in this followup to Marnie Fogg's popular Vintage Fashion: Knitwear. Today's bride wants a wedding dress that expresses her personal style while also reflecting a rich tradition. Nothing achieves that goal as gracefully as a vintage or replica wedding gown. Whether it's a dazzling beaded tunic that captures the jazzy energy of the roaring twenties or a glamorous Hollywood-inspired dress from the 1950s, it can shape the entire wedding. With more than 250 photographs, this stunning volume takes readers on a dazzling tour of the past hundred years of bridal fashion, detailing the periods, styles, iconic designers, noteworthy ceremonies, cultural influences, and key looks"--Provided by publisher.