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Proust's Lesbianism
  • Language: en
  • Pages: 172

Proust's Lesbianism

For decades, Elisabeth Ladenson says, critics have misread or ignored a crucial element in Marcel Proust's fiction--his representation of lesbians. Her challenging new book definitively establishes the centrality of lesbianism as sexual obsession and aesthetic model in Proust's vast novel A la recherche du temps perdu. Traditional readings of the Recherche have dismissed Proust's "Gomorrah"--his term for women who love other women--as a veiled portrayal of the novelist's own homosexuality. More recently, "queer-positive" rereadings have viewed the novel's treatment of female sexuality as ancillary to its accounts of Sodom and its meditations on time and memory. Ladenson instead demonstrates ...

Dirt for Art's Sake
  • Language: en
  • Pages: 299

Dirt for Art's Sake

In Dirt for Art's Sake, Elisabeth Ladenson recounts the most visible of modern obscenity trials involving scandalous books and their authors. What, she asks, do these often-colorful legal histories have to tell us about the works themselves and about a changing cultural climate that first treated them as filth and later celebrated them as masterpieces? Ladenson's narrative starts with Madame Bovary (Flaubert was tried in France in 1857) and finishes with Fanny Hill (written in the eighteenth century, put on trial in the United States in 1966); she considers, along the way, Les Fleurs du Mal, Ulysses, The Well of Loneliness, Lady Chatterley's Lover, Tropic of Cancer, Lolita, and the works of ...

Madame Proust
  • Language: en
  • Pages: 352

Madame Proust

  • Type: Book
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  • Published: 2007-10
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  • Publisher: Unknown

Publisher description

The Cambridge Companion to French Literature
  • Language: en
  • Pages: 305

The Cambridge Companion to French Literature

A fresh and comprehensive account of the literature of France, from medieval romances to twenty-first-century experimental poetry and novels.

Second Thoughts
  • Language: en
  • Pages: 388

Second Thoughts

How does our perspective change after the first reading? What distortions emerge through repetition? How do we determine what's worth rereading and what is the role of such repetition in our lives? What are the gains and losses? This work investigates the rereading of texts from various genres.

Proust in Perspective
  • Language: en
  • Pages: 344

Proust in Perspective

Marcel Proust speaks to us today as a contemporary and a classic. His great novel resonates across languages and time, summing up the past, interpreting the present, and envisioning the future. For Proust in Perspective, scholars from France, Italy, Belgium, Germany, Sweden, Japan, Canada, and the United States have drawn on rich new editions of Proust's novel and correspondence to bring us fresh views of his work. In nineteen original essays, a foreword by Jean–Yves Tadié, and an introduction by editors Armine Kotin Mortimer and Katherine Kolb, this volume guides readers through the dense weave of Proust's fiction and correspondence. The essays take us into the realm of Proustian languag...

Gay Shame
  • Language: en
  • Pages: 407

Gay Shame

Asking if the political requirements of gay pride have repressed discussion of the more uncomfortable or undignified aspects of homosexuality, 'Gay Shame' seeks to lift this unofficial ban on the investigation of homosexuality and shame by presenting critical work from the most vibrant frontier in contemporary queer studies.

Proust and the Arts
  • Language: en
  • Pages: 307

Proust and the Arts

  • Categories: Art

Offers new perspectives on Proust's complex and creative relation to a variety of art forms from different eras.

Marcel Proust in Context
  • Language: en
  • Pages: 287

Marcel Proust in Context

This wide-ranging volume of essays provides an illuminating set of approaches to the multifaceted contexts of Proust's life and work.

Proust's Duchess
  • Language: en

Proust's Duchess

From the author of the acclaimed Queen of Fashion--a brilliant look at the glittering world of turn-of-the-century Paris through the first in-depth study of the three women Proust used to create his supreme fictional character, the Duchesse de Guermantes. Geneviève Halévy Bizet Straus; Laure de Sade, Comtesse de Adhéaume de Chevigné; and Élisabeth de Riquet de Caraman-Chimay, the Comtesse Greffulhe--these were the three superstars of fin-de-siècle Parisian high society who, as Caroline Weber says, "transformed themselves, and were transformed by those around them, into living legends: paragons of elegance, nobility, and style." All well but unhappily married, these women sought freedom...