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Tales of passion and romance, love on the battlefield, affairs kept secret on pain of death ... From the bride who married in a prison cell, to the leader caught in a love triangle, to the revolutionaries who did their loving on the run, the romantic lives of Ireland's most famous characters have been predictably turbulent. Some Irish lovers have shocked a nation and brought down governments, some have produced the world's most beautiful poetry, some have reached across oceans – not to mention deep divisions at home – to find love. Marian Broderick views historical Irish romances through a contemporary lens, from the legendary lovers of prehistory to more modern convention-defying pionee...
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Christopher Murray's work on Sean O'Casey is a critical biography. In addition to the normal biographical elements, Dr Murray provides a strong interpretative context for the life. For example, he looks afresh at the Dublin of the 1880s and 1890s in order to provide an updated background to O'Casey's childhood. He pays a great deal of attention to the political situation from 1880 to 1922, setting it against O'Casey's own treatment in his six volumes of autobiography. In general he attempts to establish O'Casey's Ireland.This leads naturally to a fresh examination of the great Dublin trilogy, The Shadow of a Gunman, Juno and the Paycock and The Plough and the Stars, the three works on which O'Casey's reputation stands. The rejection of his next play, The Silver Tassie, by the Abbey Theatre precipitated O'Casey's move to England.
This educational edition, with the full play text and an introduction to the playwright, features a detailed analysis of the language, structure and characters of the play, and textual notes explaining difficult words and references. It contains: - The full playtext - An introduction to the playwright, his background and his work - A detailed analysis of language, structure and characters in the play - Features of performance - Textual notes explaining difficult words and references
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This book traces a significant shift in 20th century Irish theatre from the largely national plays produced in Dublin to a more expansive international art form. Confirmed by the recent success outside of Ireland of the "third wave" of Irish playwrights writing in the 1990s, the new Irish drama has encouraged critics to reconsider both the early national theatre and the dramatic tradition it fostered. On the occasion of the centenary of the first professional production of the Irish Literary Theatre, the contributors to this volume investigate contemporary Irish drama's aesthetic features and socio-political commitments and re-read the plays produced earlier in the century. Although these es...
A collection of 14 short stories.
This is the never-before-told story of George Orwell's first wife, Eileen, a woman who shaped, supported, and even saved the life of one of the twentieth century's greatest writers. In 1934, Eileen O'Shaughnessy's futuristic poem, 'End of the Century, 1984', was published. The next year, she would meet George Orwell, then known as Eric Blair, at a party. 'Now that is the kind of girl I would like to marry!' he remarked that night. Years later, Orwell would name his greatest work, Nineteen Eighty-Four, in homage to the memory of Eileen, the woman who shaped his life and his art in ways that have never been acknowledged by history, until now. From the time they spent in a tiny village tending ...
Ah, what can God do agen the stupidity o' men! Dublin, 1922. The Irish Civil War is tearing the nation apart. In the cauldron of the family's tiny tenement flat, Juno Boyle, a beleaguered matriarch whose sharp wit is a survival tool, struggles to make ends meet and keep the family together. Her husband, 'Captain' Jack Boyle, fancies himself a ship's commander but sails no further than the pub. Then providence comes knocking with news of a great inheritance. Sean O'Casey's tragicomic masterpiece was first performed at the Abbey Theatre, Dublin, in 1924, and revived at the Gielgud Theatre, London, in September 2024. 'The power of Juno and the Paycock never fails to surprise and enthral and inspire. Its violent passion, its deep humanity, its bubbling humour and its appalling tragedy are soaked in the very spirit of Ireland itself.' Daily Mail