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Treasures of Ancient Nigeria
The magnificent art that is the heritage of Nigeria was, for the first time, presented to the world beyond Nigeria at the "Treasures of Ancient Nigeria - Legacy of Two Thousand Years" exhibit at The Fine Arts Museums of San Francisco and the California Palace of the Legion of Honor from April 27 - June 29, 1980. This book is a record of that exhibit and what it represented. One hundred extraordinary works of art in bronze, terracotta, and ivory - works spanning more than two thousand years, from the fifth century B.C., and representing seven cultures (Nok, Igbo-Ukwu, Ife, Owo, Benin, Tsoede, and Esie) - were selected for exhibition in the United States and are shown here in 137 photographs and plates, 53 in full color. The introduction is by Dr. Ekpo Eyo, Director of Nigeria's Department of Antiquities and head of Nigeria's National Museums, and the interpretive text is by Frank Willett, who taught art and archaeology at Oxford and Northwestern Universities and was formerly an archaeologist for Nigeria's Department of Antiquities and Curator of the Museum of Ife Antiquities.
Masterpieces of Nigerian Art
The Federal Republic of Nigeria maintains a rich artistic legacy that is more than two thousand years old. As such, it provides some interesting counterpoints to Western art history. Nigeria's ancient Nok art, for example, predated the golden age of Greece, and the exquisite bronzes of lgbo Ukwu (9th-10th C), Ife (12th-15th C), and Benin (15th-19th C) compare favorably to European traditions. Furthermore, the art of Benin thrived under the patronage of a single, unbroken dynasty during a time when many European governments rose and fell.Yet, for many reasons, the Western world would not recognize this artistic heritage until modern times. In this volume, Ekpo Eyo explains the prirnitivist vi...
Africa’s Struggle for Its Art
"A major new history of how, between 1965 and 1985, African nations sought the restitution of works of art stolen during the colonial period, written by the most important and influential figure in the field"--
Art and Risk in Ancient Yoruba
In this book, Suzanne Preston Blier examines the intersection of art, risk and creativity in early African arts from the Yoruba center of Ife and the striking ways that ancient Ife artworks inform society, politics, history and religion. Yoruba art offers a unique lens into one of Africa's most important and least understood early civilizations, one whose historic arts have long been of interest to local residents and Westerners alike because of their tour-de-force visual power and technical complexity. Among the complementary subjects explored are questions of art making, art viewing and aesthetics in the famed ancient Nigerian city-state, as well as the attendant risks and danger assumed by artists, patrons and viewers alike in certain forms of subject matter and modes of portrayal, including unique genres of body marking, portraiture, animal symbolism and regalia. This volume celebrates art, history and the shared passion and skill with which the remarkable artists of early Ife sought to define their past for generations of viewers.
Africa
Northern Africa. Spectacular sculptures in wood, bronze, and stone provide stunning proof of the aesthetic strength of African traditions, even in the case of utilitarian works that were not made to be "art". In some cases, the very concept of art was foreign to their makers, as Kwame Anthony Appiah explains in his essay. In an epic overview of Africa's earliest history, Ekpo Eyo makes a strong case for dispensing with the popular misconception that northern Africa.
A Dictionary of Archaeology
This dictionary provides those studying or working in archaeology with a complete reference to the field.
