You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
When her father whisked her away from her mother, Francesca "Frankie" Vitale was exiled to Sardinia, an island off the coast of ItalyLater, when her dad died, Frankie was stuck with a family she didn't understand, emotionally or linguistically. As a child, she had an intense crush on Santino, an older boy in her town. After a night of harmless fun leads them to a shotgun marriage, they go their separate ways, linked only by paper. When they reunite, will their marriage actually start, or will they break their bonds forever?
"Tartly elegant...A vigorous, sparkling, and entertaining love story with plenty of Austen-ite wit." -Kirkus Reviews, STARRED review She Couldn't Forget... Wealthy squire's daughter Margaret Honeywell was always meant to marry her neighbor, Frederick Burton-Smythe, but it's bastard-born Nicholas Seaton who has her heart. Raised alongside her on her father's estate, Nick is the rumored son of notorious highwayman Gentleman Jim. When Fred frames him for theft, Nick escapes into the night, vowing to find his legendary sire. But Nick never returns. A decade later, he's long been presumed dead. He Wouldn't Forgive... After years spent on the continent, John Beresford, Viscount St. Clare has finally come home to England. Tall, blond, and dangerous, he's on a mission to restore his family's honor. If he can mete out a bit of revenge along the way, so much the better. But he hasn't reckoned for Maggie Honeywell. She's bold and beautiful--and entirely convinced he's someone else. As danger closes in, St. Clare is torn between love and vengeance. Will he sacrifice one to gain other? Or, with a little daring, will he find a way to have them both?
An m/m World War II-era retelling of Beauty and the Beast.During a chance summer shower, an English country parson takes refuge in a country house. The house seems deserted, yet the table is laid with a sumptuous banquet such as the parson has not seen since before war rationing. Unnerved by the uncanny house, he flees, but stops to pluck a single perfect rose from the garden for his daughter - only for the master of the house to appear, breathing fire with rage. Literally. At first, the parson can't stand this dragon-man. But slowly, he begins to feel the injustice of the curse that holds the dragon captive. What can break this vengeful curse?
"Repressed scholar Percival Endicott Whyborne has two skills: reading dead languages and hiding in his office at the Ladysmith Museum. After the tragic death of the friend he secretly loved, he's ruthlessly suppressed any desire for another man. So when handsome ex-Pinkerton Griffin Flaherty approaches him to translate a mysterious book, Whyborne wants to finish the job and get rid of the detective as quickly as possible. Griffin left the Pinkertons following the death of his partner, hoping to start a new life. But the powerful cult which murdered Glenn has taken root in Widdershins, and only the spells in the book can stop them. Spells the intellectual Whyborne doesn't believe are real. As the investigation draws the two men closer, Griffin's rakish charm threatens to shatter Whyborne's iron control. When the cult resurrects an evil sorcerer who commands terrifying monsters, can Whyborne overcome his fear and learn to trust? Will Griffin let go of his past and risk falling in love? Or will Griffin's secrets cost Whyborne both his heart and his life?"--Page 4 of cover.
A portrait of the modern priesthood, with a new introduction for which the author reinterviewed many of his subjects to learn their reaction to the recent sex abuse scandal and its impact on their lives.
Warlock Nate Hawthorne just wants a cup of coffee. Is that too much to ask? Apparently. Because instead of precious caffeine, all he gets is cursed by a pack of werewolves who want to use him for his magic. Now the only way to fix the damage is a mate bond to a grumpy and oh-so-sexy alpha in the rival pack, who happens to hate him. This is so not how he wanted to start his day. Ian Armitage never intended to take Nate as his mate. The Hawthorne family can’t be trusted. Ian knows that better than anyone. The fact that he’s lusted after the way-too-gorgeous man for years? Totally irrelevant. Ian’s just doing what is necessary to protect his pack. This whole mating arrangement has nothing to do with love and never will. That’s his story and he’s sticking to it. Nate and Ian will have to work together if they have any hope of staving off the pack’s enemies and averting disaster. That’s assuming they can stop arguing (and keep their hands off each other) long enough to save the day...
Staging a musical in Purgatory can be absolute hell. Lonnie Coleridge last saw the sun in 1968. Since then, he’s been consigned to Limbo, still wearing the same tie-dyed T-shirt and bell-bottomed jeans he had on when he left his life behind. He and others like him have one chance each year at redemption: produce a show for the Greek pantheon. Whoever pleases this very specific—and temperamental—fan group could earn the right to move on. But after a literal act of god (*cough* Hermes *cough*) destroys their sets, lights, and costumes, the company needs emergency help to rebuild. Without it, all of them could poof out of existence forever. Out-of-work theater technician TD Baylor has pre...
None
This book, first published in 1991, supplies a neglected cultural context for T. S. Eliot’s writings of the 1930s and 1940s, particularly Four Quartets, and attempts to disprove the widespread belief in Eliot’s unproblematic commitment to England, and the ‘Englishness’. The book traces Eliot’s classicism not only in linguistic and formalist terms but also in his construction of England in the Quartets and Quartets-related essays. His practice is related to the vigorous polemic concerning the definition of England found in the 1930s and 1940s, in material as diverse as landscape painting, advertising, travel literature and the detective novel. This original and provocative text will not only be of interest to students and teachers of Eliot, but to those interested in representations of nationality.