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Sanctuary in the Wilderness
The effort to create a serious Hebrew literature in the United States in the years around World War I is one of the best kept secrets of American Jewish history. Hebrew had been revived as a modern literary language in nineteenth-century Russia and then taken to Palestine as part of the Zionist revolution. But the overwhelming majority of Jewish emigrants from Eastern Europe settled in America, and a passionate kernel among them believed that Hebrew provided the vehicle for modernizing the Jewish people while maintaining their connection to Zion. These American Hebraists created schools, journals, newspapers, and, most of all, a high literary culture focused on producing poetry. Sanctuary in...
Modern Jewish Literatures
Is there such a thing as a distinctive Jewish literature? While definitions have been offered, none has been universally accepted. Modern Jewish literature lacks the basic markers of national literatures: it has neither a common geography nor a shared language—though works in Hebrew or Yiddish are almost certainly included—and the field is so diverse that it cannot be contained within the bounds of one literary category. Each of the fifteen essays collected in Modern Jewish Literatures takes on the above question by describing a movement across boundaries—between languages, cultures, genres, or spaces. Works in Hebrew and Yiddish are amply represented, but works in English, French, Ger...
God's Sacred Tongue
In a comprehensive examination of how Christian scholars in the United States received, interpreted, and understood Hebrew texts and the Jewish experience, Shalom Goldman explores Hebraism's relationship to American society. By linking history, theology,
Mother Tongues and Other Reflections on the Italian Language
In this collection of six scholarly essays on the Italian language, Giulio Lepschy discusses issues ranging from Italian literary and spoken history to prosody and a play of the Italian Renaissance.
The Jewish Reformation
"Jewish texts and traditions. An expression of this was the remarkable turn to Bible translation. In the century and a half between Moses Mendelssohn's pioneering translation and the final one by Martin Buber and Franz Rosenzweig, German Jews produced sixteen different translations of at least the Pentateuch. Buber and Rosenzweig famously critiqued bourgeois German Judaism as a craven attempt to establish social respectability to facilitate Jews' entry into the middle class through a vapid, domesticated account of Judaism. Exploring Bible translations by Moses Mendelssohn, Leopold Zunz, and Samson Raphael Hirsch, I argue that each sought to ground a "reformation" of Judaism along bourgeois lines, which involved aligning Judaism with a Protestant concept of religion. They did so because they saw in bourgeois values the best means to serve God and the authentic actualization of Jewish tradition. Through their learned, creative Bible translations, Mendelssohn, Zunz, and Hirsch presented distinct visions of middle-class Judaism that affirmed Jewish nationhood while lighting the path to a purposeful, emotionally rich, spiritual life grounded in ethical responsibility"--
Rabbi Abraham Isaac Kook and Jewish Spirituality
Rabbi Abraham Isaac Kook (1865-1935) was the first Ashkenazic chief rabbi of mandatory Palestine. Admired for the incredible diversity of his talents and interests--talmudist, halakhist, kabbalist, mystic, theologian, moralist, poet, and communal leader--Rav Kook's world outlook extolled breadth and derided narrow specialization. More than any other Orthodox thinker in modern times, he addressed, squarely and boldly, the confrontation between Judaism and the modern world. Kook serves as a natural model to those Jews who seek a religious understanding of and response to the culture and politics of the modern age. These essays, most published here for the first time, offer a range of analyses and interpretations covering, in an accessible, systematic, and comprehensive fashion the major areas of Rav Kook's thought. Among the issues discussed are: his relationship to the Jewish mystical, philosophical, and halakhic traditions; poetry and spirituality; harmonism and pluralism; tolerance and its limits; Zionism, messianism, and politics; and Rav Kook today.
Red, Black, and Jew
Between 1890 and 1924, more than two million Jewish immigrants landed on America's shores. The story of their integration into American society, as they traversed the difficult path between assimilation and retention of a unique cultural identity, is recorded in many works by American Hebrew writers. Red, Black, and Jew illuminates a unique and often overlooked aspect of these literary achievements, charting the ways in which the Native American and African American creative cultures served as a model for works produced within the minority Jewish community. Exploring the paradox of Hebrew literature in the United States, in which separateness, and engagement and acculturation, are equally st...
Ḥiddushim
A Centennial, writes Hebrew College President Rabbi Sharon Cohen Anisfeld, “is an invitation to reflect on the last century of teaching and learning at Hebrew College, to ask ourselves what has changed and what has endured, to explore accomplishments and share ongoing struggles, to articulate our aspirations for the next one hundred years.” A compilation of captivating essays on Jewish studies alongside powerful personal memoirs from the College’s earliest years until today, Ḥiddushim captures and celebrates the spirit of a learning community connected to its source and brimming with spiritual and intellectual creativity as it carries forward its legacy of rootedness and renewal into the future.
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