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Stelio Cro’s revealing work, arising from his more than half dozen previous books, considers the eighteenth-century Enlightenment in the context of the European experience with, and reaction to, the cultures of America’s original inhabitants. Taking into account Spanish, Italian, French, and English sources, the author describes how the building materials for Rousseau’s allegory of the Noble Savage came from the early Spanish chroniclers of the discovery and conquest of America, the Jesuit Relations of the Paraguay Missions (a Utopia in its own right), the Essais of Montaigne, Italian Humanism, Shakespeare’s Tempest, writers of Spain’s Golden Age, Defoe’s Robinson Crusoe, and the European philosophes.
This book provides an accessible account of the origins and conceptual foundations of language policy. Florian Coulmas discusses the influence of twenty intellectuals from medieval to modern times, and from a variety of cultures, who have taken issue with language, its use, development, and political potential. These 'guardians of language' range from renowned figures such as Dante, Noah Webster, and Gandhi, to less well-known individuals such as the Spanish grammarian Antonio de Nebrija and Senegalese politician and poet Leopold Sedar Senghor. Each chapter begins by providing background information on the scholar whose work is being reviewed and ends with a summary of his key thoughts on language in the form of an imaginary interview.
The discovery of the New World raised many questions for early modern scientists: What did these lands contain? Where did they lie in relation to Europe? Who lived there, and what were their inhabitants like? Imperial expansion necessitated changes in the way scientific knowledge was gathered, and Spanish cosmographers in particular were charged with turning their observations of the New World into a body of knowledge that could be used for governing the largest empire the world had ever known. As María M. Portuondo here shows, this cosmographic knowledge had considerable strategic, defensive, and monetary value that royal scientists were charged with safeguarding from foreign and internal enemies. Cosmography was thus a secret science, but despite the limited dissemination of this body of knowledge, royal cosmographers applied alternative epistemologies and new methodologies that changed the discipline, and, in the process, how Europeans understood the natural world.
To what extent can one speak of 'the Renaissance' in terms of grammar: did the medieval curricular subject grammatica survive into the Renaissance unchanged or was it transformed by the pedagogical programme of the humanists? The studies collected here focus on this question and trace the development of humanistic approaches to grammar. The first section consists of essays on the general characteristics of grammar in the period and on its connections with rhetoric. The following parts are devoted to three major grammatical writers: Guarino Veronese (1374-1460), Niccolò Perotti (1419/1420-1480), and Antonio de Nebrija (1441/1444?-1522). There is finally a section dealing with other figures, ...
This third volume on Missionary Linguistics focuses on morphology and syntax. It contains a selection of papers derived from the international conferences on missionary linguistics held in Hong Kong/Macau and Valladolid. As with the previous two volumes (2004, on general issues, and 2005, on orthography and phonology), this volume looks at methodology and descriptive techniques from a historical point of view, offering articles of interest to historiographers of linguistics, typologists, and descriptive linguists. It presents research into languages such as Tarasco (Pur'épecha), Massachusett, Nahuatl, Conivo, Sipibo, Guaraní, Vietnamese, Tamil, Southern Min Chinese dialects, Mandarin Chinese, Arabic, Tagalog and other Austronesian languages, such as Yapese and Chamorro.
In Miguel Venegas and the Earliest Jesuit Theater, Margarida Miranda takes a fresh look at the origins of Jesuit theater and provides a detailed account of the life and work of Miguel Venegas (1529–after 1588) within the Iberian tradition. The book details Venegas’s role as the founder of Jesuit theater in Portugal and the creator of a new musical genre, choruses for tragedies, which was gradually codified and emulated by successive generations of Jesuits. Venegas’s Latin tragedies in turn provided the model for regular dramatic activities in the global network of Jesuit schools, including, significantly, the first tragedies to be staged in Rome: Saul Gelboeus and Achabus, both of which had originally been performed in Coimbra in the mid-sixteenth century.
Winner of the 2013 Choice Outstanding Academic Title Award Christianity in Latin America provides a complete overview of more than 500 years of the history of Christianity in the ‘New World’. This book specifically focuses on conquest, exploitation of slave- and forced labor, mission, the formation of the Catholic Church after the council of Trent, Inquisition, popular religiosity, and postcolonial state formation. Attention is also given to the emergence of Protestant immigrant and mission churches, modern forms of exploitation of indigenous and Afro-American workers, Catholic-Protestant antagonisms from the beginning of ecumenism, liberation theology, the proliferation of Pentecostal c...
Erasmus produced his five editions of the New Testament in Greek and Latin and his Paraphrases on the Gospels and Epistles almost contemporaneously with the tumultuous events that accompanied the beginnings of the Reformation in Europe. At the same time, his scholarship was a signal illustration of the Christian Humanism of northern Europe. His remarkable scholarship is translated and annotated in the Collected Works of Erasmus, volumes 42-60, published by the University of Toronto Press. This volume, CWE 41, seeks to set in perspective in a major introductory essay the full range of that scholarship. It traces the origin of Erasmus' work and its development over the course of the last two d...