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The Masque of Femininity
This innovative book explores the construction of femininity in Western society. Drawing on a range of theory, empirical sources and original research, Efrat Tse[um]elon examines the role of the visual - of fashion, the body and personal appearance - in defining the female self. Tse[um]elon's argument develops concepts in understanding the meaning of female presence: modesty, duplicity, beauty, seduction and death. Femininity is analyzed in relation to these themes, using insights from sociological, psychological, historical and literary frameworks. The book demonstrates how normative conceptions of feminine essence, which have persevered from Eve to Madonna, become the requirements of appearance for women. Referring to the
Fashion and Ethics
Includes articles and reviews from the second volume (numbers 1 & 2, 2011) of the Journal Critical studies in fashion & beauty.
Masquerade and Identities
Masquerade, both literal and metaphorical, is now a central concept on many disciplines. This timely volume explores and revisits the role of disguise in constructing, expressing and representing marginalised identities, and in undermining easy distinctions between 'true' identity and artifice. The book is interdisciplinary in approach, spanning a diverse range of cultures and narrative voices. It provides provocative and nuanced ways of thinking about masquerade as a tool for construction, and a tool for critique. The essays interrogate such themes as: *mask and carnival *fetish fashion *stigma of illegitimacy *femininity as masquerade *lesbian masks *cross-dressing in Jewish folk theatre *the mask in seventeenth and eighteenth century London and nineteenth century France *the voice as mask.
The Lure of the Vampire
This title explores the enduring myth of Dracula and vampires and just why it has remained so popular for so long.
Communication Via Clothes
This work begins by tracing the transition of sartorial meanings from their parallel with social hierarchies in medieval Europe through to postmodern trends where dress cues become increasingly ambiguous and no longer serve as visible markers of social relations.
Critical Studies in Fashion and Beauty
Includes articles from the first volume of the journal 'Critical Studies in Fashion & Beauty' with an additional editorial on the auction prices of fashion collectibles.
Fashion as Masquerade
"Critical Studies in Fashion and Beauty" focuses on issues of power, social positioning, ideologies and practices within the web of relationships between creators, producers, practitioners and end-users of fashion. This book explores the contemporary meanings of masks, masking and masquerade. The editors argue that these concepts have been transformed over the centuries but they continue to serve as useful tools for critical cultural analysis. The history of fashion is a story of codification of visual appearance as a measure of rank and power. Historically it has been expressed in ways that secure a hegemonic reading of fashion signification as follows: 1) controlling what one can wear: Pow...
Borderless Fashion Practice
Twenty-first century fashion practice has become increasingly borderless and diverse in the digital era, calling into question the very boundaries that define fashion in the Western cultural context. Borderless Fashion Practice: Contemporary Fashion in the Metamodern Age principally engages the work of four fashion designers -- Virgil Abloh, Aitor Throup, Iris Van Herpen, and Eckhaus Latta -- whose work intersects with other creative disciplines such as art, technology, science, architecture, and graphic design. They do their work in what Vanessa Gerrie calls the metamodern age -- the time and place where the polarization between the modern and the postmodern collapses. Used as a framework to understand the current Western cultural zeitgeist, Gerrie's exploration of the work of contemporary practitioners and theorists finds blurred borders and seeks to blur them further, to the point of erasure.
Thinking Through Fashion
Learning how to think through fashion is both exciting and challenging, being dependent on one s ability to critically engage with an array of theories and concepts. This is the first book designed to accompany readers through the process of thinking through fashion. It aims to help them grasp both the relevance of social and cultural theory to fashion, dress, and material culture and, conversely, the relevance of those fields to social and cultural theory. It does so by offering a guide through the work of selected major thinkers, introducing their concepts and ideas. Each chapter is written by an expert contributor and is devoted to a key thinker, capturing the significance of their thought to the understanding of the field of fashion, while also assessing the importance of this field for a critical engagement with these thinkers ideas. This is a guide and reference for students and scholars in the fields of fashion, dress and material culture, the creative industries, sociology, cultural history, design and cultural studies."
Shoes
From practical wardrobe accessories to objects of desire, this book is a stunning visual and fascinating historical reference exploring every aspect of shoes. From ancient times to the present, shoes have been so much more than things to walk in. We use them to signal how fashionable we are, but beyond style, shoes can communicate our sexual desires, aesthetic sense, social status, and personality. Within the pages of this lavishly illustrated book, you'll find the cultural mixed with the practical as the story of shoes unfolds from the foot-binding shoes of China to the infamous twenty-three-inch chopine platform shoe to the mens' shoes worn by dandies of the eighteenth century to the move toward conservatism that brought the Wellington boot to the irresistible sex appeal of the high heel to the cult rise of the sneaker. Shoes is a revealing, insightful, and beautifully presented fashion history collection.
