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Growing old - what is it like? What are the main problems of the aging? Lack of fulfillment in their work and life? Loneliness? Anxiety about sickness and disability? Fear of death? This well-documented, theoretically systematic, and vivid account of the process of aging provides highly enlightening answers and dispels once and for all many of the myths surrounding the close to 20 million Americans who are over sixty-five. Building upon the results of extensive interviews, the authors have established the existence of six styles and have concluded that a successful transition to old age can be achieved through any of them. They have also developed a definition of success, which has practical...
Robert and Helen Lynd's Middletown set the format in sociological theory and practice for hundreds of studies in the decades following its publication in 1929. Old People in Three Industrial Societies may well set similar standards for studies in its fi eld for many years to come. In addition to achieving a signifi cant breakthrough in the progress of socio logical research techniques, the book offers a monumental cross-cultural exposition of the health, family relationships, and social and economic status of the aged in three countries-the United States, Britain, and Denmark.
The prevailing wisdom in gerontology is that people routinely adjust to old age just as they adjust to earlier life stages. But aging presents unusual circumstances, and the transition processes that typify earlier passages fail to operate in the customary way. The reasons for this are the subject of this book. Its basic thesis is clear: unlike other status changes in American life, people are not effectively socialized to old age. Irving Rosow shows that there is virtually no role for the elderly, the norms for them are weak, and they are subject to negligible socializing forces. He argues that America has only a minor stake in older people and their place in society, almost certainly becau...
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Death and dying experiences are not common across human race because humans do not share common cultural heritage and physical environment. The fact of death thus can be considered as socially constructed fact abounded by idiosyncratic religious beliefs and rituals existing within social life. It is almost impossible to have common consensual understanding of death and dying. This book tries to investigate various sources of knowledge about death in multiple disciplines from sociological lenses.
As it considers early modern medical theories, sexual myths, and intergenerational conflicts, this book traces the development of the comic old man character in Renaissance comedy, from his many incarnations in Venice and Florence to his popularity on the English stage. As Anthony Ellis shows how English dramatists adapted an Italian model to portray concerns about growing old, he sheds new light on early modern society's complex attitudes toward aging.