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Historical and Cultural Transformations of Russian Childhood is a collection of multidisciplinary scholarly essays on childhood experience. The volume offers new critical approaches to Russian and Soviet childhood at the intersection of philosophy, literary criticism, film/visual studies, and history. Pedagogical ideas and practices, and the ideological and political underpinnings of the experience of growing up in pre-revolutionary Russia, the Soviet Union, and Putin’s contemporary Russia are central venues of analysis. Toward the goal of constructing the "multimedial childhood text," the contributors tackle issues of happiness and trauma associated with childhood and foreground its fluidity and instability in the Russian context. The volume further examines practices of reading childhood: as nostalgic text, documentary evidence, and historic mythology. Considering Russian childhood as historical documentation or fictional narrative, as an object of material culture, and as embodied in different media (periodicals, visual culture, and cinema), the volume intends to both problematize but also elucidate the relationship between childhood, history, and various modes of narrativity.
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From governesses with supernatural powers to motor-car obsessed amphibians, the iconic images of English children's literature helped shape the view of the nation around the world. But, as Translating England into Russian reveals, Russian translators did not always present the same picture of Englishness that had been painted by authors. In this book, Elena Goodwin explores Russian translations of classic English children's literature, considering how representations of Englishness depended on state ideology and reflected the shifting nature of Russia's political and cultural climate. As Soviet censorship policy imposed restrictions on what and how to translate, this book examines how transl...
It is commonly held that a strict divide between literature and history emerged in the 19th century, with the latter evolving into a more serious disciple of rigorous science. Yet, in turning to works of historical writing during late Imperial Russia, Frances Nethercott reveals how this was not so; rather, she argues, fiction, lyric poetry, and sometimes even the lives of artists, consistently and significantly shaped historical enquiry. Grounding its analysis in the works of historians Timofei Granovskii, Vasilii Klyuchevskii, and Ivan Grevs, Writing History in Late Imperial Russia explores how Russian thinkers--being sensitive to the social, cultural, and psychological resonances of creative writing--drew on the literary canon as a valuable resource for understanding the past. The result is a novel and nuanced discussion of the influences of literature on the development of Russian historiography, which shines new light on late Imperial attitudes to historical investigation and considers the legacy of such historical practice on Russia today.
6 Punishment and conflict: Urka courts and the 'bitches' war' -- Ritual -- Punishment -- Suchya voina ('bitches' war') -- Conclusion -- Epilogue: Cult of the urka -- Criminal subculture after the Gulag -- Conclusions -- Glossary of commonly used terms -- Notes -- Bibliography -- Index.
One of the most important ballet choreographers of all time, Marius Petipa (1818 - 1910) created works that are now mainstays of the ballet repertoire. Every day, in cities around the world, performances of Swan Lake and The Sleeping Beauty draw large audiences to theatres and inspire new generations of dancers, as does The Nutcracker during the winter holidays. These are his best-known works, but others - Don Quixote, La Bayadère - have also become popular, even canonical components of the classical repertoire, and together they have shaped the defining style of twentieth-century ballet. The first biography in English of this monumental figure of ballet history, Marius Petipa: The Emperor'...
The birth of a post-Maidan fringe -- 'Ukrainian New Drama' -- Conclusion -- Acknowledgements -- Notes -- Bibliography -- 10 The playwright overlooked -- Olena Apchel and 'decolonizing the actor' -- Teatr Lesi -- Bad Roads -- Moscow's Teatr.doc tour to PostPlay Theatre, November 2018 -- Ukrainian independent theatre -- 'Zaporizhzhian New Drama' -- 11 A new 'dawn' in Ukrainian theatre -- Note -- 12 Stages of change -- Notes -- Bibliography -- 13 'Ne skvernoslov', otets moy' ['Curse not, my son'] -- Anna Iablonskaia and transnational contexts.
How did a regime that promised utopian-style freedom end up delivering terror and tyranny? For some, the Bolsheviks were totalitarian and the descent was inevitable; for others, Stalin was responsible; for others still, this period in Russian history was a microcosm of the Cold War. The Fate of the Bolshevik Revolution reasons that these arguments are too simplistic. Rather, the journey from Bolshevik liberation to totalitarianism was riddled with unsuccessful experiments, compromises, confusion, panic, self-interest and over-optimism. As this book reveals, the emergence (and persistence) of the Bolshevik dictatorship was, in fact, the complicated product of a failed democratic transition. Drawing on long-ignored archival sources and original research, this fascinating volume brings together an international team of leading scholars to reconsider one of the most important and controversial questions of 20th-century history: how to explain the rise of the repressive Stalinist dictatorship.
An exploration of the scandal surrounding Constantin Catacazy's appointment as Russian Ambassador to the United States, as well as its causes and consequences for diplomacy.