You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
An abundantly illustrated history of the dynamic interaction between the arts and sciences, and how it has shaped our world. Today, art and science are often defined in opposition to each other: one involves the creation of individual aesthetic objects, and the other the discovery of general laws of nature. Throughout human history, however, the boundaries have been less clearly drawn: knowledge and artifacts have often issued from the same source, the head and hands of the artisan. And artists and scientists have always been linked, on a fundamental level, by their reliance on creative thinking. Art and Science is the only book to survey the vital relationship between these two fields of en...
An abundantly illustrated history of the dynamic interaction between the arts and sciences, and how it has shaped our world. Today, art and science are often defined in opposition to each other: one involves the creation of individual aesthetic objects, and the other the discovery of general laws of nature. Throughout human history, however, the boundaries have been less clearly drawn: knowledge and artifacts have often issued from the same source, the head and hands of the artisan. And artists and scientists have always been linked, on a fundamental level, by their reliance on creative thinking. Art and Science is the only book to survey the vital relationship between these two fields of en...
How to use philosophy and music to open your horizons and enjoy being yourself, put theory to work, and help you experience personal growth is discussed in A Marriage of Philosophy and Music. It is all about "after." After having a liberal education, you are comfortable in modern culture, and after further education and becoming a specialist in some field, you enjoy using your skills. We learn the ideas and methods of many social cultures and our own chosen specialty, but we often neglect the liberal art of disciplining and enjoying the ideas and methods of our own individuality. This book offers a path toward the education of privacy, with the key words being selection, design, and beauty. ...
This volume offers a brilliant re-reading of the representation of the human figure in the light of the Jewish experience, analyzing its appearance in the works of modernists such as Chagall, Freundlich, Lipchitz, Modigliani, Pissarro, Soutine, Zadkine and contemporary artists such as Lucian Freud, Alex Katz and Kitaj. For more than 2000 years, Jewish art explored specific themes, while blending with local cultures and aesthetics. At the turn of the 20th century a significant number of Jewish artists were influenced by western culture whilst remaining faithful to their heritages. This book is dedicated to the various aspects of their artistic endeavors - most notably the representation of the human face, a theme very close to their hearts -- that were influenced by their Jewish roots. Their take on this widely explored subject proved highly unusual: they used it to express love and sorrow, but also to fight nihilism. As the twentieth century saw the gradual vanishing of the human face in art and li
Illustrated with more than one hundred full-color reproductions of works by the artists under discussion, The Human Figure and Jewish Culture is an essential addition to any library of art history or Judaica. --
When we view a work of art, we often experience an emotional response, but the causes of our reactions are complex. Our knowledge of why we respond to art as we do is rooted in science—in psychology and biology. Eric R. Kandel traces the origins of this understanding to early twentieth-century Vienna, which gave rise to the concept of the “beholder’s share,” the realization that art is incomplete without the perceptual and emotional involvement of the viewer—that is, without our responses to it. But what causes our response? Our brain is a creativity machine that brings to bear on any image—including a painting—certain innate, universal processes related to sensory perception a...
The humanities (and social science) are the disciplines that study human, which are essential in helping us to understand ourselves and others and the world around us. Since science is the study of everything in the universe and human is a material system consisting of the same atoms that make up other nonhuman systems, humanities are part of science. Thus, understanding correctly what science is about will be helpful in making progress in the humanities. To patch up the gap between the 'two cultures' derived from these two branches of knowledge, the best way is to recognize their common root in science and work through humanities-science synthesis, as advocated by Scimat, the new multidisci...
Art and science have frequently reflected similar values and used the same tools and methods. The author retraces in this book the links between art and science through over 250 illustrations and examples taken from architecture, painting, the decorative arts, chemistry; astronomy, biology or other disciplines. A straightforward style for the general public.
Foreign Artists and Communities in Modern Paris, 1870-1914 examines Paris as a center of international culture that attracted artists from Western and Eastern Europe, Asia and the Americas during a period of burgeoning global immigration. Sixteen essays by a group of emerging and established international scholars - including several whose work has not been previously published in English - address the experiences of foreign exiles, immigrants, students and expatriates. They explore the formal and informal structures that permitted foreign artists to forge connections within and across national communities and in some cases fashion new, transnational identities in the City of Light. Consider...