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Signs of Music
  • Language: en
  • Pages: 232

Signs of Music

Music is said to be the most autonomous and least representative of all the arts. However, it reflects in many ways the realities around it and influences its social and cultural environments. Music is as much biology, gender, gesture - something intertextual, even transcendental. Musical signs can be studied throughout their history as well as musical semiotics with its own background. Composers from Chopin to Sibelius and authors from Nietzsche to Greimas and Barthes illustrate the avenues of this new discipline within semiotics and musicology.

Existential Semiotics
  • Language: en
  • Pages: 227

Existential Semiotics

Existential semiotics involves an a priori state of signs and their fixation into objective entities. These essays define this new philosophical field.

A Theory of Musical Semiotics
  • Language: en
  • Pages: 356

A Theory of Musical Semiotics

"Since [Tarasti's] is unquestionably the most fully developed narrative theory in the literature, this book is an important landmark . . . " —Music & Letters Eero Tarasti advances a semiotic theory of music based on information provided by the history of Western music and by various sign theories. A Theory of Musical Semiotics provides a model for the semiotic analysis of both musical structure and semantics. It introduces English-language readers to musical narratology, which has been largely the province of European researchers.

Myth and Music
  • Language: en
  • Pages: 369

Myth and Music

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Semiotics of Classical Music
  • Language: en
  • Pages: 508

Semiotics of Classical Music

Musical semiotics is a new discipline and paradigm of both semiotics and musicology. In its tradition, the current volume constitutes a radically new solution to the theoretical problem of how musical meanings emerge and how they are transmitted by musical signs even in most "absolute" and abstract musical works of Western classical heritage. Works from symphonies, lied, chamber music to opera are approached and studied here with methods of semiotic inspiration. Its analyses stem from systematic methods in the author's previous work, yet totally new analytic concepts are also launched in order to elucidate profound musical significations verbally. The book reflects the new phase in the autho...

Snow, Forest, Silence
  • Language: en
  • Pages: 408

Snow, Forest, Silence

Thirty high-level essays on various aspects of semiotics by Finnish, Estonian, and Hungarian scholars.

Histories and Narratives of Music Analysis
  • Language: en
  • Pages: 655

Histories and Narratives of Music Analysis

This volume offers a cross section of current directions in the broad field of music analysis as practiced by a transnational community of scholars. Music analysis is presented as a vibrant multi-faceted field of research which constantly re-examines its own postulates, while also establishing dialogues with a large number of other disciplines.

Musical Signification
  • Language: en
  • Pages: 620

Musical Signification

No detailed description available for "Musical Signification".

The Oxford Handbook of Culture and Psychology
  • Language: en
  • Pages: 1149

The Oxford Handbook of Culture and Psychology

Now in paperback, The Oxford Handbook of Culture and Psychology is an internationally representative overview of the state of the art in cultural psychology.

Heitor Villa-Lobos
  • Language: en
  • Pages: 456

Heitor Villa-Lobos

  • Type: Book
  • -
  • Published: 1995
  • -
  • Publisher: Unknown

This fully revised new edition re-establishes Paul Griffiths's survey as the definitive study of music since the Second World War. The disruptions of the war, and the struggles of the ensuing peace, were reflected in the music of the time: in Pierre Boulez's radical reforming of compositional technique and in John Cage's move into zen music, in Milton Babbitt's settling of the serial system and in Dmitry Shostakovich's unsettling symphonies, in Karlheinz Stockhausen's development of electronic music and in Luigi Nono's pursuit of the universally human, in Iannis Xenakis's view of music as sounding mathematics and in Luciano Berio's consideration of it as language. The initiatives of these co...