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Selected Stories
"When the story is finished, Muriel and Polly sit in silence. The colored lights on the fuchsia bush twinkle against the black sea and the black mountain and the black sky. They sit in silence. They let the story settle." For almost forty years, Éilís Ní Dhuibhne has captivated readers and critics alike with the dazzle and daring of her stories. Hailed as an original voice from her first collection, she has gone on to create a body of work that has established her as one of Ireland's finest and most compelling storytellers. The fourteen stories gathered here demonstrate the breadth of Ní Dhuibhne's achievement across her long writing career, particularly in terms of her depiction of the ...
Look! It's a Woman Writer!
Mapping the changes that have occurred in Irish literature over the past fifty years, this volume includes twenty-one writers, poets, and playwrights from the North and South of Ireland, who tell their own stories. They are funny, tragic, angry, philosophical, but all are vivid personal accounts of their experiences as women writing during a pivotal period in the history of Ireland. With a foreword by Martina Devlin, and an introduction by Éilís Ní Dhuibhne, the anthology includes essays by Cherry Smyth, Mary Morrissy, Lia Mills, Moya Cannon, Aine Ní Ghlinn, Catherine Dunne, Éilís Ní Dhuibhne, Mary O'Donnell, Mary O'Malley, Ruth Carr, Evelyn Conlon, Anne Devlin, Ivy Bannister, Sophia Hillan, Medbh McGuckian, Mary Dorcey, Celia de Fréine, Máiríde Woods, Liz McManus, Mary Rose Callaghan, and Phyl Herbert.
Snobs, Dogs and Scobies
Ruán, Emma, and Colm are from different worlds despite living in the same city: their schools, houses, and groups of friends mark them as snobs or scobies in each other's eyes. When a terrible accident devastates Ruan's family, he must find a way of coping, with help from Emma. Meanwhile Colm goes on the run from a crime he did not commit. As the three teenagers attempt to deal with their own family crises and study for their final school exams, their lives become intertwined. A keenly perceptive account of Dublin life, Snobs, Dogs and Scobies is about social stereotypes, class differences, and teenage friendships. First published in Irish as Hurlamaboc, the book won a Bisto Merit Award in 2007, a Duais Oireachtais in 2006, and was shortlisted for Irish Book of the Year 2006.
Twelve Thousand Days
Éilís Ní Dhuibhne's candid and moving memoir tells the story of her thirty-year relationship with the love of her life, internationally renowned folklorist Bo Almvqvist, capturing brilliantly the compromises and adjustments and phases of their relationship.
Midwife to the Fairies
Eilis Ni Dhuibhne is generally considered to be one of Ireland's finest practitioners of the short story. This book brings together nine of her best stories from her first two collections, "Blood and Water" and "Eating Women is Not Recommended," as well as three brand-new stories. Ranging from the ultra realistic "Some Hours in the Life of a Witch," to the surreal fantasy world of "Fulfillment" and "The Wife of Bath," the stories describe ordinary and not so ordinary life, and the lives of women in particular, in the feminist and post-feminist eras in Ireland.
Blood and Water
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Little Red and Other Stories
In these eleven stories, Éilís Ní Dhuibhne draws us into the lives of characters struggling to find equilibrium. Visited by change and crisis, they are forced to confront the stories that define their sense of themselves. Beautifully written and sharply observed, this daring collection is a deft exploration of the complexities of human desire.
Fox, Swallow, Scarecrow
"Anna Kelly Sweeney is a writer of popular fiction intent on worldly success. Leo is an idealist who lives in rural County Kerry and devotes himself to poetry, culture and innumerable worthy causes. When Anna falls in love with the handsome and enigmatic Vincy, and Leo with troubled publicist Kate, the consequences of their glimpsed happiness reverberate beyond their own insulated worlds. Inspired by Tolstoy's Anna Karenina, this panoramic and compulsively readable new novel is an intelligent, witty and fiercely humane insight into modern Ireland."--Book jacket.
The Bray House
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Twentieth-century Fiction by Irish Women
Heather Ingman's study argues that reading twentieth-century Irish women's fiction in the light of Kristeva's theories of nationhood places Irish women at the heart of writing about the nation and demonstrates that the political dimension of their fiction has often been underestimated. Her book is an important contribution to the study of gender in Irish writing that changes the way we view Irish women's writing.
