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The Civil War and American Art
Collects the best artwork created before, during and following the Civil War, in the years between 1859 and 1876, along with extensive quotations from men and women alive during the war years and text by literary figures, including Emily Dickinson, Mark Twain and Walt Whitman. 15,000 first printing.
Alexander Von Humboldt and the United States
The enduring influence of naturalist and explorer Alexander von Humboldt on American art, culture, and politics Alexander von Humboldt (1769–1859) was one of the most influential scientists and thinkers of his age. A Prussian-born geographer, naturalist, explorer, and illustrator, he was a prolific writer whose books graced the shelves of American artists, scientists, philosophers, and politicians. Humboldt visited the United States for six weeks in 1804, engaging in a lively exchange of ideas with such figures as Thomas Jefferson and the painter Charles Willson Peale. It was perhaps the most consequential visit by a European traveler in the young nation's history, one that helped to shape...
The Painted Sketch
The Painted Sketch is the first volume to focus on the sketches of major American artists of the period. Eleanor Jones Harvey, author and consulting curator of American Art for the Dallas Museum of Art, follows the artists from field to studio, examining the changing perception and growing public appreciation for these small works. Her study is based on much new research as well as on her close analysis of existing resources.
Hudson River School Visions
Sanford Gifford (American, 1823-1880), a leading Hudson River School landscape painter and a founder of The Metropolitan Museum of Art, was so esteemed by the New York art world that, at his untimely death, the Museum mounted a show of his work-the first monographic exhibition accorded any artist-and published a Memorial Catalogue that, for nearly a century, remained the principal source on his oeuvre. Gifford's art, which was inspired by the work of Thomas Cole, the founder of the Hudson River School, and by that of British artist J.M.W. Turner, and enriched by his travels in Europe (from 1855 to 1857, and from 1868 to 1869), came to be called "air painting," for he made the ambient light o...
The Voyage of the Icebergs
Twelve days after the onset of the American Civil War in April of 1861, Frederic Edwin Church, the most successful American landscape painter of his day, debuted his latest “Great Picture”—a painting titled The North. Despite favorable reviews, the painting failed to find a buyer. Faced with this unexpected setback, Church added a broken mast to the foreground and changed the work’s title to The Icebergs. He then shipped the painting to London, where it was finally sold to an English railroad magnate and subsequently disappeared from view for 116 years. This beautiful book tells the fascinating story of The Icebergs and provides a detailed look at the cycle of fame, neglect, and resu...
An Impressionist Sensibility
Celebrates a remarkable collection of paintings amassed in the late 1980s by Texans Hugh and Marie Halff.
Whistler
A biography of James McNeill Whistler (1834-1903) that dispels the popular notion of Whistler as merely a combative, eccentric and unrelenting publicity seeker, a man as renowned for his public feuds with Oscar Wilde and John Ruskin as for the iconic portrait of his mother.
The Fight for the Four Freedoms
An inspiring call to redeem the progressive legacy of the greatest generation, now under threat as never before. On January 6, 1941, the Greatest Generation gave voice to its founding principles, the Four Freedoms: Freedom from want and from fear. Freedom of speech and religion. In the name of the Four Freedoms they fought the Great Depression. In the name of the Four Freedoms they defeated the Axis powers. In the process they made the United States the richest and most powerful country on Earth. And, despite a powerful, reactionary opposition, the men and women of the Greatest Generation made America freer, more equal, and more democratic than ever before. Now, when all they fought for is under siege, we need to remember their full achievement, and, so armed, take up again the fight for the Four Freedoms.
The Civil War in 50 Objects
The American companion to A History of the World in 100 Objects, a fresh, visual perspective on the Civil War From a soldier’s diary with the pencil still attached to John Brown’s pike, the Emancipation Proclamation, and the leaves from Abraham Lincoln’s bier, here is a unique and surprisingly intimate look at the Civil War. Lincoln scholar Harold Holzer sheds new light on the war by examining fifty objects from the New-York Historical Society’s acclaimed collection. A daguerreotype of an elderly, dignified ex-slave; a soldier’s footlocker still packed with its contents; Grant’s handwritten terms of surrender at Appomattox—the stories these objects tell are rich, poignant, sometimes painful, and always fascinating. They illuminate the conflict from all perspectives—Union and Confederate, military and civilian, black and white, male and female—and give readers a deeply human sense of the war.
Carl Rungius
Carl Rungius was the first career wildlife artist in North America. He spent his life studying and depicting this continent's wide-open spaces and the creatures that inhabit them. Rungius's paintings present majestic moose, elk, big horn sheep, and mountain goats in idyllic landscapes seemingly untouched by humans. He created the images that often come to mind when we think of "wilderness." During his lifetime (1869-1959), Rungius enjoyed a reputation similar to that of well-known Western painter and sculptor Frederic Remington. Though interest in his work declined following his death, Carl Rungius retains a loyal following among collectors all over North America. Well-known wildlife artists such as Robert Bateman acknowledge his influence and growing fascination with our wilderness heritage is bringing Rungius back into the public eye.
