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Transcending the Absurd
This is the first monographic study devoted to S l awomir Mro z ek, the most prominent contemporary Polish dramatist. It centers on Mrozek's development as a playwright, shown through the analysis of his complete dramas. Also discussed is Mro z ek's experience as a journalist and theatre critic, satirist and short story writer, author of cartoons and movie scenarios. The monograph spans Mrozek's beginnings as the Eastern European representative of the Theatre of the Absurd and his expatriate existence during which he transcends the absurdist model. Mrozek's return to Poland in 1996 reestablishes him as a major literary figures on the contemporary Polish scene. His continuous presence in Western and Eastern European theatres testifies to the broad appeal of his plays. The presentation of Mrozek's entire artistic profile is supplemented by information on the reception of his writings in Poland and abroad, including the most important performances of his plays. The volume also provides a chronology of Mrozek's life and works, a complete listing of primary texts in Polish, English and German, a list of theatrical premieres, and a bibliography of secondary sources.
Polish Romantic Drama
Containing translations of three major plays, in his highly informative introduction, Professor Segel discusses the plays against the background of the Romantic movement in Poland and points out their ideological and artistic importance.
Teatr
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Cross Purposes
No other symbol is as omnipresent in Poland as the cross. This multilayered and contradictory icon features prominently in public spaces and state institutions. It is anchored in the country's visual history, inspires protest culture, and dominates urban and rural landscapes. The cross recalls Poland's historic struggles for independence and anti-Communist dissent, but it also encapsulates the country's current position in Europe as a self-avowed bulwark of Christianity and a champion of conservative values. It is both a national symbol – defining the boundaries of Polishness in opposition to a changing constellation of the country's Others – and a key object of contestation in the creative arts and political culture. Despite its long history, the cross has never been systematically studied as a political symbol in its capacity to mobilize for action and solidify power structures. Cross Purposes is the first cultural history of the cross in modern Poland, deconstructing this key symbol and exploring how it has been deployed in different political battles.
Dialog
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Legacies of Silence
Accompanying an exhibition at the Imperial War Museum, London, from 5 April to 27 August 2001, this volume examines the contribution of artist-witnesses, victims and survivors of the Holocaust to post-war culture and the visual arts.
Pytanie o wspólnotę
Bohaterowie pracy należą do innych pokoleń, realizują zdecydowanie odmienną estetykę sceniczną i inaczej komunikują się z widzami, nie wystawiają tych samych sztuk i kierują zespołami artystycznymi w innym czasie i w innych miastach. Autorce udało się jednak w bardzo interesujący sposób tak omówić ich stosunek do «wspólnoty narodowej», żeby ukazać historyczną zmienność tego pojęcia, czynniki warunkujące jego performatywną istotę. A ponadto wnikliwie przedstawić skomplikowane relacje między tak rozumianą wspólnotą a komunikacją w teatrze i jej inscenizacyjno-estetycznym wymiarem”. Z recenzji prof. dr hab. Małgorzaty Sugiery „Spór wokół Narodowego St...
Theatre and Holy Script
Nineteen essays discuss the interrelationships between theatrical performance and religious experience--with primarily a Judeo- Christian emphasis, though the editor points out the potential for exploration in connection with all the world religions. Among the topics discussed: holy space and representational place in the tenth- century, Norwegian rock art as the first sources of theater in Europe, the sacramental aesthetic in the plays of Dorothy L. Sayers, religious implications of drama from the Holocaust, and holy scriptures and subversive theater in Poland. Levy is a theater director and author with profound enthusiasm for his topic. Distributed by ISBS. Annotation copyrighted by Book News, Inc., Portland, OR
Demony seksu
Kolejna po „Seksbombach PRL-u” bogato ilustrowana opowieść Krzysztofa Tomasika o kinie, seksie i PRL-u snuta poprzez biografie gwiazd polskiego filmu. Tym razem bohaterki – Ewa Krzyżewska, Halina Kowalska, Anna Chodakowska, Marzena Trybała, Ewa Sałacka i Maria Probosz – reprezentują typ dużo odważniejszy seksualnie, bardziej demoniczny. Po części jest to związane z latami, na które przypadają ich największe sukcesy – w latach 70. i 80. możliwe było bowiem silniejsze akcentowanie seksualności w filmach. Z opowieści wyłonią się różne modele symbolu seksu, ponieważ każda z opisywanych aktorek reprezentowała inny typ erotyzmu, począwszy od najbardziej tajemni...
Didaskalia
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