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Wings of the Doves
  • Language: en
  • Pages: 374

Wings of the Doves

In The Wings of the Doves, Elena Lombardi undertakes a detailed reading of Dante's Inferno V - the canto of Francesca da Rimini and her doomed love for her brother-in-law, Paolo Malatesta, a richly layered episode within the Divine Comedy, which continues to challenge readers today, blurring the distinction between poetry and doctrine, pity and condemnation, and literature and reality. Lombardi plays on the complex nature of the canto in order to shed light on a larger and much-debated theme in medieval culture - the relation between spiritual and erotic forms of love and desire. Eschatology and law, pilgrimage and beauty, the role of affective practices in the religious and social spheres, intertextuality and the medieval culture of reading are just some of the themes that come together to unravel this tale of adultery and its bordering with the soul's search for God. The Wings of the Doves examines the flexibility of the medieval notion of desire to unearth the hidden meanings of this complex story of lust and love and the radical nature of medieval love poetry.

Imagining the Woman Reader in the Age of Dante
  • Language: en
  • Pages: 292

Imagining the Woman Reader in the Age of Dante

A study of the figure of the woman reader in medieval Italian literature that places her within the history of female literacy, the material culture of the book, and the ways in which writers and poets of earlier traditions imagined her.

The Syntax of Desire
  • Language: en
  • Pages: 393

The Syntax of Desire

In medieval culture, the consideration of language is deeply connected to other aspects of the system of knowledge. One interesting connection takes place between theories of language and theories of larger concepts such as love and desire. The Syntax of Desire is an interdisciplinary examination of the interlacing operation of syntax and desire in three medieval 'grammars:' theological, linguistic, and poetic. Exploring three representative aspects of medieval language theory, Elena Lombardi uncovers the ways in which syntax and desire were interrelated in the Middle Ages. She suggests that, in Augustine's theology, the creative act of God in the universe emerges as a syntax that the human ...

The Fatima Prophecies
  • Language: en
  • Pages: 418

The Fatima Prophecies

  • Type: Book
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  • Published: 2011-05-28
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  • Publisher: Unknown

I was . . . overwhelmed and reinvigorated by this fantastic journal and the emerging revelations about our Heavenly Father. With this historical book, Marys armies now have a most timely and powerful weapon for evangelization as the Triumph of her Immaculate Heart approaches. -- -Bud MacFarlane Sr., M.I., World-renowned expert on apparitions and mystical phenomena, Afterglow, NJ Once more Thomas Petrisko presents us with an array of prophecies that indicate the tumult of our time and the hidden role of the Virgin. -- - Michael Brown, author, The Final Hour and The Last Secret, Latham, NY Panoramic in scope and profound in content, this work shows how all the major Marian apparitions point like compass needles to Fatima as their goal and crown. -- - Fr. Richard Foley, S.J., author and EWTN commentator, London, England

The Oxford Handbook of Dante
  • Language: en
  • Pages: 778

The Oxford Handbook of Dante

Offers an original and innovative assessment of Dante's oeuvre and the medical context, Provides critical tools for approaching Dante and medieval culture, Engages with the multifaceted character of Dante and his works, Brings together a plurality of voices from different countries, disciplines, and traditions Book jacket.

When Heroes Fall: An Enemies-to-Lovers Mafia Romance
  • Language: en
  • Pages: 508

When Heroes Fall: An Enemies-to-Lovers Mafia Romance

From Wall Street Journal bestselling author Giana Darling comes an enemies to lovers, forbidden romance between an ice cold lawyer and her infamous mafioso client who is on trial for murder... I am the villain of my own story... Jilted by my fiancé. A disappointment to my family. Haunted by my childhood traumas. I felt so much all my life that I resolved to feeling nothing at all. Until I met my match. As the most infamous mafioso of the 21st century, Dante Salvatore was madly passionate, unequivocally bad, and entirely too dangerous to know. He was everything I abhorred, yet I found myself representing him in the biggest criminal trial of the decade. I was so focused on winning and achieving the success I deserved that I didn't notice the gorgeous black-eyed man's effect on me until it was too late. My icy heart had been held too close to his flame and now I wouldn't let Dante go down without fighting with everything I had in me. Even if the cost of a new life with him meant the loss of my old life and everything I thought I held dear. *Book One in the Anti-Heroes in Love Duet.*

Vertical Readings in Dante's Comedy
  • Language: en
  • Pages: 249

Vertical Readings in Dante's Comedy

Vertical Readings in Dante’s Comedy is a reappraisal of the poem by an international team of thirty-four scholars. Each vertical reading analyses three same-numbered cantos from the three canticles: Inferno i, Purgatorio i and Paradiso i; Inferno ii, Purgatorio ii and Paradiso ii; etc. Although scholars have suggested before that there are correspondences between same-numbered cantos that beg to be explored, this is the first time that the approach has been pursued in a systematic fashion across the poem. This collection in three volumes offers an unprecedented repertoire of vertical readings for the whole poem. As the first volume exemplifies, vertical reading not only articulates unexamined connections between the three canticles but also unlocks engaging new ways to enter into core concerns of the poem. The three volumes thereby provide an indispensable resource for scholars, students and enthusiasts of Dante. The volume has its origin in a series of thirty-three public lectures held in Trinity College, the University of Cambridge (2012-2016) which can be accessed at the Cambridge Vertical Readings in Dante’s Comedy website.

Enamoured
  • Language: en
  • Pages: 534

Enamoured

It was the worst day of my life. I know most people say that about something obviously horrific-a first heartbreak, the discovery of a fatal illness, or the funeral of a loved one-but my situation was a little different. Not only was it my wedding day, but it was also the day I chose to die. Two men. The first, my Master, my captor, and my impossible love. The other, his brother, a mafioso I was meant to ensnare and ruin. If I had any hope of living a normal life reunited with my family, I had to make a choice. End my old life as I knew it and start fresh, or take down the monsters that hunted me and haunted my Master. In the end, the decision was never really mine to make. Because Alexander Davenport would come to claim me even in death.**The Enslaved Duet is a standalone dark romance duet about Cosima Lombardi from The Evolution of Sin Trilogy. Enthralled must be read before Enamoured.**

Believing in Dante
  • Language: en
  • Pages: 277

Believing in Dante

Alison Cornish offers a compelling new take on the Commedia with modern sensibilities in mind. Believing in Dante re-examines the infernal dramas of Dante's masterpiece that alienate and perplex modern readers, offering an invigorating view of the whole Divine Comedy, bringing it to meaningful life today. Addressing the characteristics that distance an author like Dante from the modern world, Alison Cornish shows the value of critically and constructively engaging with texts that do not coincide with current worldviews. She thereby reveals how we might discover constellations by which to navigate the process of reading. Written with incisiveness and sophistication, this landmark book elucidates Dante's eminently readable universe: one where we can and must choose what we want to believe.

Dante's Masterplot and Alternative Narratives in the Commedia
  • Language: en
  • Pages: 209

Dante's Masterplot and Alternative Narratives in the Commedia

Alongside traditional notions of Dante's trademark plurality of linguistic registers and styles, this book argues that his narrative pluralism can and should play a key role in contemporary and future readings of the Commedia.