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Jolie Gentil moves to Great Aunt Madge's bed and breakfast at the Jersey shore, taking her cat Jazz, and joining Madge's pair of prune-eating dogs. Jolie does not view this as a retreat from her embezzling ex-husband, just a smart change. She had no idea her life was about to get even more complicated. Jolie finds work as a real estate appraiser, but a low-life named Joe Pedone demands that Jolie repay some of her husband's gambling debts and she runs into Michael Riordan, her high school crush. She's not sure which one is more trouble. Jolie appraises his mother's house and finds his mother dead in bed. Soon the mundane work of appraising real estate and dodging suggestions that she go to the ten-year high school reunion are mixed with calls from reporters, scary suggestions from Pedone, and requests that she help the local busybody with First Presbyterian's social services work. Jolie balances her fear of Pedone, conviction that Michael is innocent, and sometimes uneasy friendship with long-ago friend Scoobie.
From the critically acclaimed writer of A Different Sun, a Southern coming-of-age novel that sets three very different young people against the tumultuous years of the American civil rights movement... Tacker Hart left his home in North Carolina as a local high school football hero, but returns in disgrace after being fired from a prestigious architectural assignment in West Africa. Yet the culture and people he grew to admire have left their mark on him. Adrift, he manages his father's grocery store and becomes reacquainted with a girl he barely knew growing up. Kate Monroe's parents have died, leaving her the family home and the right connections in her Southern town. But a trove of disturbing letters sends her searching for the truth behind the comfortable life she's been bequeathed. On the same morning but at different moments, Tacker and Kate encounter a young African-American, Gaines Townson, and their stories converge with his. As Winston-Salem is pulled into the tumultuous 1960s, these three Americans find themselves at the center of the civil rights struggle, coming to terms with the legacies of their pasts as they search for an ennobling future.
Sticky Fingered Books Jolie Gentil Cozy Mystery Book 12 It isn't every day that you find a body at your kids' school. Unless you're Jolie Gentil. Then it's more of an option. Someone broke into Sand and Sea Daycare, leaving a broken window and plenty of rain in the director's office. When Jolie hears an angry man say the intruder must have been looking for some books, she wonders what's up. But that's not her business. Her job at the co-op center is to place orders for the food the kids gobble. Scoobie's contribution, as a poet, is to lead a rhyming session with the kids. It's bedlam and they love it. But when Jolie goes into the center for an evening board meeting, she finds a body at the d...
A “lush, evocative, breathtaking”* debut novel from Elaine Neil Orr, “reminiscent of Barbara Kingsolver's magnum opus, The Poisonwood Bible, with elements of Joseph Conrad and Louise Erdrich.”* Also I heard the voice of the Lord, saying, Whom shall I send, and who will go for us? Then said I, Here am I; send me. When Emma Davis reads the words of Isaiah 6:8 in her room at a Georgia women’s college, she understands her true calling: to become a missionary. It is a leap of faith that sweeps her away to Africa in an odyssey of personal discovery, tremendous hardship, and profound transformation. For the earnest, headstrong daughter of a prosperous slave owner, living among the Yoruba ...
The daughter of medical missionaries, Elaine Neil Orr was born in Nigeria in 1954, in the midst of the national movement that would lead to independence from Great Britain. But as she tells it in her captivating new memoir, Orr did not grow up as a stranger abroad; she was a girl at home—only half American, the other half Nigerian. When she was sent alone to the United States for high school, she didn't realize how much leaving Africa would cost her. It was only in her forties, in the crisis of kidney failure, that she began to recover her African life. In writing Gods of Noonday she came to understand her double-rootedness: in the Christian church and the Yoruba shrine, the piano and the ...
Challenges the "subversive" model of feminist criticism and argues for the importance of negotiation for feminist practice within a plurality of critical positions and identities, presenting an empirical method for a negotiating feminist criticism and demonstrating the model with analysis of the writing of five American women authors: Edith Wharton, Zora Neale Hurston, Eudora Welty, Toni Morrison, and Marge Piercy. For scholars of feminist literary theory and 20th-century American literature. Annotation copyrighted by Book News, Inc., Portland, OR
"In her brilliant, wide ranging, nuanced study of apocalypse, Keller has written a definitive cultural and theological essay. In this book she is doing the work of the true intellectual: providing learned, passionate guidance for living the good life, all of us together, here and now, on our planet." —Sallie McFague, Distinguished Theologian in Residence Vancouver School of Theology "A richly evocative exploration of apocalyptic's ambiguous possibilities.... Inspiring in the fullest personal, political, and religious senses of the term." —Kathryn Tanner University of Chicago Divinity School "Catherine Keller is a poet among theologians. Her writing attains imaginative heights and depths that expose the flatly prosaic character of most theological work. One finds oneself lingering over sentences, images and tropes, hearing them resonate with connections and insights." —Peter Hodgson Journal of the American Academy of Religion
First comprehensive life of one of the twentieth century's greatest poetic innovators E.E. Cummings is best remembered as one of the first poets of the twentieth century to successfully unite poetic tradition with the avant garde; endlessly experimenting with the poetic form, and producing volumes of playfully iconoclastic verse. In this, the first biography of Cummings for twenty-five years, Christopher Sawyer-Laucanno uses his unprecedented access to the poet's own personal papers to present a picture of a man whose literary success was in direct contrast to the chaos of his personal life. From his strained relationship with his Harvard professor father, his war-time incarceration in a French prison camp, his extraordinary, prolific liaisons with young women (and consequent failed marriages), to his writing of some of the most remarkable and tender poetry of the twentieth century, the biographer is expert at weaving together the different and difficult elements of the poet's life. The first biography of E.E. courses everywhere, and is probably the most prolific American poet of the last century Written with unprecedented access to Cummings' own papers
Edward Estlin Cummings (1894–1962), a native of Cambridge, Massachusetts, and a Harvard University graduate, is best known for his rejection of traditional poetic forms. As e. e. cummings, he conducted radical experiments with spelling, syntax, and punctuation that inspired a revolution in twentieth-century literary expression and excited the admiration and affection of poetry lovers of all ages. With his 1923 debut, Tulips & Chimneys, the 25-year-old poet rattled the conservative literary scene, directing his avant-garde approach to the traditional subjects of love, life, time, and beauty. His playful treatment of punctuation and language adds enduring zest to such popular and oft-anthologized poems as "All in green went my love riding," "in Just-," "Tumbling-hair," "O sweet spontaneous," "Buffalo Bill's," and "the Cambridge ladies who live in furnished souls." This edition presents complete and textually accurate editions of Cummings's work, in keeping with the original manuscripts and the poet's intentions.
Though she never wanted to sit on the plank above the dunk tank for the food pantry fundraiser, Jolie never dreamed what Scoobie saw would nearly kill him. His ex-con mother arrives and there's a murder to add to the mix. Even appraising real estate is complicated by home burglars. Jolie grudgingly seeks help from her nemesis, reporter George Winters, and tries to evade a kidnapper and murderer and take charge of her world again. The police wish she'd butt out and Aunt Madge is furious that Jolie insists on talking to a couple shady characters on her own. Soon even the guests at Aunt Madge's Cozy Corner B&B are in the way. Can Jolie keep her friends safe, and will Scoobie recover enough to say what happened to him and plan another silly fundraiser?