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The 1940s saw a brief audacious experiment in mass entertainment: a jukebox with a screen. Patrons could insert a dime, then listen to and watch such popular entertainers as Nat "King" Cole, Gene Krupa, Cab Calloway or Les Paul. A number of companies offered these tuneful delights, but the most successful was the Mills Novelty Company and its three-minute musical shorts called Soundies. This book is a complete filmography of 1,880 Soundies: the musicians heard and seen on screen, recording and filming dates, arrangers, soloists, dancers, entertainment trade reviews and more. Additional filmographies cover more than 80 subjects produced by other companies. There are 125 photos taken on film sets, along with advertising images and production documents. More than 75 interviews narrate the firsthand experiences and recollections of Soundies directors and participants. Forty years before MTV, the Soundies were there for those who loved the popular music of the 1940s. This was truly "music for the eyes."
Personal diaries provide rare glimpses into those aspects of the past that are usually hidden from view, and the diary of Elizabeth Lee (1868–?) is no exception to this rule. Elizabeth’s father was a draper and outfitter in Birkenhead and during the twenty-five year span of Lee’s diary which began in 1884, she lived at home with her family while simultaneously traveling to both sides of the Mersey without supervision, making the diary an unusually revealing portrait of middle-class female life in Victorian society. Accompanied by a detailed introduction and an analysis of the diary itself, as well as a glossary relating to key people mentioned in its pages, The Diary of Elizabeth Lee is a rare firsthand account of adolescent life in Victorian Britain.
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These volumes provide biographical data on major and minor theatrical personnel who died between 1850 and 1990. Their data are derived from obituaries in The Era, The Stage, The Clipper, New York Dramatic Mirror, and Variety as well as The London Times, The New York Times, Boston Transcript, and the Los Angeles Times and is augmented by other diverse sources. Bryan's compilation is international in scope and broad in coverage. Thousands of entries and cross references detail the lives and careers of actors, directors, musical directors, designers, producers, playwrights, composers, screenwriters, scenarists, theatre and company managers, and agents connected with stage, screen, radio, television, vaudeville, circus, menagerie, and carnival.
ONE OF GRAZIA'S BEST BOOKS OF 2021 'I loved it. Atmospheric and so good' MARIAN KEYES 'A dark, bewitching and captivating read that had my heart in my mouth by the ending' JENNIFER SAINT, author of ARIADNE Lancashire, 1620. Young Sarah Haworth and her family live as outcasts. They are 'cunning folk', feared by the local villagers by day, but called upon under cover of darkness for healing balms and spells. Against the odds, love blossoms when Sarah meets Daniel, the local farmer's son. But when a new magistrate arrives to investigate a spate of strange deaths, his gaze inevitably turns to Sarah and her family. In a world where cunning women are forced into darkness by powerful men, can Sarah reckon with her fate to protect all she holds dear? 'Fans of intensely atmospheric historical fiction will love this' STYLIST 'Elizabeth Lee's debut novel is timely in its depiction of hysteria and persecution, and beautifully evokes a historical period poised between dark ignorance and long-overdue enlightenment' OBSERVER 'Wonderfully original . . . devastating . . . and fabulously atmospheric' ELODIE HARPER, author of THE WOLF DEN
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Inspired by her hugely popular podcast, How To Fail is Elizabeth Day’s brilliantly funny, painfully honest and insightful celebration of things going wrong.
In the 1890s Australian and New Zealand women became the first in the world to win the vote. Buoyed by their victories, they promised to lead a global struggle for the expansion of women’s electoral rights. Charting the common trajectory of the colonial suffrage campaigns, Distant Sisters uncovers the personal and material networks that transformed feminist organising. Considering intimate and institutional connections, well-connected elites and ordinary women, this book argues developments in Auckland, Sydney, and Adelaide—long considered the peripheries of the feminist world—cannot be separated from its glamourous metropoles. Focusing on Antipodean women, simultaneously insiders and outsiders in the emerging international women’s movement, and documenting the failures of their expansive vision alongside its successes, this book reveals a more contingent history of international organising and challenges celebratory accounts of fin-de-siècle global connection.