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The National Union Catalog, Pre-1956 Imprints
  • Language: en
  • Pages: 712

The National Union Catalog, Pre-1956 Imprints

  • Type: Book
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  • Published: 1975
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  • Publisher: Unknown

None

Women and German Drama
  • Language: en
  • Pages: 232

Women and German Drama

If all the world's a stage, playwrights can theoretically be seen as in control of the world they create; this book asks to what extent women dramatists manage to use the space of the drama to reflect the world that they experience."--BOOK JACKET.

The Center for Research Libraries Catalogue: Monographs
  • Language: en
  • Pages: 710

The Center for Research Libraries Catalogue: Monographs

  • Type: Book
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  • Published: 1969
  • -
  • Publisher: Unknown

None

National Register of Microform Masters
  • Language: en
  • Pages: 976

National Register of Microform Masters

  • Type: Book
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  • Published: 1976
  • -
  • Publisher: Unknown

None

National Register of Microform Masters
  • Language: en
  • Pages: 708

National Register of Microform Masters

  • Type: Book
  • -
  • Published: 1979
  • -
  • Publisher: Unknown

None

Catalog of the Theatre and Drama Collections
  • Language: en
  • Pages: 946

Catalog of the Theatre and Drama Collections

  • Type: Book
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  • Published: 1967
  • -
  • Publisher: Unknown

None

Taking Stock – Twenty-Five Years of Comparative Literary Research
  • Language: en
  • Pages: 572

Taking Stock – Twenty-Five Years of Comparative Literary Research

  • Type: Book
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  • Published: 2019-10-29
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  • Publisher: BRILL

Read an interview with Norbert Bachleitner. In this 200th volume of Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft the editors Norbert Bachleitner, Achim H. Hölter and John A. McCarthy ‘take stock’ of the discipline. It focuses on recurrent questions in the field of Comparative Literature: What is literature? What is meant by ‘comparative’? Or by ‘world’? What constitute ‘transgressions’ or ‘refractions’? What, ultimately, does being at home in the world imply? When we combine the answers to these individual questions, we might ultimately reach an intriguing proposition: Comparative Literature contributes to a sense of being at home in a world that is heterogeneous and fractured, rather than affirming a monolithic canon marked by territory and homogeneity. The volume unites essays on world literature, literature in the context of the history of ideas, comparative women and gender studies, aesthetics and textual analysis, and literary translation and tradition.

One Touch of Shakespeare
  • Language: en
  • Pages: 368

One Touch of Shakespeare

A collection of excerpts from 251 letters written by a shy widower and grocer in Zanesville. Ohio, who, in his time, was one of three Americans who could be called learned and eminent Shakespeareans. They are concerned with book collection, stage production, stage history, the state of the English language in Shakespeare's time, criticism, and interpretation of the text.

The Alchemist in Literature
  • Language: en
  • Pages: 252

The Alchemist in Literature

  • Type: Book
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  • Published: 2015
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  • Publisher: Unknown

Unlike most other studies of alchemy and literature, which focus on alchemical imagery in poetry of specific periods or writers, this book traces the figure of the alchemist in Western literature from its first appearance in the Eighth Circle of Dante's Inferno down to the present. From the beginning alchemy has had two aspects: exoteric or operative (the transmutation of baser metals into gold) and esoteric or speculative (the spiritual transformation of the alchemist himself). From Dante to Ben Jonson, during the centuries when the belief in exoteric alchemy was still strong and exploited by many charlatans to deceive the gullible, writers in major works of many literatures treated alchemi...

Calderón in the German Lands and the Low Countries
  • Language: en
  • Pages: 544

Calderón in the German Lands and the Low Countries

This book recounts the afterlife of the great Golden Age dramatist Pedro Calderón de la Barca in Dutch and German-speaking Europe. The high quality of the German critical and philosophical tradition has led to a far greater appreciation of Calderón outside than inside his native Spain, and it is in the German territories that the playwright's influence has been most remarkable and widespread. Professor Sullivan documents and analyses Calderón's reception and influence on the stage and on playwriting, criticism, philosophy and music in these territories. In addressing his book to students of both the German and the Spanish traditions Professor Sullivan has supplied the necessary background to both cultures and has rendered all quotations into English. The range of material will also make the book important for students of philosophy, comparative drama and German opera.