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Bringing together young musicians from Palestine, Israel and other countries of the Middle East, the West-Eastern Divan Orchestra is both one of the most acclaimed youth orchestras in the world and a rare note of hope in a war-torn region. Founded by Daniel Barenboim and Edward Said in 1999, it aims to promote Arab-Israeli understanding through music. In An Orchestra Beyond Borders, Elena Cheah, a professional musician and assistant to Daniel Barenboim, explores the orchestra's journey through the remarkable stories of the musicians that comprise it. These youthful testimonies are a window into the life of the region. Together, they communicate the musicians' ambitions and hopes, their varied and conflicting views on life and politics, and above all the orchestra's transformative ability to create an atmosphere of musical cooperation away from the implications and hardships of a world full of division and conflict.
Global crises—from pandemics to climate change—demonstrate the vulnerability of the biosphere and each of us as individuals, calling for responses guided by creative analysis and compassionate reflection. Transforming, building on its companion volume, Awakening, explores actions that create paths of understanding and collaboration as the groundwork for transformative community. The community of scholars in this volume offers perspectives that collectively form a complex tapestry of resources. The volume engages with the complex range of challenges and possibilities across a variety of sectors, and provides an interdisciplinary approach to the prospects for transformative healing of human and non-human communities, and the global environment we inhabit. Spirituality is essential to this, and, as such, the work explores vital dimensions of emerging spiritual concepts, methods, and practices that harbor interfaith potential for genuine reconciliation and communion.
Over the past quarter century, music studies in the academy have their postmodern credentials by insisting that our scholarly engagements start and end by placing music firmly within its various historical and social contexts. In Music and the Politics of Negation, James R. Currie sets out to disturb the validity of this now quite orthodox claim. Alternating dialectically between analytic and historical investigations into the late 18th century and the present, he poses a set of uncomfortable questions regarding the limits and complicities of the values that the academy keeps in circulation by means of its musical encounters. His overriding thesis is that the forces that have formed us are not our fate.
Offers a new way of understanding music's connections with Orientalism and imperialism by using the concept of 'mission'.
Culture is constructed, negotiated, managed, and shared by various ideological, political, and moral reasonings which manifest themselves tangibly and intangibly in public monuments, architecture, memorial sites, theaters, museums, orchestras, and heritage associations. The contributions to this volume explore the intersection of cultural heritage and nationality in societies that are characterized by national, multi-national, and post-national concepts. They question the roles that cultural heritage plays in its various contexts, and the ways in which ideology functions to produce it.
In this book a former United Nations Envoy offers an insider perspective on conflict management and peace efforts during the three most recent failed peace initiatives and three wars in Gaza. Robert Serry shares his reflections on walking the tight rope of diplomacy between Israel and Palestine and his analysis of what has gone wrong and why a “one-state reality” may be around the corner. Offering fresh thinking on how to preserve prospects for a two-state solution, this book examines the UN’s uneasy history in the Arab-Israeli conflict since partition was proposed in resolution 181 (1948) and provides a rare insight into the life of a United Nations Envoy in today’s Middle East.
What if sounds everywhere lavish divine generosity? Merging insights from Jean-Luc Marion with musical ingenuity from Pierre Boulez and John Cage’s 4’33”, Gerald C. Liu blends the phenomenological, theological, and musical to formulate a hypothesis that in all places, soundscapes instantiate divine giving without boundary. He aims to widen apprehension of holiness in the world, and privileges the ubiquity of sound as a limitless and easily accessible portal for discovering the inexhaustible magnitude of divine giving.
Activism through Music during the Apartheid Era and Beyond documents the grassroots activism of Sharon Katz & the Peace Train against the backdrop of enormous diversity and the volatile social and political climate in South Africa during the early 1990s. Among the intersections of race, healing and the "soft power" of music, Katz offers a vision of the possibilities of national identity and belonging as South Africans grappled with the transition from apartheid to democracy. Through extensive fieldwork across two countries (South Africa and the United States) and drawing on personal experiences as a South African of color, Ambigay Yudkoff reveals a compelling narrative of multigenerational collaboration. This experience creates a sense of community fostering relationships that develop through music, travel, performances, and socialization. In South Africa and the United States, and recently in Cuba and Mexico, the Peace Train's journey in musical activism provides a vehicle for racial integration and intercultural understanding.
“The natural tone of Nicky Gentil’s richly anecdotal narrative will delight not only pianists and jazz enthusiasts but anyone who just happens to like pianos in general.” - Cadence Info Magazine A collection of humorous, touching, unputdownable stories set in Paris, The Jazz-Girl, the Piano, and the Dedicated Tuner transports you into a feel-good world of jazz, pianos and the little-known art of piano tuning. An entertaining slice of life, regardless of whether or not you play a musical instrument, this book explores the world of Nina Somerville, an Englishwoman who - while others are going through a mid-life crisis - discovers by complete chance her true calling: jazz improvisation. I...
In this elegant and personal new work, Michael P. Steinberg reflects on the story of Moses and the Exodus as a foundational myth of politics—of the formation not of a nation but of a political community grounded in universal law. Modern renderings of the story of Moses, from Michelangelo to Spinoza to Freud to Schoenberg to Derrida, have seized on the story's ambivalences, its critical and self-critical power. These literal returns form the first level of the afterlife of Moses. They spin a persistent critical and self-critical thread of European and transatlantic art and argument. And they enable the second strand of Steinberg's argument, namely the depersonalization of the Moses and Exod...